Basic Writings

To think is to confine yourself to a single thought that one day stands still like a star in the world's sky.

Anxiety is there. It is only sleeping. Its breath quivers perpetually through Dasein, only slightly in those who are jittery, imperceptibly in the 'Oh, yes' and the 'Oh, no' of men of affairs; but most readily in the reserved, and most assuredly in those who are basically daring. But those daring ones sustained by that on which they expend themselves—in order thus to preserve the ultimate grandeur of existence.

Language is the house of Being. In its home man dwells.

Man is the shepherd of Being. Man loses nothing in this "less"; rather, he gains in that he attains the truth of Being. He gains the essential poverty of the shepherd, whose dignity consists in being called by Being itself into the preservation of Being's truth. The call comes as the throw from which the thrownness of Da-sein derives. In his essential unfolding within the history of Being, man is the being whose Being as ek-sistence consists in his dwelling in the nearness of Being. Man is the neighbor of Being.

Sartre expresses the basic tenet of existentialism in this way: Existence precedes essence. In this statement he is taking existentia and essentia according to their metaphysical meaning, which from Plato's time on has said that essentia precedes existentia. Sartre reverses this statement. But the reversal of a metaphysical statement remains a metaphysical statement. With it he stays with metaphysics in oblivion of the truth of Being.

The essence of truth reveals itself as freedom.

In its essence, language is not the utterance of an organism; nor is it the expression of a living thing. Nor can it ever be thought in an essentially correct way in terms of its symbolic character, perhaps not even in terms of the character of signification. Language is the clearing-concealing advent of Being itself.

A building, a Greek temple, portrays nothing. It simply stands there in the middle of the rock-cleft valley. The building encloses the figure of the god, and in this concealment lets it stand out into the holy precinct through the open portico. By means of the temple, the god is present in the temple. This presence of the god is in itself the extension and delimitation of the precinct as a holy precinct. The temple and its precinct, however, do not fade away into the indefinite. It is the temple-work that first fits together and at the same time gathers around itself the unity of those paths and relations in which birth and death, disaster and blessing, victory and disgrace, endurance and decline acquire the shape of destiny for human being.

The essence of technology is by no means anything technological.

The temple, in its standing there, first gives to things their look and to men their outlook on themselves. This view remains open as long as the work is a work, as long as the god has not fled from it. It is the same with the sculpture of the god, a votive offering of the victor in the athletic games. It is not a portrait whose purpose is to make it easier to realize how the god looks; rather, it is a work that lets the god himself be present and thus is the god himself. The same holds for the linguistic work. In the tragedy nothing is staged or displayed theatrically, but the battle of the new gods against the old is being fought. The linguistic work, originating in the speech of the people, does not refer to this battle; it transforms the people's saying so that now every living word fights the battle and puts up for decision what is holy and what unholy, what lofty and what flighty, what master and what slave.

As ek-sisting, man sustains Da-sein in that he takes the Da, the clearing of Being, into "care.