Pnin
Quotes from the Book
Look at me, I'm not worthy of your anger, I'm nothing but a dumb animal who can't prevent the noisy symptoms of his decay, so don't waste your time with me, don't dirty your hands by hitting me, just try to put up with the fact that I exist. I'm not asking you to like me, I know that's impossible, because I'm not likeable, but at least do me the kindness of despising me enough to ignore me
9
Martians – they were all Martians. But they were ashamed of it, and so they tried to conceal it. They had determined, once and for all, that their monstrous disproportions were, in reality, true proportion, and their inconceivable ugliness was beauty. They were strangers on this planet, but they refused to admit it. They played at being perfectly at home. He caught a glimpse of his own reflection in a shop window. He was no different. Identical, exactly the same likeness as that of the monsters. He belonged to their species, but for some unknown reason he had been banished from their company. They had no confidence in him. All they wanted from him was obedience to their incongruous rules and their ridiculous laws. Ridiculous only to him, because he could never fathom their intricacy and their subtlety.
6
Death was the Earth. Having sprung from her, the budding forms of life attempted to liberate themselves from her embrace. They set their sights on the free and open spaces. Death let them do as they wished, because she was very partial to the idea of life. She contented herself with keeping a watchful eye on her flock, and when she felt that they were fully ripe she devoured them up as if they were so many morsels of sugar. The she lay back and slowly digested the nourishment that would replenish her womb, happy and satiated as a pampered cat.
4
Lying in bed with his eyes open, he searched the shadows around him, trying to find some steadying, reassuring objects. But the reality was at least as threatening as the nightmares. Having swallowed up all of the familiar shapes of the furniture, the darkness took on the aspect of some unearthly challenge: within this nothingness something monstrous and unknown was surely being spawned. The room had become a kind of breeding ground for monsters.
1
Trelkovsky had never undestood why people insisted on comparing the noise of birds to music. Birds don't sing, they scream. And in the morning they scream in chorus.
1
When he lifted the cover of one of the trash cans, before emptying the contents of his own pail into it, he was always astonished by its neatness and order. His own trash was the most indecent collection in the entire building. Repugnant and despicable. There was no resemblance between it and the honest, day-to-day trash of the other tenants. That had a solid, respectable appearance, and his did not.
1
Śmierć to ziemia. Z niej wychodzą pączki życia i próbują umknąć. Kierują się w przestrzeń. Śmierć pozwala na to, gdyż jest bardzo łasa na życie. Zadowala się pilnowaniem swej trzody, a gdy zwierzęta podrosną, połyka je niczym łakocie. Powoli trawi pokarm, który powrócił do jej łona, szczęśliwa i syta jak gruba kotka.
...look at me, I'm not worthy of your anger, I'm nothing but a dumb animal who can't prevent the noisy symptoms of his decay, so don't waste your time with me, don't dirty your hands by hitting me, just try to put up with the fact that I exist. I'm not asking you to like me, I know that that's impossible, because I'm not likeable, but at least do me the kindness of despising me enough to ignore me.
He was perfectly conscious of the absurdity of his behaviour, but he was incapable of changing it. This absurdity was an essential part of him. It was probably the most basic element of his personality.
Already, he was not entirely Trelkovsky any more. But what was Trelkovsky? How could he learn the answer to that? He had to discover himself, so that he could be sure he would not wander from the right path. But how?
His stomach turned inside out, like a glove, and he vomited. It wasn't disagreeable at all. Almost like a liberation, in fact. A kind of suicide, in a way. These particles of matter that showered from his mouth, after he had thought them consumed and digested, did not disgust him. No, he was completely indifferent to them; and to everything else, for that matter. It was only when he vomited that he could be indifferent even to life itself.
He was perfectly conscious of the absurdity of his behavior, but he was incapable of changing it. This absurdity was an essential part of him. It was probably the most basic element of his personality.
He had lived so many years in this room that he still could not quite grasp the idea that now it was finished. He would never again see this place which had been the very center of his life. Others would come into it, destroy the order of things that existed now, transform these four walls into something he would not even recognize, and kill off forever any lingering assumption that a certain Monsieur Trelkovsky had lived here before. Unceremoniously, from one day to the next, he would have vanished.
He considered both doctors and nurses as monsters of insensitivity, in spite of the fact that he admired their devotion to duty.
He strolled through the streets unhurriedly, observing the passing crowds. The ranks of faces filed steadily, almost rhythmically, before him, as if their owners were standing on some kind of endless, moving sidewalk. Faces with the great bulging eyes of toads; pinched and wary faces of disillusioned men; round, soft faces of abnormal children; bull necks, fishlike noses, ferret teeth. Half closing his eyes, he imagined that they were really all one face, shifting and changing like the patterns of a kaleidoscope.
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About Roland Topor
About the book
The Tenant chronicles a harrowing, fascinating descent into madness as the pathologically alienated Trelkovsky is subsumed into Simone Choule, an enigmatic suicide whose presence saturates his new apartment. More than a tale of possession, the novel probes disturbing depths of guilt, paranoia, and sexual obsession with an unsparing detachment.
Book details
- First published
- 1964
- Author
- Roland Topor
- Genre
- Horror
- Goodreads rating
- 4.05 (6k ratings)
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