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On Such a Full Sea

by Chang-rae Lee · 2014

Against a vividly imagined future America, Lee tells a stunning, surprising, and riveting story that will change the way readers think about the world they live in. On Such a Full Sea takes Chang-rae Lee's elegance of… more

29 quotes ★ 3.49 (11,949) Fiction

Quotes from the Book

It is 'where we are' that should make all the difference, whether we believe we belong there or not.
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For sometimes you can't help but crave some ruin in what you love.
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For if there is ever a moment when we are most vulnerable, it’s when we’re closest to the idea of the attained desire, and thus farthest from ourselves, which is when we’ll tread through any flame.
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You can be affected by a person because of something particular they said or did but sometimes how a person was, a manner of being, that gets most deeply absorbed, and prompts you to revisit certain parts of your life with an enhanced perspective, flowing forward right up to now.
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A tale, like the universe, they tell us, expands ceaselessly each time you examine it, until there is finally no telling exactly where it begins, where it ends, or where it places you now.
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And while it's easy to say this is a situation to be avoided, isn't this what we also fear and crave simultaneously, that some internal force which defies understanding might remake us into the people we dream we are?
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But maybe it’s the laboring that gives you shape. Might the most fulfilling times be those spent solo at your tasks, literally immersed or not, when you are able to uncover the smallest surprises and unlikely details of some process or operation that in turn exposes your proclivities and prejudices both?
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We have hopes and make plans, and if they are dashed or waylaid, we naturally rationalize and redraw the map to locate ourselves anew. Or else we brood and too firmly root. Very few can step forward again and again in what amounts to veritable leaps into the void, where there are no ready holds, where little is familiar, where you get constantly stuck in the thickets of your uncertainties and fears.
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What hasty preparations we make for our future. Think of it: it seems almost tragic, the things we’re sure we ought to bring along. We pack too heavy with what we hope we’ll use, and too light of what we must. We thus go forth misladen, ill equipped for the dawn.
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What if loving something means you should mostly feel frustrated and thwarted? And then a little ruined, too, by the pursuit? But you keep coming back for more?
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Her endeavor was misguided and wrong and maybe plain crazy, akin to someone waking up one day and deciding he’s going to scale Kilimanjaro because he can’t stop imagining the view from the top, the picture so arresting and beautiful that it too soon delivers him to a precarious ledge, where he can no longer turn back. And while it’s easy to say this is a situation to be avoided, isn’t this what we also fear and crave simultaneously, that some internal force which defies understanding might remake us into the people we dream we are?
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We feel ever obliged by everday charges and tasks. They conscript us more and more. We find world enough in a frame. Until at last we take our places at the wheel, or wall, or line, having somewhere forgotten that we can look up.
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Don’t sanctuaries become prisons, and vice versa, foremost in the mind?
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But let's suppose another way of considering her, which was that she had a special conviction of imagination. Few of us do, to be honest. We wish and wish and often with fury but never very deeply. For if we did, we'd see how the world can sometimes split open, in just the way we hope. That it and we are, in fact, unbounded. Free.
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Behold a fire from the opposite shore.
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Imagination might not be limitless. It's still tethered to the universe of what we know.
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That Fan did not see any of this is not so ironic, for all along her journey we’ve observed more of her than she’ll ever know. She moves on, she pushes forward, this her guileless calling, and we have to remind ourselves that it’s perhaps more laudable simply to keep heading out into the world than always tilting to leave one’s mark on it.
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For at some point, each of us will be asked to embody what we feel and know.
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Moment to moment, we act freely, we make decisions and form opinions and there is very little to throttle us. We think each of us has a map marked with private routings and preferred habitual destinations, and go by a legend of our own. Yet it turns out you can overlay them and see a most amazing correspondence; what you believed were very personal contours aligning not exactly but enough that while our via points may diverge, our endings do not.
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sometimes you can’t help but crave some ruin in what you love.
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It was in the work that she came closest to finding herself, by which we don’t mean gaining “self-knowledge” or understanding one’s “true nature” but rather how at some point you can see most plainly that this is what you do, this is how you fit in the wider ecology.
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Do not discount the psychic warmth of the hive.
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We reshape the story even when we believe we are simply repeating it.
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We have to wonder what this might suggest about the relationship between the public realm and private lives in our settlement. Some have proposed that we need to do more in encouraging individual interests and pursuits, even if they don't appear terribly useful or practical, to bolster and deepen those inner reserves that "make" a person into who she is, and how, by extension, she identifies and values herself. Other, more conservative, voices balk at this, countering that we need, in fact, to strengthen the bonds of the commune, so that to end one's own life would be tantamount to a grievous assault on us all.... But if we calm ourselves and open our eyes and step back far enough, we have to admit that our society, if not fundamentally unwell, has been profoundly wounded.
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For each of us has a perch on the tree. After we are gone, that perch is marked by a notch, permanent, yes, but with its edges muting over time, assuming the tree is ever growing. Years from now someone can see that you were here, or there, and although you had little conception or care for the wider branching, in the next life there might be a sigh of wonder at how quietly flourishing it all was, if never majestic.
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Isn’t it better that we send them off once and for all beneath the glow of carnival lights, with the taste of treats on our tongues, rather than invite the acrid tang of doubt, and undue longing, and the heart-stab of a freshly sundered bond?
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For no matter the shadows of an age, the picture of a young couple in love, we are told, speaks most luminously of the future, as the span of that passion makes us believe we can overleap any walls, obliterate whatever obstacles.
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In this difficult era the most valuable commodity is the unfailing turn of the hours and how they retrieve for us the known harbor of yesterday.
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If there is ever a moment when we are most vulnerable, it's when we're closest to the idea of the attained desire, and thus farthest from ourselves, which is when we'll tread through any flame.
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About Chang-rae Lee

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About the book

Against a vividly imagined future America, Lee tells a stunning, surprising, and riveting story that will change the way readers think about the world they live in.

On Such a Full Sea takes Chang-rae Lee's elegance of prose, his masterly storytelling, and his long-standing interests in identity, culture, work, and love, and lifts them to a new plane. Stepping from the realistic and historical territories of his previous work, Lee brings us into a world created from scratch. Against a vividly imagined future America, Lee tells a stunning, surprising, and riveting story that will change the way readers think about the world they live in.

In a future, long-declining America, society is strictly stratified by class. Long-abandoned urban neighborhoods have been repurposed as highwalled, self-contained labor colonies. And the members of the labor class - descendants of those brought over

Book details

First published
2014
Genre
Fiction
Goodreads rating
3.49 (12k ratings)

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