One's Company
Quotes from the Book
Still in the process of becoming, the soul makes room.
I wanted to sit quietly in front of the window as the cat did. I wanted to show my excitement like the dog.
Yes, you're changing. But the best parts of you are still here.
I hated March more than any other month, with its promises of warmth that never came
You try to make yourself abnormal on purpose," he said. "You think it makes you better than the other people around you.
What makes you do it, then?' 'My soul,' I said boldly. I didn't care how it sounded.
I, on the other hand, spent those days lost in my reading. I sat in front of the fire sometimes with my husband, and sometimes alone. I forgot where I was, so forceful were the settings and characters in those books I read, so fine and deep. Yet when I came to, it wasn't unpleasant. In fact, it pleased me very much.
was true, I was mean sometimes. But I didn’t have it in me to be kind to someone who saw me only in relation to property and propriety.
We were born to die, but death can feel unreal if we’re comforted in the right ways.
I wanted to tell her about my writing, but I was afraid she would think I was exaggerating my relationship to it, that I was lying. After all, I wasn't a real writer, yet I wrote every day. Though I hadn't cleaned for a while, to say that I was a maid would probably have been a more accurate way to explain who I was.
Writing was not the only thing I wanted to do, but the important thing, I thought, was that I wanted to do it more than anything else. I would write for an entire day, then do nothing for days on end. I'd look at my notebook and feel bored. After some time, however, it was my life that was boring, and I missed writing, so I would begin to write again.
In books I found even more strongly my desire to write, to write back to them and their jagged, perfect words. I found life that ran close to my own
Why is empty space a comfort and a relief? It's not because I project myself there; it's because I can't. It shows me my projections, but they haven't left my mind. Empty space remains empty, always. And for a little while a small part of me can be empty too.
Then I was alone and I didn't like it. Maybe I should be alone always, I thought
Why did I get so dressed up when no one would see me? It is better that way, to give fancy things to my writing and my own mind, better than wasting them on people I don't like,
Later on we would all be dead, but the cabinet would remain, and the people who used it would be different, though likely related to the ones who had used it before.
I would listen to a bird cry, or the cat and the dog scratching around. In those moments I felt like a giant ear.
We all carry our lives in us, not just our problems or nightmares, but something of what we were before.
Occasionally a man would walk by and ask what I was doing. "A menu for a dinner party," I would say. Or, "I am writing down my dreams." When too many men had walked by with this same question, or some version of it, I said, "Your face looks like the butt of a wolf and it's interfering with my concentration." I was a rich woman now; I could say these things.
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About Amina Cain
About the book
In "a strangely ageless world somewhere between Emily Dickinson and David Lynch" (Blake Butler), a cleaning woman at a museum of art nurtures aspirations to do more than simply dust the paintings around her. She dreams of having the liberty to explore them in writing, and so must find a way to win herself the time and security to use her mind. She escapes her lot by marrying a rich man, but having gained a husband, a house, high society, and a maid, she finds that her new life of privilege is no less constrained. Not only has she taken up different forms of time-consuming labor—social and erotic—but she is now, however passively, forcing other women to clean up after her. Perhaps another and more drastic solution is necessary?
Reminiscent of a lost Victorian classic in miniature, yet taking equal inspiration from such modern authors as Jean Rhys, Octavia Butler, Clarice Lispector, and
Book details
- First published
- 2020
- Author
- Amina Cain
- Genre
- Fiction
- Goodreads rating
- 3.57 (7k ratings)
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Keep reading
One's Company
Conversations with Friends
Tonight I'm Someone Else: Essays
Great House
All the Lovers in the Night
A Wolf at the Table
The Collected Stories of Lydia Davis
Somebody's Daughter
How We Fight For Our Lives
A Home at the End of the World
Underdog
I Keep My Exoskeletons to Myself
The Muse
Aristotle and Dante Discover the Secrets of the Universe
Hollow City
Dream Count
You Too Can Have a Body Like Mine
The Blindfold
Heart Berries
The Folded Clock: A Diary
Eleanor Oliphant Is Completely Fine
Outline
The Likeness
Acts of Desperation
Wolf Hollow
Min kamp 2
The Death of Vivek Oji
A Line Made By Walking
The Stranger
Mother Mary Comes to Me
Tell the Wolves I'm Home
The Binding
Near to the Wild Heart
Swimming in the Dark
Rebecca
Eileen
The Discomfort Zone: A Personal History
The Story of a New Name
The Case for Jamie
The Girl Before
Escape
Still Me
Singin' and Swingin' and Gettin' Merry Like Christmas
Severance
A Room Made of Leaves
What I Loved
The Journals of Sylvia Plath
Her Body and Other Parties
The Mandarins
Beasts of Extraordinary Circumstance
In the Woods
Look at Me
Those Who Leave and Those Who Stay
When We Were Animals
The Buddha of Suburbia
What I Was
Prep
The Lake
In the Heart of the Heart of the Country and Other Stories
Kissing the Witch: Old Tales in New Skins

