“It's easy now - it's middle-aged lady, nobody's looking, nobody notices. I go without lipstick if I feel like it, and I always wear my comfy clothes. It's a life with fewer distractions, but should something beautiful show up, a middle-aged woman is free to stare.”
“There is nothing like calamity for refreshing the moment. Ironically, the last several years my life had begun to feel shapeless, like underwear with the elastic gone, the days down around my ankles.”
“Dogs are never in a bad mood over something you said at breakfast. Dogs never sniff at the husks of old conversations, or conduct autopsies on weekends gone wrong. An unexamined life may not be worth living, but the overexamined life is hell. We talk too much.”
“The past is in the wastebasket.”
“For better or for worse, but not for lunch,...”
“I WAS ON A SMALL ISLAND ONCE, IN THE MIDDLE OF a great big lake, mountains all over the place, and as I watched the floating dock the wind kicked up, the waves rose from nowhere, and I imagined myself lying there and the dock suddenly breaking loose, carried away by the storm. I wondered if I could lie still and enjoy the sensation of rocking, after all I wouldn’t be dead yet, I wouldn’t be drowning, just carried off somewhere that wasn’t part of my plan. The very thought of it gave me the shivers. Still, how great to be enjoying the ride, however uncertain the outcome. I’d like that. It’s what we’re all doing anyway, we just don’t know it.”
“SIX MONTHS AGO A FRIEND WAS ANGRY WITH ME and I with her. I had written about something someone said many years ago, but it was she who heard the words, not me, a fact I had completely forgotten. Her experience was precious, and she accused me of stealing her memory. Not only that, but what she remembered with grief I had somehow transmuted to gratitude, so besides stealing her memory, I also got it wrong. We argued, but there was no meeting place. For days the same questions went through my head. Is memory property? If two people remember something differently is one of them wrong? Wasn’t my memory of a memory also real? There were no solid answers, just winding paths I went round and round on. I thought of nothing else; a chasm had opened between me and my friend.”
“There’s nothing I want to relive—certainly not youth—and as for what’s to come, I’m in no hurry. I watch my dogs. They throw themselves into everything they do; even their sleeping is wholehearted. They aren’t waiting for a better tomorrow, or looking back at their glory days. Following their example, I’m trying to stick to the present. I’m not stranded here, I know where I’ve been; I can conjure up details of old haunts, even former states of mind.”
“What I used to fear was growing old—not the aches and pains part or the what-have-I-done-with-my-life part or the threat of illness, none of that. I just couldn’t imagine what my life would be like without the option of looking good. I had a piece of good luck. I married Rich in my late forties and thus was eased into middle age while living with a man who approved of the way I looked. When after three years of marriage I lamented the fact that I had put on a good deal of weight, he said, “Don’t worry. I love it all. You can get as fat as you want.” Then, upon reflection, he added sweetly, “As long as you can still get up from your chair.”
“THERE ARE ENORMOUS HOLES IN MY EDUCATION. I left college in March of my freshman year and never went back. I’ve never read Moby-Dick and it’s probably too late now. I know nothing about the history of music or the history of art except what I’ve learned through osmosis. But Outsider Art is its own context. I don’t have to know all about the Impressionists or the Abstract Expressionists. I don’t have to be able to fit this art into any historic chronology. I don’t feel like an ignoramus. Irony of ironies, I don’t feel like an outsider—to fall in love I only need eyes.”
“It was a long time before I realized that you don't have to start right, you just have to start. Put pen to paper, allow yourself the freedom to write badly, to get it wrong, stop looking over your own shoulder.”
“But we don't get to choose what sticks. How many times I have run my fingers along a picket fence and thought, "This! I will remember this moment always!" and all that remains is the memory of a desire to hold on to a memory.”
“I had always wanted to write but thought you needed a degree, or membership in a club nobody had asked me to join. I thought God had to touch you on the forehead, I thought you needed to have something specific to say, something important, and I thought you needed all that laid out from the git-go. It was a long time before I realized that you don't have to start right, you just have to start. Put pen to paper, allow yourself the freedom to write badly, to get it wrong, stop looking over your own shoulder.”
“DON’T KNOW WHO I AM,” RICH SAYS OVER AND over. “There are too many thoughts inside my head. I am not myself.” Yesterday he said, “Pretend you are walking up the street with your friend. You are looking in windows. But right behind you is a man with a huge roller filled with white paint and he is painting over everywhere you’ve been, erasing everything. He erases your friend. You don’t even remember his name.” The image makes me shiver, but he seems exultant in his description. There are days when he is grounded in the here and now and days when his brain is boiling over with confusion.”
“the last several years my life had begun to feel shapeless, like underwear with the elastic gone, the days down around my ankles.”
“THERE WAS A YOUNG MAN WHO HAD ARRIVED AT the Northeast Center angry and belligerent, as inclined to take a swing at you as not. He began showing up in Bill’s studio and started to paint. Bill watched him become an artist, and gradually he stopped being at the mercy of his rages. He got well enough to leave the center and move to a group home. This is what he said to Bill before he left: “What is art, anyway, except not pounding on walls.”
“Good things happen slowly,” said a doctor in the ICU months ago, “and bad things happen fast.”
