“It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.”
“Some of these things are true and some of them lies. But they are all good stories.”
“It is all very well planning what you will do in six months, what you will do in a year, but it’s no good at all if you don’t have a plan for tomorrow.”
“You learn nothing about men by snubbing them and crushing their pride. You must ask them what it is they can do in this world, that they alone can do.”
“The trouble with England, he thinks, is that it's so poor in gesture. We shall have to develop a hand signal for ‘Back off, our prince is fucking this man's daughter.’ He is surprised that the Italians have not done it. Though perhaps they have, and he just never caught on.”
“Why are we so attached to the severities of the past? Why are we so proud of having endured our fathers and our mothers, the fireless days and the meatless days, the cold winters and the sharp tongues? It's not as if we had a choice.”
“He thinks, I remembered you, Thomas More, but you didn't remember me. You never even saw me coming.”
“Some say the Tudors transcend this history, bloody and demonic as it is: that they descend from Brutus through the line of Constantine, son of St Helena, who was a Briton. Arthur, High King of Britain, was Constantine's grandson. He married up to three women, all called Guinevere, and his tomb is at Glastonbury, but you must understand that he is not really dead, only waiting his time to come again.
His blessed descendant, Prince Arthur of England, was born in the year 1486, eldest son of Henry, the first Tudor king. This Arthur married Katharine the princess of Aragon, died at fifteen and was buried in Worcester Cathedral. If he were alive now, he would be King of England. His younger brother Henry would likely be Archbishop of Canterbury, and would not (at least, we devoutly hope not) be in pursuit of a woman of whom the cardinal hears nothing good: a woman to whom, several years before the dukes walk in to despoil him, he will need to turn his attention; whose history, before ruin seizes him, he will need to comprehend.
Beneath every history, another history.”
“When you are writing laws you are testing words to find their utmost power. Like spells, they have to make things happen in the real world, and like spells, they only work if people believe in them.”
“But it is no use to justify yourself. It is no good to explain. It is weak to be anecdotal. It is wise to conceal the past even if there is nothing to conceal. A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.”
“Suppose within each book there is another book, and within every letter on every page another volume constantly unfolding; but these volumes take no space on the desk. Suppose knowledge could be reduced to a quintessence, held within a picture, a sign, held within a place which is no place. Suppose the human skull were to become capacious, spaces opening inside it, humming chambers like beehives.”
“At New Year's he had given Anne a present of silver forks with handles of rock crystal. He hopes she will use them to eat with, not to stick in people.”
“No ruler in the history of the world has ever been able to afford a war. They're not affordable things. No prince ever says, 'This is my budget, so this is the kind of war I can have.”
“Over the city lies the sweet, rotting odor of yesterday's unrecollected sins.”
“For what's the point of breeding children, if each generation does not improve on what went before.”
“Let's say I will rip your life apart. Me and my banker friends."
How can he explain that to him? The world is not run from where he thinks. Not from border fortresses, not even from Whitehall. The world is run from Antwerp, from Florence, from places he has never imagined; from Lisbon, from where the ships with sails of silk drift west and are burned up in the sun. Not from the castle walls, but from counting houses, not be the call of the bugle, but by the click of the abacus, not by the grate and click of the mechanism of the gun but by the scrape of the pen on the page of the promissory note that pays for the gun and the gunsmith and the powder and shot.”
“The fate of peoples is made like this, two men in small rooms. Forget the coronations, the conclaves of cardinals, the pomp and processions. This is how the world changes: a counter pushed across a table, a pen stroke that alters the force of a phrase, a woman's sigh as she passes and leaves on the air a trail of orange flower or rose water; her hand pulling close the bed curtain, the discreet sigh of flesh against flesh.”
“There's a feeling of power in reserve, a power that drives right through the bone, like the shiver you sense in the shaft of an axe when you take it into your hand. You can strike, or you can not strike, and if you choose to hold back the blow, you can still feel inside you the resonance of the omitted thing.”
“Fortitude. ... It means fixity of purpose. It means endurance. It means having the strength to live with what constrains you.”
“It is almost a joke, but a joke that nobody tells.”
“A man's power is in the half-light, in the half-seen movements of his hand and the unguessed-at expression of his face. It is the absence of facts tat frightens people: the gap you open, into which they pour their fears, fantasies, desires.”
“I was always desired. But now i am valued. And that is a different thing, i find.”
“You can have a silence full of words. A lute retains, in its bowl, the notes it has played. The viol, in its strings, holds a concord. A shriveled petal can hold its scent, a prayer can rattle with curses; an empty house, when the owners have gone out, can still be loud with ghosts.”
“[T]he heart is like any other organ, you can weigh it on a scale.”
“He turns to the painting. "I fear Mark was right."
"Who is Mark?"
"A silly little boy who runs after George Boleyn. I once heard him say I looked like a murderer."
Gregory says, "Did you not know?”
“I have written books and I cannot unwrite them. I cannot unbelieve what i believe. I cannot unlive my life”
“When have I, when have I ever forced anyone to do anything, he starts to say: but Richard cuts in, "No, you don't, I agree, it's just that you are practiced at persuading, and sometimes it's quite difficult, sir, to distinguish being persuaded by you from being knocked down in the street and stamped on."
-Richard (?) nee Cromwell to Thomas Cromwell,358”
“If you are without impulses, you are, to a degree, without joy..."
469”
“maybe tonight you're scared of falling, and maybe there's somebody here or somewhere else you're thinking about, worrying over, fretting over, trying to figure out if you want to fall, or how and when you're gonna land, and i gotta tell you, friends, to stop thinking about the landing, because it's all about falling.”
“Like a fellow running from or toward a gun ain't got time to worry whether the word for what he is doing is courage or cowardice.”
“Hardly anyone still reads nowadays. People make use of the writer only in order to work off their own excess energy on him in a perverse manner, in the form of agreement or disagreement.”
“There was nothing left of Earth. They had leeched away the last atoms of its substance. It had nourished them, through the fierce moments of their inconceivable metamorphosis, as the food stored in a grain of wheat feeds the infant plant while it climbs towards the Sun.”
“Ham smiled. "Cett's going to be furious."
Elend shrugged. "He's a paraplegic. What's he going to do? Bite us?”
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