The People in the Trees
Quotes from the Book
You won’t understand what I mean now, but someday you will: the only trick of friendship, I think, is to find people who are better than you are—not smarter, not cooler, but kinder, and more generous, and more forgiving—and then to appreciate them for what they can teach you, and to try to listen to them when they tell you something about yourself, no matter how bad—or good—it might be, and to trust them, which is the hardest thing of all. But the best, as well.
...things get broken, and sometimes they get repaired, and in most cases, you realize that no matter what gets damaged, life rearranges itself to compensate for your loss, sometimes wonderfully.
Why wasn’t friendship as good as a relationship? Why wasn’t it even better? It was two people who remained together, day after day, bound not by sex or physical attraction or money or children or property, but only by the shared agreement to keep going, the mutual dedication to a union that could never be codified.
Wasn’t friendship its own miracle, the finding of another person who made the entire lonely world seem somehow less lonely?
He experienced the singular pleasure of watching people he loved fall in love with other people he loved.
Friendship was witnessing another’s slow drip of miseries, and long bouts of boredom, and occasional triumphs. It was feeling honored by the privilege of getting to be present for another person’s most dismal moments, and knowing that you could be dismal around him in return.
Sometimes he wakes so far from himself that he can’t even remember who he is. “Where am I?” he asks, desperate, and then, “Who am I? Who am I?” And then he hears, so close to his ear that it is as if the voice is originating inside his own head, Willem’s whispered incantation. “You’re Jude St. Francis. You are my oldest, dearest friend. You’re the son of Harold Stein and Julia Altman. You’re the friend of Malcolm Irvine, of Jean-Baptiste Marion, of Richard Goldfarb, of Andy Contractor, of Lucien Voigt, of Citizen van Straaten, of Rhodes Arrowsmith, of Elijah Kozma, of Phaedra de los Santos, of the Henry Youngs. “You’re a New Yorker. You live in SoHo. You volunteer for an arts organization; you volunteer for a food kitchen. “You’re a swimmer. You’re a baker. You’re a cook. You’re a reader. You have a beautiful voice, though you never sing anymore. You’re an excellent pianist. You’re an art collector. You write me lovely messages when I’m away. You’re patient. You’re generous. You’re the best listener I know. You’re the smartest person I know, in every way. You’re the bravest person I know, in every way. “You’re a lawyer. You’re the chair of the litigation department at Rosen Pritchard and Klein. You love your job; you work hard at it. “You’re a mathematician. You’re a logician. You’ve tried to teach me, again and again. “You were treated horribly. You came out on the other end. You were always you.
And so I try to be kind to everything I see, and in everything I see, I see him.
Fairness is for happy people, for people who have been lucky enough to have lived a life defined more by certainties than by ambiguities. Right and wrong, however, are for—well, not unhappy people, maybe, but scarred people; scared people.
What he knew, he knew from books, and books lied, they made things prettier.
Relationships never provide you with everything. They provide you with some things. You take all you want from a person - sexual chemistry, let's say, or good conversation, or financial support, or intellectual compatibility, or niceness, or loyalty - and you get to pick three of them.
None of them really wanted to listen to someone else’s story anyway; they only wanted to tell their own.
You see, Jude, in life, sometimes nice things happen to good people. You don’t need to worry—they don’t happen as often as they should. But when they do, it’s up to the good people to just say ‘thank you,’ and move on, and maybe consider that the person who’s doing the nice thing gets a bang out of it as well, and really isn’t in the mood to hear all the reasons that the person for whom he’s done the nice thing doesn’t think he deserves it or isn’t worthy of it.
He now viewed a successful relationship as one in which both people had recognized the best of what the other person had to offer and had chosen to value it as well.
I have never been one of those people—I know you aren’t, either—who feels that the love one has for a child is somehow a superior love, one more meaningful, more significant, and grander than any other. I didn’t feel that before Jacob, and I didn’t feel that after. But it is a singular love, because it is a love whose foundation is not physical attraction, or pleasure, or intellect, but fear. You have never known fear until you have a child, and maybe that is what tricks us into thinking that it is more magnificent, because the fear itself is more magnificent. Every day, your first thought is not “I love him” but “How is he?” The world, overnight, rearranges itself into an obstacle course of terrors. I would hold him in my arms and wait to cross the street and would think how absurd it was that my child, that any child, could expect to survive this life. It seemed as improbable as the survival of one of those late-spring butterflies—you know, those little white ones—I sometimes saw wobbling through the air, always just millimeters away from smacking itself against a windshield.
He had looked at Jude, then, and had felt that same sensation he sometimes did when he thought, really thought of Jude and what his life had been: a sadness, he might have called it, but it wasn't a pitying sadness; it was a larger sadness, one that seemed to encompass all the poor striving people, the billions he didn't know, all living their lives, a sadness that mingled with a wonder and awe at how hard humans everywhere tried to live, even when their days were so very difficult, even when their circumstances were so wretched. Life is so sad, he would think in those moments. It's so sad, and yet we all do it.
But what was happiness but an extravagance, an impossible state to maintain, partly because it was so difficult to articulate?
It was precisely these scenes he missed the most from his own life with Willem, the forgettable, in-between moments in which nothing seemed to be happening but whose absence was singularly unfillable.
They all—Malcolm with his houses, Willem with his girlfriends, JB with his paints, he with his razors—sought comfort, something that was theirs alone, something to hold off the terrifying largeness, the impossibility, of the world, of the relentlessness of its minutes, its hours, its days.
