Affinity
Quotes from the Book
We have a name for your disease. We call it a hyper-aesthetic one. You have been encouraged to over-indulge yourself in literature; and have inflamed your organs of fancy.
I felt that thread that had come between us, tugging, tugging at my heart - so hard, it hurt me. A hundred times I almost rose, almost went in to her; a hundred times I thought, Go to her! Why are you waiting? Go back to her side! But every time, I thought of what would happen if I did. I knew that I couldn't lie beside her, without wanting to touch her. I couldn't have felt her breath upon my mouth, without wanting to kiss her. And I couldn't have kissed her, without wanting to save her.
It's a curious, wanting thing.
But, here was a curious thing. The more I tried to give up thinking of her, the more I said to myself, 'She's nothing to you', the harder I tried to pluck the idea of her out of my heart, the more she stayed there.
What does it say?" I said, when I had. She said, "It is filled with all the words for how I want you...Look.
...but when she saw me turn to her she reached and took my hand. She took it, not to be led by me, not to be comforted; only to hold it, because it was mine.
..this feeling haunts and inhabits me, like a sickness. it covers me, like skin.
She was like milk - too pale, too pure, too simple. She was made to be spoiled.
Even ashes are a part of your freedom.
Words, hmm? They seduce us in darkness, and the mind clothes and fashions them to fashions of its own.
I suppose I really seemed mad, then; but it was only through the awfulness of having said nothing but the truth, and being thought to be deluded.
Weep all the artful tears you like. You shall never make my hard heart the softer.
It was only later that I wondered about it and tried to look back. But by then I could only see that there was once a time when we had walked apart; and then a time when we walked together.
Is this desire? How queer that I, of all people, should not know! But I thought desire smaller, neater; I supposed it bound to its own organs as taste is bound to the mouth, vision to the eye. This feeling haunts and inhabits me, like a sickness. It covers me, like skin.
The bad blood rose in me, just like wine.
There is no patience so terrible as that of the deranged.
It was like kissing the darkness. As if the darkness had life, had a shape, had taste, was warm and glib.
But the more I think it, the more I want her, the more my desire rises and swells.
I give myself up to darkness; and wish I may never again be required to lift my head to the light.
.. now i begin to feel a longing so great, so sharp, i fear it will never be assuaged. i think it will mount, and mount, and make me mad, or kill me.
Everybody in my world knew that regular work was only another name for being robbed and dying of boredom.
...For I could not want her now, more than I could a lover. But I could not want a lover, more than I want freedom.
Oh, but this,' I think I say, 'is perfect! This is all I have longed for! What are you gazing at? Do you suppose a girl is sitting here? That girl is lost! She has been drowned! She is lying, fathoms deep. Do you think she has arms and legs, with flesh and cloth upon them? Do you think she has hair? She has only bones, stripped white! She is as white as a page of paper! She is a book, from which the words have peeled and drifted--
My happiness is nothing to him,” she said. “Only his books! He has made me like a book. I am not meant to be taken, and touched, and liked. I am meant to keep here, in dim light, forever!
It was odd to see her stepping out of that gloomy place, like a pearl coming out of an oyster.
I have some knowledge of the time that may be misspent, clinging to fictions and supposing them truths.
But it's the simple and the good that are meant to suffer in this world—ain't it, though!
Did you know?
- The novel won the CWA Ellis Peters Historical Award in 2002.
- It was shortlisted for both the Booker Prize and the Orange Prize.
- It was adapted into a three-part BBC television drama in 2005.
- Park Chan-wook's 2016 film The Handmaiden transposes the story to Korea and Japan under Japanese colonial rule.
- The title 'fingersmith' is Victorian slang for a pickpocket or petty thief.
- The story is told through more than one first-person narrator, a structure central to its plot twists.
About Sarah Waters
More by Sarah Waters
All books by Sarah Waters →About the book
Set in Victorian England, Fingersmith follows Sue Trinder, an orphan raised among petty thieves in a London den, who is enlisted in an elaborate con. A charming swindler known as Gentleman recruits her to pose as a lady's maid to Maud Lilly, a sheltered heiress living at a remote country house, and to help him seduce Maud, marry her, and seize her fortune. As Sue draws close to her quiet, melancholy mistress, the scheme grows complicated by genuine, unexpected feeling between the two young women, and what seemed a straightforward swindle turns into something neither can fully control.
Waters weaves together themes of deception, identity, and desire, telling the story through shifting first-person narrators whose competing accounts repeatedly destabilize what the reader believes to be true. The novel offers a feminist reworking of Victorian sensation fiction, foregrounding a lesbian relationship while interrogating patriarchal power, class, the trade in pornography, and the era's treatment of women as property. Its intricate, twist-laden plot pays affectionate homage to Wilkie Collins and Charles Dickens.
Fingersmith was widely acclaimed on publication and is often regarded as Sarah Waters's finest novel. It won the CWA Ellis Peters Historical Award and the South Bank Show Award for Literature, and was shortlisted for both the Booker Prize and the Orange Prize. Critics praised its atmospheric period detail, narrative craft, and audacious plotting, and the book has inspired notable adaptations, including a 2005 BBC television drama and Park Chan-wook's 2016 film The Handmaiden.
Key characters
- Sue TrinderOrphan raised among London thieves, recruited into the con
- Maud LillySheltered heiress living at a remote country house
- Gentleman (Richard Rivers)Charming swindler who orchestrates the scheme
- Mrs. SucksbyBaby-farmer who raised Sue in her Lant Street den
- Mr. LillyMaud's controlling uncle, a reclusive collector of books
Book details
- First published
- 2002
- Length
- 511 pages
- Reading time
- 11 hours
- Author
- Sarah Waters
- Genre
- Historical
- Goodreads rating
- 4.02 (122k ratings)
- First line
- “My name, in those days, was Susan Trinder.”
Critical reception
- Won the CWA Ellis Peters Historical Award and the South Bank Show Award for Literature.
- Shortlisted for the Booker Prize and the Orange Prize.
- Widely praised for its atmospheric period detail, pacing, and intricate, twist-driven structure.
Movie & TV adaptations
- IMDb
- IMDb
If you liked this, read…
- 1The Crimson Petal and the WhiteImmersive Victorian London with sharp attention to women's lives and the sex trade
- 2The Woman in WhiteClassic Victorian sensation novel with multiple narrators and conspiracy that Waters draws on
- 3Tipping the VelvetWaters's own Victorian-set novel of queer love and reinvention
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