Quotes from Tipping the Velvet

“Being in love, you know... it's not like having a canary, in a cage. When you lose one sweetheart, you can't just go out and get another to replace her.”
― Sarah Waters, quote from Tipping the Velvet

“When I see her,” I said, “it’s like - I don’t know what it’s like. It’s like I never saw anything at all before. It’s like I am filling up, like a wine-glass when it’s filled with wine. I watch the acts before her and they are like nothing - they’re like dust. Then she walks on the stage and - she is so pretty; and her suit is so nice; and her voice is so sweet… She makes me want to smile and weep, at once. She makes me sore, here.” I placed a hand upon my chest, upon the breast-bone. “I never saw a girl like her before. I never knew that there were girls like her…” My voice became a trembling whisper then, and I found that I could say no more. There was another silence. I opened my eyes and looked at Alice - and knew at once that I shouldn’t have spoken; that I should have been as dumb and as cunning with her as with the rest of them. There was a look on her face - it was not ambiguous at all now - a look of mingled shock, and nervousness, and embarrassment or shame. I had said too much. I felt as if my admiration for Kitty Butler had lit a beacon inside me, and opening my unguarded mouth had sent a shaft of light into the darkened room, illuminating all. I had said too much - but it was that, or say nothing.”
― Sarah Waters, quote from Tipping the Velvet

“It was heavy, and I staggered when I lifted it; but it was strangely satifying to have a real burden upon my shoulders – a kind of counterweight to my terrible heaviness of heart.”
― Sarah Waters, quote from Tipping the Velvet

“We fitted together like the two halves of an oyster-shell. I was Narcissus, embracing the pond in which I was about to drown. However much we had to hide our love, however guarded we had to be about our pleasure, I could not long be miserable about a thing so very sweet. Nor, in my gladness, could I quite believe that anybody would be anything but happy for me if only they knew.”
― Sarah Waters, quote from Tipping the Velvet

“With every step I took away from her, the movement at my heart and between my legs grew more defined: I felt like a ventriloquist, locking his protesting dolls in to a trunk.”
― Sarah Waters, quote from Tipping the Velvet

“She scissored the curls away, and - toms, grow easily sentimental over their haircuts, but I remember this sensation very vividly - it was not like she was cutting hair, it was as if I had a pair of wings beneath my shoulder-blades, that the flesh had all grown over, and she was slicing free...”
― Sarah Waters, quote from Tipping the Velvet

“clad not exactly as a boy but, rather confusingly, as the boy I would have been, had I been more of a girl”
― Sarah Waters, quote from Tipping the Velvet

“You smell,' she began, slowly and wonderingly, 'like -'
'Like a herring!'I said bitterly. My cheeks were hot now and very red; there were tears, almost, in my eyes. I think she saw my confusion and was sorry for it.
'Not at all like a herring,' she said gently.'But perhaps, maybe, like a mermaid...”
― Sarah Waters, quote from Tipping the Velvet

“She sang that night like - I cannot say like an angel, for her songs were all of champagne suppers and strolling in the Burlington Arcade; perhaps, then, like a fallen angel - or yet again like a falling one: she sang like a falling angel might sing with the bounds of heaven fresh burst behind him, and hell still distant and unguessed. And as she did so, I sang with her - not loudly and carelessly like the rest of the crowd, but softly, almost secretly, as if she might hear me the better if I whispered rather than bawled.”
― Sarah Waters, quote from Tipping the Velvet

“Oh, for shame! Nancy, have you never seen Florrie's face in a chrysanthemum, or a rose?'

'Never.' I said. 'Though there was a flounder for sale on a fishmonger's barrow, in Whitechapel yesterday, and the likeness was quite uncanny. I very nearly brought it home...”
― Sarah Waters, quote from Tipping the Velvet

“But he was not like Walter, who might take his pleasure where he chose it. His pleasure had turned, at the last, to a kind of grief; and his love was a love so fierce and so secret it must be satisfied, with a stranger, in a reeking court like this. I knew about that kind of love. I knew how it was to bare your palpitating heart, and be fearful as you did so that the beats should come too loudly, and betray you.”
― Sarah Waters, quote from Tipping the Velvet

“I have been being careful since the first minute I saw you. I am the Queen of Carefulness. I shall go on being careful for ever, if you like - so long as I might be a bit reckless, sometimes, when we are quite alone”
― Sarah Waters, quote from Tipping the Velvet

“I knew that Kitty and I felt just the same- only, of course, about different things. I should have remembered this, later.”
― Sarah Waters, quote from Tipping the Velvet

