Honor
Quotes from the Book
Because in real life, unlike in history books, stories come to us not in their entirety but in bits and pieces, broken segments and partial echoes, a full sentence here, a fragment there, a clue hidden in between. in life, unlike in books, we have to weave our stories out of threads as fine as the gossamer veins that run through a butterfly's wings.
that is what migrations and relocations do to us: when you leave your home for unknown shores, you don’t simply carry on as before; a part of you dies inside so that another part can start all over again.
You don't share a language, you think, and then you realise, grief is a language. We understand each other, people with troubled pasts.
A map is a two-dimensional representation with arbitrary symbols and incised lines that decide who is to be our enemy and who is to be our friend, who deserves our love and who deserves our hatred and who, our sheer indifference. Cartography is another name for stories told by winners. For stories told by those who have lost, there isn’t one.
Some day this pain will be useful to you.
I wish I could have told him that loneliness is a human invention. Trees are never lonely. Humans think they know with certainty where there being ends and someone else's starts. With there roots tangled and caught up underground, linked to fungi and bacteria, trees harbour no such illusions. For us, everything is interconnected.
People assume it’s a matter of personality, the difference between optimists and pessimists. But I believe it all comes down to an inability to forget. The greater your powers of retention, the slimmer your chances at optimism.
Love is the bold affirmation of hope. You don't embrace hope when death and destruction are in command. You don't put on your best dress and tuck a flower in your hair when you are surrounded by ruins and shards. You don't lose your heart at a time when hearts are supposed to remain sealed, especially for those who are not of your religion, not of your language, not of your blood. You don't fall in love in Cyprus in the summer of 1974. Not here, not now. And yet there they were, the two of them.
If families resemble trees, as they say, arborescent structures with entangled roots and individual branches jutting out at awkward angles, family traumas are like thick, translucent resin dripping from a cut in the bark. They trickle down generations.
The world is unfair, said Meryem. "If a stone falls on an egg, it is bad for the egg; if an egg falls on a stone, it is still bad for the egg.
anyone who expects love to be sensible has perhaps never loved.
To immigrants and exiles everywhere, the uprooted, the re-rooted, the rootless, And to the trees we left behind, rooted in our memories ...
If you weep for all the sorrows in this world, in the end you will have no eyes.
Love is the bold affirmation of hope.
But not everyone needs to be a warrior, my dear. Otherwise we’d never have poets, artists, scientists …’ ‘I disagree,’ said Defne into her wine glass. ‘There are moments in life when everyone has to become a warrior of some kind. If you are a poet, you fight with your words; if you are an artist, you fight with your paintings … But you can’t say, “Sorry, I’m a poet, I’ll pass.” You don’t say that when there’s so much suffering, inequality, injustice.
Wherever there is a war and painful partition, there will be no winners, human or otherwise.
Where do you start someone's story when life has more then one thread and what we call birth is not the only beginning, nor is death exactly an end.
I’ve been thinking that you are my country. Is that a strange thing to say? Without you, I don’t have a home in this world; I am a felled tree, my roots severed all round; you can topple me with the touch of a finger.
Listen, canim, I know you might get cross with me for saying this, but remember, good advice is always annoying and bad advice never is. So if what I say irritates you, take it as good advice.
But if you are going to claim, as humans do, to be superior to all life forms, past and present, then you must gain an understanding of the oldest living organisms on earth who were here long before you arrived and will still be here after you have gone.
You see, there are two kinds: the surface and the deep water. Now, Aphrodite emerged from foam, remember? Foam love is a nice feeling, but just as superficial. When it’s gone, it’s gone, nothing remains. Always aim for the kind of love that comes from the deep.
Humans are strange that way, full of contradictions. It's as if they need to hate and exclude as much as they need to love and embrace.
Perhaps in a world bound with rules and regulations that made little sense, and usually privileged a few over the many, madness was the only true freedom.
He knew, even back then, that she was prone to bouts of melancholy. It came to her in successive waves, an ebb and flow. When the first wave arrived, barely touching her toes, it was so light and translucent a ripple that you might be forgiven for thinking it insignificant, that it would vanish soon, leaving no trace. But then followed another wave, and the next one, rising as far as her ankles, and the one after that covering her knees, and before you knew it she was immersed in liquid pain, up to her neck, drowning. That's how depression sucked her in.
bridges appear in our lives only when we are ready to cross them.
Sometimes family trauma skips a generation altogether and redoubles its hold on the following one. You may encounter grandchildren who silently shoulder the hurts and sufferings of their grandparents.
Maybe we give other names to grief because we are too scared to call it by its name.
Superstitions are the shadows of fears unknown.
