Take Me With You
Quotes from the Book
When someone shows you how little you mean to them and you keep coming back for more, before you know it you start to mean less to yourself. You are not made up of compartments! You are one whole person! What gets said to you gets said to all of you, ditto what gets done. Being treated like shit is not an amusing game or a transgressive intellectual experiment. It’s something you accept, condone, and learn to believe you deserve. This is so simple. But I tried so hard to make it complicated.
You will find,” she says, “that there’s a certain grace to having your heart broken.
You've learned a new rule and it's simple: don't put yourself in situations you'd like to run away from.
The end never comes when you think it will. It's always ten steps past the worst moment, then a weird turn to the left.
It's not brave to do something that doesn't scare you.
I can never be who I was. I can simply watch her with sympathy, understanding, and some measure of awe. There she goes, backpack on, headed for the subway or the airport. She did her best with her eyeliner. She learned a new word she wants to try out on you. She is ambling along. She is looking for it.
There is nothing gutsier to me than a person announcing that their story is one that deserves to be told, especially if that person is a woman.
Respect isn’t something you command through intimidation and intellectual bullying. It’s something you build through a long life of treating people how you want to be treated
I have been envious of male characteristics, if not the men themselves. I'm jealous of the ease with which they seem to inhabit their professional pursuits: the lack of apologizing, of bending over backward to make sure the people around them are comfortable with what they're trying to do. The fact that they are so often free of the people-pleasing instincts I have considered to be a curse of my female existence.
Throughout the day I often ask myself, Could I fall asleep right now? and the answer is always a resounding yes.
But I also think when we embark on intimate relationships, we make a basic human promise to be decent, to hold a flattering mirror up to each other, to be respectful as we explore each other.
Life is long, people change, I would never be foolish enough to think otherwise. But no matter what, nothing can ever be as it was. Everything has changed in a way that sounds trite and borderline offensive when recounted over coffee. I can never be who I was. I can simply watch her with sympathy, understanding, and some measure of awe.
I would be a horrible girlfriend at this point in my life, because I’m both needy and unavailable.
I didn't know why this was happening. The cruel reality of anxiety is that you never quite do. At the moments it should logically strike, I am fit as a fiddle. On a lazy afternoon, I am seized by a cold dread.
But ambition is a funny thing: it creeps in when you least expect it and keeps you moving, even when you think you want to stay put.
It made me feel silenced, lonely, and far away from myself, a feeling that I believe, next to extreme nausea sans vomiting, is the depth of human misery.
I didn't drink in the essence of the classroom. I didn't take legible notes or dance all night. I thought I would marry my boyfriend and grow old and sick of him. I thought I would keep my friends, and we'd make different, new memories. None of that happened. Better things happened.
I deserved kisses. I deserved to be treated like a piece of meat but also respected for my intellect.
I know that when I am dying, looking back, it will be women that I regret having argued with, women I sought to impress, to understand, was tortured by. Women I wish to see again, to see them smile and laugh and say, It was all as it should have been.
I’ve always had a talent for recognizing when I am in a moment worth being nostalgic for.
Once, my little sister was walking down the street in her thick black glasses, and a homeless man muttered, “Talk nerdy to me.
Deep in her soul, however, she was waiting for something to happen. Like a sailor in distress, she would gaze out over the solitude of her life with desperate eyes, seeking some white sail in the mists of the far-off horizon. She did not know what this chance event would be, what wind would drive it to her, what shore it would carry her to, whether it was a longboat or a three-decked vessel, loaded with anguish or filled with happiness up to the portholes. But each morning, when she awoke, she hoped it would arrive that day.… —GUSTAVE FLAUBERT, Madame Bovary
I am sorry (not to you but in a deeper way, sorry for my brain chemistry and who I am.
Barbie’s disfigured. It’s fine to play with her just as long as you keep that in mind.
The end never comes when you think it will. It’s always ten steps past the worst moment, then a weird turn to the left.
The most terrifying aspect of human health is our refusal to take steps to help ourselves and the fact that we are so often responsible for our own demise through lack of positive action. It makes me want to take a nap.
Did you know?
- The book was dedicated to writer and filmmaker Nora Ephron.
- Dunham reportedly secured a publishing deal worth more than $3.5 million after a competitive 2012 bidding war based on a 66-page proposal.
- It reached number two on The New York Times Best Seller list.
- The book is structured as a mix of autobiographical essays, lists, and emails.
- In November 2014 the memoir drew controversy over passages describing childhood sexual exploration with her sibling, for which Dunham issued an apology.
About Lena Dunham
About the book
"Not That Kind of Girl" is a memoir-in-essays by Lena Dunham, the writer, director, and star of HBO's series Girls. Drawing on the same candid, autobiographical voice that defined her television work, the book gathers personal essays, lists, and emails that recount her experiences with love, sex, body image, work, friendship, and family. Dunham presents these episodes from her own life as material from which a young woman might extract lessons, framed by the book's subtitle, "A Young Woman Tells You What She's 'Learned.'"
Its themes center on coming of age as a young woman, the messiness of relationships and sexuality, anxiety and self-doubt, and the contradictions of trying to live honestly in public. Dunham writes in a confessional, frequently comic register, dwelling on intimate and sometimes uncomfortable details rather than offering tidy advice. The book was dedicated to the writer and filmmaker Nora Ephron, an acknowledged influence on Dunham's voice.
The memoir followed a competitive bidding process in 2012 that reportedly secured Dunham a publishing deal worth more than $3.5 million on the strength of a book proposal. On release it reached number two on The New York Times Best Seller list. Critical reception was mixed: reviewers praised Dunham's talent and honesty while others found the book self-absorbed, and in late 2014 passages describing childhood behavior with her younger sibling drew public controversy and prompted Dunham to apologize for a joking use of the phrase "sexual predator."
Book details
- First published
- 2014
- Length
- 265 pages
- Reading time
- 4 hours
- Author
- Lena Dunham
- Genre
- Nonfiction
- Goodreads rating
- 3.30 (138k ratings)
Critical reception
- Reached number two on The New York Times Best Seller list.
- Reviews were mixed, with critics praising Dunham's wit and honesty while others described the book as narcissistic or self-absorbed.
- Passages about childhood behavior with her younger sister sparked public controversy in late 2014.
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