“Now she has turned up, saying all the things I dreamed she'd say.”
― Sarah Waters, quote from Tipping the Velvet

“There were about thirty of them, I think - all women; all seated at tables, bearing drinks and books and papers. You might have passed any one of them upon the street, and thought nothing; but the effect of their appearance all combined was rather queer. They were dressed, not strangely, but somehow distinctly. They wore skirts - but the kind of skirts a tailor might design if he were set, for a dare, to sew a bustle for a gent. Many seemed clad in walking-suits or riding-habits. Many wore pince-nez, or carried monocles on ribbons. There were one or two rather startling coiffures; and there were more neckties than I had ever seen brought together at any exclusively female ensemble.”
― Sarah Waters, quote from Tipping the Velvet

“Kitty’s gone, Flo. Like Lilian. Believe me, there’s more chance of her coming back!’ I began to smile. ‘And if she does, you can go to her, and I won’t say a word. And if Kitty comes for me, you can do similar. And then, I suppose, we shall have our paradises - and will be able to wave to one another from our separate clouds. But till then - till then, Flo, can’t we go on kissing, and just be glad?”
― Sarah Waters, quote from Tipping the Velvet

“I might be weary or stupid; I might be nauseous with drink; I might be sore, at the hips, with the ache of my monthlies, but the opening of this box, as I have said, never ceased to stir me - I was like a dog twitching and slavering to hear his mistress call out Bone!”
― Sarah Waters, quote from Tipping the Velvet

“Mr Bliss looked grave. 'Your brother was very sensible to warn you, Miss Astley - but sadly misinformed. There are no trams in Trafalgur Square - only buses and hansoms, and broughams like our own. Trams are for common people; you should have to go quite as far as Kilburn, I'm afraid, or Camden Town, in order to by struck by a tram”
― Sarah Waters, quote from Tipping the Velvet

“I’m taking you out, to meet my friends. I’m taking you,’ she put a hand to my cheek, ‘to my club.”
― Sarah Waters, quote from Tipping the Velvet

“Her friend - and her partner on the stage. You will not believe me, but making love to Kitty - a thing done in passion, but always, too, in shadow and silence, and with an ear half-cocked for the sound of footsteps on the stairs - making love to Kitty and posing at her side in a shaft of limelight, before a thousand pairs of eyes, to a script I knew by heart, in an attitude I had laboured for hours to perfect - these things were not so very different. A double act is always twice the act that the audience thinks it; beyond our songs, our steps, our bits of business with coins and canes and flowers, there was a private language, in which we held an endless, delicate exchange of which the crowd knew nothing. This was a language not of the tongue but of the body, its vocabulary the pressure of a finger or a palm, the nudging of a hip, the holding or breaking of a gaze, that said, You are too slow - you got too fast - not there but here - that's good - that's better! It was as if we walked before the crimson curtain, lay down upon the boards and kissed and fondled - and were clapped, and cheered, and paid for it!”
― Sarah Waters, quote from Tipping the Velvet

“Tricky was a plain-faced man with a very handsome voice - a voice like the sound of a clarinet, at once liquid and penetrating, and lovely to listen to.”
― Sarah Waters, quote from Tipping the Velvet

“Now, from the crown of my head to the curve of my toe-nails, there was an unguent for every part of me - oil for my eyebrows and cream for my lashes; a jar of tooth-powder, a box of blanc-de-perle; polish for my fingernails and a scarlet stick to redden my mouth; tweezers for drawing the hairs from my nipples, and a stone to take the hard flesh from my heels.”
― Sarah Waters, quote from Tipping the Velvet

“There was, of course, the dildo that I have described (though the device, or the instrument, was what I learned, following Diana, to call it: I think the unnecessary euphemism, with its particular odour of the surgery or house of correction, appealed to her; only when really heated would she call the thing by its proper name - and even then she was as likely to ask for Monsieur Dildo, or simply Monsieur). Besides this there was an album of photographs of big-buttocked girls with hairless parts, bearing feathers; also a collection of erotic pamphlets and novels, all hymning the delights of what I would call tommistry but what they, like Diana, called Sapphic Passion.”
― Sarah Waters, quote from Tipping the Velvet

“She wore a boiled shirt and a bow-tie, and her hair, though long and bound, was sleek with oil. She was about two- or three-and-thirty, and her waist was thick; but her upper lip, at least, was dark as a boy’s. They would have called her terribly handsome, I guessed, in about 1880.”
― Sarah Waters, quote from Tipping the Velvet

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