What I meant was, some people stand in front of a tree and the first thing they notice is the trunk. These are the ones who prioritize order, safety, rules, continuity. Then there are those who pick out the branches before anything else. They yearn for change, a sense of freedom. And then there are those who are drawn to the roots, though concealed under the ground. They have a deep emotional attachment to their heritage, identity, traditions …
Time is a songbird, and just like any other songbird it can be taken captive. It can be held prisoner in a cage and for even longer than you might think possible. But time cannot be kept in check in perpetuity. No captivity is forever.
Did you know?
- The novel is partly narrated by a fig tree that observes the family across decades.
- It moves between two timelines: 1970s and later Cyprus, and late-2010s London.
- Its central love story crosses the Greek Cypriot and Turkish Cypriot divide.
- It was a Reese's Book Club pick in November 2021.
- It was shortlisted for the 2022 Women's Prize for Fiction.
About Elif Shafak
More by Elif Shafak
All books by Elif Shafak →About the book
The Island of Missing Trees is a 2021 novel by the Turkish-British writer Elif Shafak that braids together two timelines and an unexpected narrator. In one strand, set in late-2010s London, sixteen-year-old Ada Kazantzakis grieves the recent death of her mother and feels cut off from a family history no one will explain to her. In the other, set in Cyprus across the 1970s and beyond, her parents Kostas, a Greek Cypriot, and Defne, a Turkish Cypriot, fall in love across the island's bitter ethnic divide, meeting in secret at a tavern that shelters a fig tree. A cutting of that fig tree, carried to London and replanted, becomes a third narrative voice that observes the family across the years.
Through these interlocking voices the novel explores the long aftershocks of the 1974 conflict and the partition of Cyprus, the weight of inherited trauma passed silently from one generation to the next, and the costs of migration and displacement. Shafak gives the natural world a central place, using the fig tree, birds, and insects to set human history against ecological time and to ask what is remembered, buried, or lost. Themes of divided identity, belonging, grief, and the way silence within families can wound as deeply as war run throughout.
Critically the book was widely praised for its lyricism and ambition and became one of Shafak's most celebrated works. It was shortlisted for the 2022 Women's Prize for Fiction and for the RSL Ondaatje Prize, and was chosen as a Reese's Book Club pick in November 2021, broadening its readership. Reviewers highlighted its blend of tragedy and tenderness and the boldness of its arboreal narrator, while noting Shafak's continued engagement with Cypriot and Turkish history.
Key characters
- Ada KazantzakisTeenage daughter in London grieving her mother and searching for her roots
- Kostas KazantzakisAda's father, a Greek Cypriot botanist and ecologist
- DefneAda's late mother, a Turkish Cypriot who worked as an archaeologist
- MeryemDefne's sister, who visits from Cyprus and connects Ada to family tradition
Book details
- First published
- 2021
- Length
- 354 pages
- Reading time
- 7 hours
- Author
- Elif Shafak
- Genre
- Fiction
- Goodreads rating
- 4.14 (180k ratings)
Critical reception
- Shortlisted for the 2022 Women's Prize for Fiction.
- Shortlisted for the RSL Ondaatje Prize.
- Selected as a Reese's Book Club pick in November 2021.
- Reviewers praised its lyrical prose and the originality of its fig-tree narrator.
If you liked this, read…
- 1The Bastard of IstanbulAnother Shafak novel weaving family secrets with contested national history
- 2The OverstoryCenters the natural world, especially trees, alongside human lives
- 3The Hundred Secret SensesA family saga blending memory, heritage, and the supernatural across cultures
Keep reading
There Are Rivers in the Sky
A Luminous Republic
Kafka on the Shore
The Stone Gods
The Many Daughters of Afong Moy
Nutshell
The Ground Beneath Her Feet
Levels of Life
Colorless Tsukuru Tazaki and His Years of Pilgrimage
First Person Singular: Stories
The Book That Broke the World
Split Tooth
Arm of the Sphinx
The Empusium
Oranges Are Not the Only Fruit
Sexing the Cherry
City of Stairs
The Faraway Nearby
The Book of Goose
House of Leaves
Aftershocks
H is for Hawk
The Beauty
A Tale of Love and Darkness
Varina
Chances Are...
10 Minutes 38 Seconds in This Strange World
The Woman in the White Kimono
Drive Your Plow Over the Bones of the Dead
Night Train to Lisbon
When the World Tips Over
The Art of Hearing Heartbeats
When Women Were Dragons
Plainwater: Essays and Poetry
Dream Count
Where the Lost Wander
The Zahir
View with a Grain of Sand: Selected Poems
The Mountain Shadow
The Girl and the Stars
The Chalk Man
Held
The Valley of Amazement
Fugitive Pieces
Good Dirt
Gretel and the Dark
Here I Am
Lost Children Archive
Nod
Life of Pi
Just Above My Head
Warlight
Slow Gods
The Secret History
Impossible Creatures
Disoriental
The Kite Runner
Fifty Beasts to Break Your Heart: And Other Stories
Embers
Leaving Before the Rains Come

