A Reliable Wife
Quotes from the Book
That's what happens when people die. They take themselves with them and you never ever find out anything new about them ever.
What was joy, anyway. What was the worth of happiness that left behind a crater thrice the size of its impact.
There isn’t a version of me that could’ve looked away from you.
She had made the kitchen a lovely place. Isabel could cry at it: at how a room could be made, and left behind, and turn terrible by way of absence. How a space could miss a person.
She had held a pear in her hand and she had eaten it skin and all. She had eaten the stem and she had eaten its seeds and she had eaten its core, and the hunger still sat in her like an open maw. She thought: I can hold you and find that I still miss your body. She thought: I can listen to you speak and still miss the sound of your voice.
She thought: I can hold you and find that I still miss your body. She thought: I can listen to you speak and still miss the sound of your voice.
She would never leave a room again and not leave half of her behind.
I think she wants to eat me. I think she would inhale me if she could. I think she'd crawl herself inside of me if she thought that's where she'd find something that I've kept hidden from her. God help me. Would I let her? I would let her. God help me she looks at me. God help me I don't want her to look away.
Who are you?' She said, 'Have you always been like this? Have you just been waiting to happen?
Isabel had never known loneliness like that, one that arrived without the promise of leaving.
She belonged to the house in the sense that she had nothing else, no other life than the house, but the house, by itself, did not belong to her.
She thought that might have been joy, or something like it. Something that feels sad as much as it feels like love.
She was not wanted. That was the long and the short of it: she had learned want, briefly and hungrily. A span of a day, two days. She had learned the shape of it, the quick taste of it. She had reached out, foolishly, and she was not wanted in return.
How quickly did the belly of despair turn itself over into hope, the give of the skin of overripe fruit.
Found that love was a sickly thing that punished you for each step you took in its direction.
There's no determination there... I dislike you - quite effortlessly.
The canals had frozen over. Isabel tested one with her foot and found it solid, and then stood on it in wonder; a miracle, she thought, to stand so solidly on what could also engulf you.
It embarrassed her, her own reflection. She had strong ideas of beauty that she did not find in herself: how tender the face must be, how thick the hair. She had strong thoughts about what it meant, to care too much about beauty. To want it, to search for it in oneself. In another. They weren't nice thoughts.
Hendrik looked at her, startled, and she wanted to tell him - wanted to be done with it, make it someone else's burden. No one knew of her heart and no one knew of her grief and it was torture.
She was pretty in a way that men thought women ought to be pretty.
How strange can the body be. I do not know it, never know what it wants. Does anyone know their body, truly? I wonder.
If you are mine then I am yours. Do you understand? If I stay, if I'm yours then you must keep me, and I can never-
She felt she was not who she once was. She felt that this should be visible from a great distance.
Morning rose in the quiet chord of winter's pink.
Isabel tried to breathe through the misery of holding someone else's hurt within oneself and stayed awake like a guard dog - like there was something to keep out. Like there was someone trying to get in.
Her perfume bullied itself around the house
The thought — too heavy, it's too heavy — a desire for someone to take it away from her. The plates, the walls, the weight of her hair, her own damned hands — to let someone else have them. Be done with it.
Did you know?
- It is Yael van der Wouden's debut novel.
- It was the only debut novel on the 2024 Booker Prize shortlist and the first shortlisted title by a Dutch author.
- It won the 2025 Women's Prize for Fiction.
- The novel is set in the Overijssel province of the Netherlands in 1961.
- Before the novel, van der Wouden's essay "On (Not) Reading Anne Frank" earned a notable mention in The Best American Essays 2018.
About Yael van der Wouden
About the book
"The Safekeep" is the 2024 debut novel by Dutch author Yael van der Wouden, set in the rural Overijssel province of the Netherlands in 1961. Isabel lives a rigid, solitary life in her late mother's country house, obsessively tending its rooms and possessions. When her brother Louis asks her to host his girlfriend Eva for the summer, Isabel bristles at the intrusion, but their forced proximity gives way to an intense and unexpected attraction, even as Isabel grows suspicious that small objects are going missing from the house.
Beneath its tense domestic surface, the novel reckons with desire, obsession, possession, and historical guilt. As the relationship between the two women deepens, van der Wouden draws out questions of who truly owns the house and the life Isabel has built, tying personal awakening to the unspoken legacy of the Holocaust and the dispossession of Dutch Jews during World War II. Themes of secrecy, complicity, and belonging run throughout.
The book was widely acclaimed as a debut, shortlisted for the 2024 Booker Prize, where it was the only debut on the shortlist and the first shortlisted title by a Dutch author. In 2025 it won the Women's Prize for Fiction. Critics praised its taut prose, slow-burning suspense, and the way it folds a love story into a moral inquiry about how ordinary people profited from others' suffering.
Key characters
- IsabelReclusive protagonist who guards her late mother's house
- EvaLouis's girlfriend who moves in for the summer and unsettles Isabel
- LouisIsabel's brother who asks her to host Eva
- HendrikIsabel's brother, who lives with his partner Sebastian
- NeelkeThe family maid
Book details
- First published
- 2024
- Length
- 272 pages
- Reading time
- 4 hours
- Author
- Yael van der Wouden
- Genre
- Historical
- Goodreads rating
- 4.06 (139k ratings)
Critical reception
- Shortlisted for the 2024 Booker Prize as the only debut on the list.
- Winner of the 2025 Women's Prize for Fiction.
- Kirkus Reviews called it "A brilliant debut, as multifaceted as a gem."
- Critics praised its taut suspense and its examination of how Dutch characters profited from others' suffering during the war.
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