The Collected Stories of Lydia Davis
Quotes from the Book
It is not easy to live with another person, at least it is not easy for me. It makes me realize how selfish I am. It has not been easy for me to love another person either, though I am getting better at it. I can be gentle for as long as a month at a time now, before I become selfish again. I used to try to study what it meant to love someone. I would write down quotations from the works of famous writers, writers who did not interest me otherwise, like Hippolyte Taine or Alfred de Musset. For instance, Taine said that to love is to make one’s goal the happiness of another person. I would try to apply this to my own situation. But if loving a person meant putting him before myself, how could I do that? There seemed to be three choices: to give up trying to love anyone, to stop being selfish, or to learn how to love a person while continuing to be selfish. I did not think I could manage the first two, but I thought I could learn how to be just unselfish enough to love someone at least part of the time.
17
How strange it is to realize now that although I was frightened of the emptiness between us, that emptiness was not his fault but mine: I was waiting to see what he would give me, how he would entertain me. And yet I was incapable of being profoundly interested in him or, maybe, in anyone. Just the reverse of what I thought at the time, when it seemed so simple: he was too callow, or too cautious, or just too young, not complex enough yet, and so he did not entertain me, and it was his fault.
9
I think that a certain hunger for him came first and was followed by a feeling of tenderness, gradually increasing, for a person who aroused such hunger and then satisfied it. Maybe that was what I felt for him that I thought was love.
7
But when I thought my mind was altogether taken up with other things, as I stood on a railway station platform, waited by a car, entered or left a house, walked up or down a driveway, went out into the cold, went back in out of the cold, I would suddenly remember the sweet smell of his skin, and I would miss his open arms, how perfectly still he was when he opened his arms to me, as though all his attention was on me and on taking me into his arms, whereas with another man before him, and then another, there had been no room for me, they were all hard surface, they were always moving too quickly, rushing here and there, usually away from me, or past me, intent on their own business, only now and then straight toward me, when I, too, became their business. He paid attention, he watched, he listened, he thought about me when he was not with me, nothing was lost on him, nothing of me as he perceived me. Even in his sleep, he was attentive, and woke up enough to tell me he loved me, whereas other men, intent on the business of sleeping, would be disturbed and hiss at me: “Stop moving!
5
Looking back at that evening was almost better than experiencing it the first time, because it did not go faster than I could manage it, I did not have to worry about my part, and I was not distracted by doubt, because I knew how it would come out. I relived it so often, it might have happened just so that I could relive it later.
4
I said I would write one letter every day after the mail came. But I did not do that for long. I did not answer most of the letters that came to me. I would plan to walk south in the early part of the afternoon, so as to get a little sun on my face. But I did not do that for long. Although I liked the idea of a rigid order, and seemed to believe that a thing would have more value if it was part of an order, I quickly became tired of the order.
4
But no matter how clearly I saw what I was doing, I would go on doing it, as though I simply allowed my shame to sit there alongside my need to do it, one separate from the other. I often chose to do the wrong thing and feel bad about it rather than to do the right thing, if the wrong thing was what I wanted.
4
Then, although it was still the end of the story, I put it at the beginning of the novel, as if I needed to tell the end first in order to go on and tell the rest.
4
I copied the address into my address book, erasing an earlier one that had not been good for very long. No address of his was good for very long and the paper in my address book where his address is written is thin and soft from being erased so often.
3
As long as everything stayed the same, it seemed possible for him to come back. As long as everything was the way he had left it, his place was open for him. But if things changed beyond a certain point, his place in my life began to close, he could not reenter it, or if he did, he would have to enter in a new way.
3
Today I am feeling that chronological order is not a good thing, even if it is easier, and that I should break it up. Is it that when these events are in chronological order they are not propelled forward by cause and effect, by need and satisfaction, they do not spring ahead with their own energy but are simply dragged forward by the passage of time?
2
Is it that when these events are in chronological order they are not propelled forward by cause and effect, by need and satisfaction, they do not spring ahead with their own energy but are simply dragged forward by the passage of time?
2
Part of it may be that translators are paid by the word, so the more carefully they work on a translation, the less they are paid for their time, which means that if they are very careful they may not earn much. And often, the more interesting or unusual the book, the more painstaking they have to be. For one or two difficult books, I took so long over each page that I earned less than a dollar an hour. But I’m not sure this explains why so many people do not respect translators or would simply prefer not to think about them.
2
In a simple way, that same night, like two hungry and thirsty people, we could decide we wanted to find a place to be alone together and remain together long enough to satisfy our appetite.
1
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About Lydia Davis
More by Lydia Davis
About the book
Mislabeled boxes, problems with visiting nurses, confusing notes, an outing to the county fair―such are the obstacles in the way of the unnamed narrator of The End of the Story as she attempts to organize her memories of a love affair into a novel. With compassion, wit, and what appears to be candor she seeks to determine what she actually knows about herself and her past, but we begin to suspect, along with her, that given the elusiveness of memory and understanding, any tale retrieved from the past must be fiction.
Book details
- First published
- 1994
- Author
- Lydia Davis
- Genre
- Fiction
- Goodreads rating
- 3.62 (3k ratings)
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