Once Upon a River
Quotes from the Book
Science doesn't reduce things, or explain mysteries away; it just discovers stranger and stranger things.
It's only when you've pieced together a story in several different ways that you realise where the holes are, discover the knowledge that is still missing, the questions you still need to ask.
Beyond this point on the river Cambridge became a kind of miniature Venice, its river water lapping up against the ancient stone of college walls, here mottled and reddened brick, there white stone. Stained, lichened, softened by water light. Here the river became a great north-south tunnel, a gothic castle from the river, flanked by locked iron gates, steps leading nowhere, labyrinths, trapdoors, landing stages where barges had unloaded their freight: crates of fine wines, flour, oats, candles, fine meats carried into the damp darkness of college cellars.
Isn't it always unfair - death always a kind of outrage? A life ended too soon with jagged and torn edges, a sentence incomplete.
I didn't like crab. Not at all. My stepmother had tricked my into eating a crab sandwich once in a cafe in Cromer, told me it was tuna. I'd never forgiven her.
Stepping into the smell of a long-abandoned aple crop, Cameron called towards the house, hoping to catch his mother's attention in the window where she would be sitting working
The great skill in lying is not lying, you'd say. Just leaving things out. Keeping everything as close to the actual truth as possible. Nothing overblown.
About Rebecca Stott
About the book
Filled with evocative descriptions of Cambridge, past and present, of seventeenth-century glassmaking, alchemy, the Great Plague, and Newton’s scientific innovations, Ghostwalk centers around a real historical mystery that Rebecca Stott has uncovered involving Newton’s alchemy.
A Cambridge historian, Elizabeth Vogelsang, is found drowned, clutching a glass prism in her hand. The book she was writing about Isaac Newton’s involvement with alchemy—the culmination of her lifelong obsession with the seventeenth century—remains unfinished. When her son, Cameron, asks his former lover, Lydia Brooke, to ghostwrite the missing final chapters of his mother’s book, Lydia agrees and moves into Elizabeth’s house—a studio in an orchard where the light moves restlessly across the walls. Soon Lydia discovers that the shadow of violence that has fallen across present-day Cambridge, which escalates to
Book details
- First published
- 2007
- Author
- Rebecca Stott
- Genre
- Fiction
- Goodreads rating
- 3.08 (4k ratings)
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