“My definition of fear is that it's a constant companion, a sidekick, riding you like a watch, going in and out of the days. I don't live like that anymore. The fact that I'm sixty-three has something to do with it. What I used to fear was growing old—not the aches and pains part or the what-have-I-done-with-my-life part or the threat of illness, none of that. I just couldn't imagine what my life would be like without the option of looking good.”
“When I was young, the future was where all the good stuff was kept, the party clothes, the pretty china, the family silver, the grown-up jobs. The future was a land of its own, and we couldn't wait to get there. Not that youth wasn't great, but it came with disadvantages; I remember the feeling I was missing something really good that was going on somewhere else, somewhere I wasn't. I remember feeling life passing me by. I remember impatience. I don't feel that way now.”
“The future was also the place where the bad stuff waited in ambush. My children were embarking on their futures in fragile vessels, and I trembled. I wanted to remove obstacles, smooth their way, I wanted to change their childhoods. I needed to be right all the time, I wanted them to listen to me, learn from my mistakes, and save themselves a lot of grief. Well, now I know I can control my tongue, my temper, and my appetites, but that's it. I have no effect on weather, traffic, or luck. I can't make good things happen. I can't keep anybody safe. I can't influence the future and I can't fix up the past.
What a relief.”
“Being cautious is new territory; my specialty was leaping, not looking. These days I pay attention. You can stumble uphill as easily as down. Ice comes in smooth and corrugated. Plastic bags are slippery underfoot. A big dog can knock you to your knees.”
“If you were to look into our apartment in the late morning, or early afternoon, or toward suppertime, you might find us together sleeping. Of course a good rainy day is preferable, but even on sunny summer days, the dogs and I get into bed.”
“I feel only gratitude. We are doing something as necessary to our well-being as food or air or water. We are steeping ourselves, reassuring ourselves, renewing ourselves, three creatures of two species, finding comfort in the simple exchange of body warmth.”
“But we're all looking for the place we belong. And what is home, anyway, but what we cobble together out of our changing selves? Maybe there isn't any it, as my friend said, only the longing”
“Good things happen slowly and bad things happen fast. Those were comforting words, and they comfort me today.”
“Will you never grow up?"
"I doubt it, and I certainly hope not.”
“But still she was motionless, like a curled up, oblivious creature. His heart beat with strange throes of pain. Then, by a motion under his hand, he knew she was crying, holding herself hard so that her tears should not be known. He waited. The tension continued—perhaps she was not crying—then suddenly relapsed with a sharp catch of a sob. His heart flamed with love and suffering for her. Kneeling carefully on the bed, so that his earthy boots should not touch it, he took her in his arms to comfort her. The sobs gathered in her, she was sobbing bitterly. But not to him. She was still away from him. He held her against his breast, whilst she sobbed, withheld from him, and all his body vibrated against her. "Don't cry—don't cry," he said, with an odd simplicity. His heart was calm and numb with a sort of innocence of love, now. She still sobbed, ignoring him, ignoring that he held her. His lips were dry. "Don't cry, my love," he said, in the same abstract way. In his breast his heart burned like a torch, with suffering. He could not bear the desolateness of her crying. He would have soothed her with his blood. He heard the church clock chime, as if it touched him, and he waited in suspense for it to have gone by. It was quiet again. "My love," he said to her, bending to touch her wet face with his mouth. He was afraid to touch her. How wet her face was! His body trembled as he held her. He loved her till he felt his heart and all his veins would burst and flood her with his hot, healing blood. He knew his blood would heal and restore her. She was becoming quieter. He thanked the God of mercy that at last she was becoming quieter. His head felt so strange and blazed. Still he held her close, with trembling arms. His blood seemed very strong, enveloping her. And at last she began to draw near to him, she nestled to him. His limbs, his body, took fire and beat up in flames. She clung to him, she cleaved to his body. The flames swept him, he held her in sinews of fire. If she would kiss him! He bent his mouth down. And her mouth, soft and moist, received him. He felt his veins would burst with anguish of thankfulness, his heart was mad with gratefulness, he could pour himself out upon her for ever. When they came to themselves, the night was very dark. Two hours had gone by. They lay still and warm and weak, like the new-born, together. And there was a silence almost of the unborn. Only his heart was weeping happily, after the pain. He did not understand, he had yielded, given way. There was no understanding. There could be only acquiescence and submission, and tremulous wonder of consummation. The”
“You mean I might end up like you one day?" I asked, alarmed at the thought of sounding so serious and stuffy.
"You might," Mr Crepsley said, "though I would not bet on it. Seba commanded my utmost respect, so I tried hard to copy what he did. You, on the other hand, seem to be determined to do the opposite of everything I say."
"I'm not that bad," I grinned, but there was some grain of truth in his words. I'd always been stubborn. I admired Mr Crepsley more than he knew, but hated the idea of looking like a pushover who did everything he was told. Sometimes I disobeyed the vampire just so he wouldn't think I was paying attention to what he said!”
“Upon this crown my pledge I give,
To my last breath,I hold this choice,
I will your unjust deaths avenge,
All here who died without a voice.”
“Funny how one lie leads to another and before you know it, your whole life can be a lie. I sit on the porch swing later, not even”
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