Held
Quotes from the Book
A NATION IS A FICTION, AND LIKE ANY NARRATIVE, IT MUST HAVE A BEGINNING AND AN END. ITS SEAMS ARE IMAGINARY, INVISIBLE LINES OF STITCHES THAT HOLD IT TOGETHER, US VERSUS THEM, A COUNTRY AGAINST ITS ENEMIES. A BROTHER PICKS UP A GUN AGAINST HIS BROTHER, AND THE SEAM SPLITS. THE FICTION ENDS. A COUNTRY IS A FICTION THAT ENDS IN BLOODSHED, RUBBLE, A MOUND OF DIRT MARKED ONLY WITH FLOWERS. OTHER MEN WANT TO WRITE A DIFFERENT STORY, BUILD ANOTHER LIE. A KINDER ONE, LESS BLOODY BUT STILL STURDY AROUND THE EDGES. A COUNTRY NEEDS A BORDER TO PROVE IT IS REAL. NETO PRESSES ITS EDGES BETWEEN HIS FINGERS, SEEING WHAT WILL GIVE. WILL HE SEE HOW FLIMSY IT IS, HOW CONVENIENT A STORY HE’S COME TO BELIEVE? HERE IS WHAT HIS NATION SOUNDS LIKE: A GIRL IS TERRIFIED, BUT SHE KEEPS LIVING. HER STORY DOES NOT END AT THE BARREL OF A GUN, AND THOUGH HER COUNTRY IS A LIE, SHE BELIEVES IT BECAUSE IT ALLOWED HER TO BREATHE LONG ENOUGH FOR HER MOTHER TO STORM IN. TO HOLD HER, TO ASSURE HER THAT NOTHING IS TORN, THAT LIFE WILL CONTINUE IF WE CLOSE OUR EYES AND PRETEND WE DO NOT SEE THE GASH DOWN ITS CENTER.
You’re my first love, they admitted to each other, and reaffirmed their growing belief that existence was a task best done in a pair.
Every day that I’m home, I sit close enough to the door to hear the shuffle of footsteps just outside it. I sit there, reading or layering ink on a form, and wait. Most times, it’s just the sound of a vendor or a neighbor walking down the street. But sometimes, it’s what I was hoping for. A letter from you.
The problem with death, Ana mulled over, is that one must continue with their day when it comes knocking.
THERE IS WAR AND THERE IS REVOLUTION. WAR IS CADAVERS, AMERICAN DOLLARS, RONALD REAGAN, HELICOPTERS, CRATER-SIZE FISSIONS, DEAD PEOPLE, DEAD PEOPLE, DEAD PEOPLE. REVOLUTION IS MAKESHIFT UNIFORMS, BOMBED BRIDGES, INFIGHTING, MURDERED POETS, SCAPEGOATS, HUNGER, TRIUMPH, POLITICAL SPACE, DEAD BODIES, DEAD BODIES, DEAD BODIES. THE FUTURE SPLITS INTO POSTWAR OR POST-REVOLUTION, DIFFERENT DEAD IN EACH HALF BUT LOST LIVES LINING EACH EDGE ANYWAY.
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About Ruben Reyes Jr.
About the book
From the author of There Is a Rio Grande in Heaven, a piercing debut novel following two families in alternative timelines of the Salvadoran civil war—a stunning exploration of the mechanisms of fate, the gravity of the past, and the endurance of love.
“An important voice in U.S. fiction. Ruben Reyes Jr. is a wonder.” — Héctor Tobar
Cambridge, 2018. Ana and Luis’s relationship is on the rocks, despite their many similarities, including their mothers who both fled El Salvador during the war. In her search for answers, and against her best judgement, Ana uses The Defractor, an experimental device that allows users to peek into alternate versions of their lives. What she sees leads her and Luis on a quest through Havana and San Salvador to uncover the family histories they are desperate to know, eager to learn if what might have been could fix what is.
Havana, 1978. The Salvadoran
Book details
- First published
- 2025
- Author
- Ruben Reyes Jr.
- Genre
- Historical
- Goodreads rating
- 3.10 (3k ratings)
The buzz
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