Normal People
Quotes from the Book
Gradually the waiting began to feel less like waiting and more like this was simply what life was: the distracting tasks undertaken while the thing you are waiting for continues not to happen.
I think I only appear smart by staying quiet as often as possible.
I realised my life would be full of mundane physical suffering, and that there was nothing special about it. Suffering wouldn't make me special, and pretending not to suffer wouldn't make me special. Talking about it, or even writing about it, would not transform the suffering into something useful.
Things and people moved around me, taking positions in obscure hierarchies, participating in systems I didn't know about and never would. A complex network of objects and concepts. You live through certain things before you understand them. You can't always take the analytical position.
You underestimate your own power so you don't have to blame yourself for treating other people badly.
Everyone’s always going through something, aren’t they? That’s life, basically. It’s just more and more things to go through.
Things matter to me more than they do to normal people, I thought. I need to relax and let things go. I should experiment with drugs.
You live through certain things before you understand them. You can’t always take the analytical position.
Was I kind to others? It was hard to nail down an answer. I worried that if I did turn out to have a personality, it would be one of the unkind ones. Did I only worry about this question because as a woman I felt required to put the needs of others before my own? Was “kindness” just another term for submission in the face of conflict? These were the kind of things I wrote about in my diary as a teenager: as a feminist I have the right not to love anyone.
I thought about all the things I had never told Nick about myself, and I started to feel better then, as if my privacy extended all around me like a barrier protecting my body.
You think everyone you like is special, she said. I'm just a normal person. When you get to like someone, you make them feel like they're different from everyone else. You're doing it with Nick, you did it with me once.
My ego had always been an issue. I knew that intellectual attainment was morally neutral at best, but when bad things happened to me I made myself feel better by thinking about how smart I was.
I was a very autonomous and independent person with an inner life that nobody else had ever touched or perceived.
At times I thought this was the worst misery I had experienced in my life, but it was also a very shallow misery, which at any time could have been relieved completely by a word from him and transformed into idiotic happiness.
You can love more than one person, she said. That's arguable. Why is it any different from having more than one friend? You're friends with me and you also have other friends, does that mean you don't really value me? I don't have other friends, I said.
This could only interfere with my other ambitions, such as achieving enlightenment and being a fun girl.
Afterward I lay on my side with A Critique of Postcolonial Reason propped half-open on the pillow beside me. Occasionally I lifted a finger to turn the page and allowed the heavy and confusing syntax to drift down through my eyes and into my brain like fluid. I'm bettering myself, I thought. I'm going to become so smart that no one will understand me.
He was the first person I had met since Bobbi who made me enjoy conversation, in the same irrational and sensuous way I enjoyed coffee or loud music.
People were always wanting me to show some weakness so they could reassure me. It made them feel worthy.
Is it possible we could develop an alternative model of loving each other?
Maybe niceness is the wrong metric, I said. Of course it's really about power, Bobbi agreed. But it's harder to work out who has the power, so instead we rely on 'niceness' as a kind of stand-in. I mean this is an issue in public discourse. We end up asking like, is Israel 'nicer' than Palestine.
I ran my finger along his collarbone and said: I can’t remember if I thought about this at the beginning. How it was doomed to end unhappily. He nodded, looking at me. I did, he said. I just thought it would be worth it.
I enjoyed playing this kind of character, the smiling girl who remembered things. Bobbi told me she thought I didn’t have a ‘real personality’, but she said she meant it as a compliment. Mostly I agreed with her assessment. At any time I felt I could do or say anything at all, and only afterwards think: oh, so that’s the kind of person I am.
She slipped out of my grasp like a thought.
At a certain level of abstraction, anyone could have written the poem, but that didn't feel true either. It seemed as though what he was really saying was: there's something beautiful about the way you think and feel, or the way you experience the world is beautiful in some way.
Though I knew that I would eventually have to enter full-time employment, I certainly never fantasized about a radiant future where I was paid to perform an economic role. Sometimes this felt like a failure to take an interest in my own life, which depressed me.
We can sleep together if you want, but you should know I’m only doing it ironically.
Curled up in bed with my arms folded I thought bitterly: he has all the power and I have none. This wasn't exactly true, but that night it was clear to me for the first time how badly I'd underestimated my vulnerability,
Instead of thinking gigantic thoughts, I tried to focus on something small, the smallest thing I could think of. Someone once made this pew I’m sitting on, I thought. Someone sanded the wood and varnished it. Someone carried it into the church. Someone laid the tiles on the floor, someone fitted the windows. Each brick was placed by human hands, each hinge fitted on each door, every road surface outside, every bulb in every streetlight. And even things built by machines were really built by human beings, who built the machines initially. And human beings themselves, made by other humans, struggling to create happy children and families. Me, all the clothing I wear, all the language I know. Who put me here in this church, thinking these thoughts? Other people, some I know very well and others I have never met. Am I myself, or am I them? Is this me, Frances? No, it is not me. It is the others. Do I sometimes hurt and harm myself, do I abuse the unearned cultural privilege of whiteness, do I take the labor of others for granted, have I sometimes exploited a reductive iteration of gender theory to avoid serious moral engagement, do I have a troubled relationship with my body, yes. Do I want to be free of pain and therefore demand that others also live free of pain, the pain that is mine and therefore also theirs, yes, yes.
Did you know?
- Conversations with Friends was Sally Rooney's debut novel.
- Rooney completed the novel while studying for a master's degree in American literature.
- The novel won the Sunday Times Charlotte Aitken Young Writer of the Year Award in 2017.
- It was adapted into a television series released on BBC Three and Hulu in 2022.
- The novel is narrated in the first person by its protagonist, Frances.
About Sally Rooney
More by Sally Rooney
About the book
Conversations with Friends is Sally Rooney's debut novel, narrated by Frances, a reserved Dublin college student and aspiring writer who performs spoken-word poetry with her charismatic best friend and former girlfriend, Bobbi. When the pair befriend Melissa, an older essayist and photographer, and her actor husband Nick, the four become entangled in a shifting web of attraction and intimacy, and Frances drifts into an affair with Nick.
The novel examines young adulthood, friendship, desire, and the gap between how its characters present themselves and what they actually feel. Through Frances's cool, observant first-person voice, Rooney explores emotional vulnerability, communication, class and economic precarity, and the negotiations of unconventional relationships.
Published in 2017, the book was widely praised for its restrained, precise prose and emotional acuity, marking Rooney as a major new literary voice. It won the Sunday Times Charlotte Aitken Young Writer of the Year Award and was adapted into a television series in 2022, helping establish Rooney as a defining novelist of the millennial generation.
Key characters
- FrancesThe narrator, a reserved Dublin college student and aspiring writer
- BobbiFrances's charismatic best friend and former girlfriend
- MelissaAn older essayist and photographer who befriends Frances and Bobbi
- NickMelissa's husband, an actor, with whom Frances begins an affair
Book details
- First published
- 2017
- Length
- 336 pages
- Reading time
- 7 hours
- Author
- Sally Rooney
- Genre
- Fiction
- Goodreads rating
- 3.73 (623k ratings)
Critical reception
- Critics praised Rooney's lucid, precise prose and emotional confidence.
- The novel won the Sunday Times Charlotte Aitken Young Writer of the Year Award in 2017.
- It was shortlisted and longlisted for several prizes, including the Dylan Thomas Prize and the Folio Prize.
Movie & TV adaptations
- IMDb
If you liked this, read…
- 1Normal PeopleRooney's follow-up novel with the same intimate focus on young Irish relationships.
- 2Beautiful World, Where Are YouAnother Rooney novel exploring friendship, love, and modern self-doubt.
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