The Prime of Miss Jean Brodie
Quotes from the Book
[My novel] took up the sweetest part of my mind and the rarest part of my imagination; it was like being in love and better. All day long when I was busy [...], I had my unfinished novel personified almost as a secret companion and accomplice following me like a shadow wherever I went, whatever I did.
I see no reason to keep silent about my enjoyment of the sound of my own voice as I work.
When people say that nothing happens in their lives I believe them. But you must understand that everything happens to an artist; time is always redeemed, nothing is lost and wonders never cease.
It astonished me later to find how the readers found Warrender’s war record so convincing and full when I had said so little – one real war veteran of Burma wrote to say how realistic he found it – but since then I’ve come to learn for myself how little one needs, in the art of writing, to convey the lot, and how a lot of words, on the other hand, can convey so little.
I don't know why I thought of Dottie as my friend but I did. I believe she thought the same way about me although she really didn't like me. In those days, among the people I mixed with, one had friends almost by predestination. There they were, like your winter coat and your meagre luggage. You didn't think of discarding them just because you didn't altogether like them.
We are not all born heroes and athletes. At the same time it is elementary wisdom always to fear weaknesses, including one's own; the reactions of the weak, when touched off, can be horrible and sudden.
In those days, among the people I mixed with, one had friends almost by predestination. There they were, like your winter coat and your meagre luggage. You didn’t think of discarding them just because you didn’t altogether like them.
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About Muriel Spark
More by Muriel Spark
About the book
"How wonderful to be an artist and a woman in the twentieth century," Fleur Talbot rejoices. Happily loitering about London, c. 1949, with intent to gather material for her writing, Fleur finds a job "on the grubby edge of the literary world," as secretary to the peculiar Autobiographical Association. Mad egomaniacs, hilariously writing their memoirs in advance—or poor fools ensnared by a blackmailer? Rich material, in any case. But when its pompous director, Sir Quentin Oliver, steals the manuscript of Fleur's new novel, fiction begins to appropriate life. The association's members begin to act out scenes exactly as Fleur herself has already written them in her missing manuscript. And as they meet darkly funny, pre-visioned fates, where does art start or reality end?
Book details
- First published
- 1981
- Author
- Muriel Spark
- Genre
- Fiction
- Goodreads rating
- 3.79 (6k ratings)
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