But these were days of self-fulfillment, where settling for something that was not quite your first choice of a life seemed weak-willed and ignoble. Somewhere, surrendering to what seemed to be your fate had changed from being dignified to being a sign of your own cowardice. There were times when the pressure to achieve happiness felt almost oppressive, as if happiness were something that everyone should and could attain, and that any sort of compromise in its pursuit was somehow your fault.
It is also then that I wish I believed in some sort of life after life, that in another universe, maybe on a small red planet where we have not legs but tails, where we paddle through the atmosphere like seals, where the air itself is sustenance, composed of trillions of molecules of protein and sugar and all one has to do is open one's mouth and inhale in order to remain alive and healthy, maybe you two are there together, floating through the climate. Or maybe he is closer still: maybe he is that gray cat that has begun to sit outside our neighbor's house, purring when I reach out my hand to it; maybe he is that new puppy I see tugging at the end of my other neighbor's leash; maybe he is that toddler I saw running through the square a few months ago, shrieking with joy, his parents huffing after him; maybe he is that flower that suddenly bloomed on the rhododendron bush I thought had died long ago; maybe he is that cloud, that wave, that rain, that mist. It isn't only that he died, or how he died; it is what he died believing. And so I try to be kind to everything I see, and in everything I see, I see him.
Harold sighs. “Jude,” he says, “there’s not an expiration date on needing help, or needing people. You don’t get to a certain age and it stops.
Relationships never provide you with everything. They provide you with some things. You take all the things you want from a person -- sexual chemistry, let's say, or good conversation, or financial support, or intellectual compatibility, or niceness, or loyalty -- and you get to pick three of those things. The rest you have to look for elsewhere. It's only in the movies that you find someone who gives you all those things. But this isn't the movies. In the real world, you have to identify which three qualities you want to spend the rest of your life with, and then you look for those qualities in another person. That's real life. Don't you see it's a trap? If you keep trying to find everything, you'll wind up with nothing.
they were inventing their own type of relationship, one that wasn’t officially recognized by history or immortalized in poetry or song, but which felt truer and less constraining.
But it was true that for the first time, he was able to comprehend that the people he had grown to trust might someday betray him anyway, and that as disappointing as it might be, it was inevitable as well, and that life would keep propelling him steadily forward, because for everyone who might fail him in some way, there was at least one person who never would.
It had always seemed to him a very plush kind of problem, a privilege, really, to consider whether life was meaningful or not.
I have become lost to the world In which I otherwise wasted so much time It means nothing to me Whether the world believes me dead I can hardly say anything to refute it For truly, I am no longer a part of the world.
Friendship, companionship: it so often defied logic, so often eluded the deserving, so often settled itself on the odd, the bad, the peculiar, the damaged.
Everyone thought they would be friends for decades, forever. But for most people, of course, that hadn't happened. As you got older, you realized that the qualities you valued in the people you slept with or dated weren't necessarily the ones you wanted to live with, or be with, or plod through your days with. If you were smart, and if you were lucky, you learned this and accepted this. You figured out what was most important to you and you looked for it, and you learned to be realistic.
Did you know?
- The novel is set primarily in New York City and spans several decades in the lives of its characters.
- Yanagihara has said she wanted to create a protagonist who "never got better."
- It won the 2015 Kirkus Prize for Fiction.
- It was shortlisted for the 2015 Man Booker Prize and was a National Book Award finalist.
- A Little Life was Yanagihara's second novel, following The People in the Trees (2013).
- A stage adaptation was directed by Ivo van Hove, first premiering in Amsterdam in 2018.
About Hanya Yanagihara
More by Hanya Yanagihara
The People in the Trees
To Paradise
About the book
"A Little Life" is a 2015 novel by American writer Hanya Yanagihara that follows four college friends—Jude, Willem, Malcolm, and JB—as they move to New York City and build careers and lives across several decades. Although it begins as a story of male friendship and ambition, the narrative increasingly centers on Jude St. Francis, a brilliant litigator whose mysterious childhood trauma and struggles with self-harm come to dominate the book's emotional core.
The novel is known for its unflinching treatment of abuse, disability, addiction, depression, and the limits of love and friendship as forces of healing. Yanagihara has said she wanted to create a protagonist who "never got better," and the book deliberately resists redemptive arcs, examining instead the enduring aftermath of childhood cruelty and the devotion of the friends who surround Jude.
Running to well over 700 pages, "A Little Life" became an unexpected bestseller and a critical touchstone of the 2010s. It won the 2015 Kirkus Prize for Fiction and was shortlisted for the Man Booker Prize and a National Book Award, while also drawing debate over its relentless depictions of suffering. It has since been adapted for the stage, including productions directed by Ivo van Hove.
Key characters
- Jude St. FrancisA brilliant litigator with a traumatic, mysterious past who struggles with disability and self-harm
- Willem RagnarssonAn aspiring actor and Jude's closest friend
- Malcolm IrvineAn architect among the four college friends
- Jean-Baptiste "JB" MarionA painter and the wittiest of the group
Book details
- First published
- 2015
- Length
- 814 pages
- Reading time
- 49 hours
- Author
- Hanya Yanagihara
- Genre
- Contemporary
- Goodreads rating
- 4.27 (983k ratings) →
- First line
- “The eleventh apartment had only one closet, but it did have a sliding glass door that opened onto a small balcony, from which he could see a man sitting across the way, outdoors in only a T-shirt and shorts even though it was October, smoking.”
Movie & TV adaptations
- IMDb
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