1Q84
Quotes from the Book
You can hide memories, but you can't erase the history that produced them.
One heart is not connected to another through harmony alone. They are, instead, linked deeply through their wounds. Pain linked to pain, fragility to fragility. There is no silence without a cry of grief, no forgiveness without bloodshed, no acceptance without a passage through acute loss. That is what lies at the root of true harmony.
As we go through life we gradually discover who we are, but the more we discover, the more we lose ourselves.
Some things in life are too complicated to explain in any language.
Still, being able to feel pain was good, he thought. It's when you can't even feel pain anymore that you're in real trouble.
No matter how honestly you open up to someone, there are still things you cannot reveal.
Maybe I am fated to always be alone, Tsukuru found himself thinking. People came to him, but in the end they always left. They came, seeking something, but either they couldn’t find it, or were unhappy with what they found (or else they were disappointed or angry), and then they left. One day, without warning, they vanished, with no explanation, no word of farewell. Like a silent hatchet had sliced the ties between them, ties through which warm blood still flowed, along with a quiet pulse.
Never let fear and stupid pride make you lose someone who's precious to you.
We survived. You and I. And those who survive have a duty. Our duty is to do our best to keep on living. Even if our lives are not perfect.
No matter how quiet and conformist a person’s life seems, there’s always a time in the past when they reached an impasse. A time when they went a little crazy. I guess people need that sort of stage in their lives.
Everything has boundaries. The same holds true with thought. You shouldn't fear boundaries, but you should not be afraid of destroying them. That's what is most important if you want to be free: respect for and exasperation with boundaries.
We truly believed in something back then, and we knew we were the kind of people capable of believing in something - with all our hearts. And that kind of hope will never simply vanish.
Jealousy—at least as far as he understood it from his dream—was the most hopeless prison in the world. Jealousy was not a place he was forced into by someone else, but a jail in which the inmate entered voluntarily, locked the door, and threw away the key. And not another soul in the world knew he was locked inside. Of course if he wanted to escape he could do so. The prison, was after all, his own heart. But he couldn't make that decision. His heart was as hard as a stone wall. This was the very essence of jealousy.
Life is long, and sometimes cruel. Sometimes victims are needed. Someone has to take on that role. And human bodies are fragile, easily damaged. Cut them, and they bleed.
Our lives are like a complex musical score. Filled with all sorts of cryptic writing, sixteenth and thirty-second notes and other strange signs. It's next to impossible to correctly interpret these, and even if you could, and could then transpose them into the correct sounds, there's no guarantee that people would correctly understand, or appreciate, the meaning therein. No guarantee it would make people happy. Why must the workings of people's lives be so convoluted?
The human heart is like a night bird. Silently waiting for something, and when the time comes, it flies straight toward it.
The right words always seemed to come too late.
Let’s say you are an empty vessel. So what? What’s wrong with that?” Eri said. “You’re still a wonderful, attractive vessel. And really, does anybody know who they are? So why not be a completely beautiful vessel? The kind people feel good about, the kind people want to entrust with precious belongings.
Cell phones are so convenient that they're an inconvenience.
The world isn’t that easily turned upside down, Haida replied. It’s people who are turned upside down.
The fresh smell of coffee soon wafted through the apartment, the smell that separates night from day.
The heart apparently doesn’t stop that easily.
We live in a pretty apathetic age, yet we’re surrounded by an enormous amount of information about other people. If you feel like it, you can easily gather that information about them. Having said that, we still hardly know anything about people.
History cannot be erased or altered.Because that would mean killing yourself.
It’s the first thing I always say at our new employee training seminars. I gaze around the room, pick one person, and have him stand up. And this is what I say: I have some good news for you, and some bad news. The bad news first. We’re going to have to rip off either your fingernails or your toenails with pliers. I’m sorry, but it’s already decided. It can’t be changed. I pull out a huge, scary pair of pliers from my briefcase and show them to everybody. Slowly, making sure everybody gets a good look. And then I say: Here’s the good news. You have the freedom to choose which it’s going to be—your fingernails, or your toenails. So, which will it be? You have ten seconds to make up your mind. If you’re unable to decide, we’ll rip off both your fingernails and your toenails. I start the count. At about eight seconds most people say, ‘The toes.’ Okay, I say, toenails it is. I’ll use these pliers to rip them off. But before I do, I’d like you to tell me something. Why did you choose your toes and not your fingers? The person usually says, ‘I don’t know. I think they probably hurt the same. But since I had to choose one, I went with the toes.’ I turn to him and warmly applaud him. And I say, Welcome to the real world.
And you’ll return to real life. You need to live it to the fullest. No matter how shallow and dull things might get, this life is worth living. I guarantee it.
The truth sometimes reminds me of a city buried in sand. As time passes, the sand piles up even thicker, and occasionally it's blown away and what's below is revealed.
You can hide memories, but you can’t erase the history that produced them.” Sara looked directly into his eyes. “If nothing else, you need to remember that. You can’t erase history, or change it. It would be like destroying yourself.
Did you know?
- The novel was first published in Japan by Bungeishunjū on April 12, 2013.
- The English translation is by Philip Gabriel and was released in 2014 by Knopf in the US and Harvill Secker in the UK.
- Four of Tsukuru's friends are nicknamed for colors in their surnames — Blue, Red, White, and Black — while Tsukuru's own name contains no color.
- The book topped US bestseller lists including The New York Times after its English-language release.
- It was named a New York Times Notable Book of the Year for 2014.
About Haruki Murakami
More by Haruki Murakami
All books by Haruki Murakami →About the book
"Colorless Tsukuru Tazaki and His Years of Pilgrimage" follows Tsukuru Tazaki, a thirty-six-year-old railroad-station engineer in Tokyo who, during his second year at university, was abruptly and inexplicably cut off by the four close high-school friends who had been the center of his life. Each of those friends carried a color in their surname — Ao (Blue), Aka (Red), Shiro (White), and Kuro (Black) — while Tsukuru's name held no color, leaving him feeling colorless and ordinary among them. Prompted by his girlfriend Sara, he sets out years later to track down each friend and finally learn why he was exiled from the group.
The novel is a quiet, realist work rather than one of Murakami's overtly fantastical books, turning on themes of abandonment, identity, memory, and the long labor of reconciliation. Tsukuru's journey carries him from Nagoya to Finland as he pieces together the truth about the friendship that shaped and then wounded him, confronting how a person can be defined — and undone — by other people's silence. Its color symbolism and its meditation on feeling empty or interchangeable give the story its central metaphor.
A major commercial success, the book topped bestseller lists in the United States after its 2014 English release and was named a New York Times Notable Book of the Year. Translated by Philip Gabriel, it extended Murakami's global readership and stands among his most accessible novels, trading surreal spectacle for an intimate study of loss and the slow work of coming back to life.
Key characters
- Tsukuru TazakiProtagonist; a Tokyo railroad-station engineer seeking why his friends abandoned him
- Sara KimotoTsukuru's girlfriend, a travel agent who urges him to confront his past
- Ao (Yoshio Oumi)Former friend, now a Lexus car dealer in Nagoya
- Aka (Kei Akamatsu)Former friend who runs a corporate training business
- Shiro (Yuzuki Shirane)Former friend and piano teacher whose accusation split the group; later murdered
- Kuro (Eri Kurono Haatainen)Former friend and pottery artist now living in Finland
- Fumiaki HaidaA college friend of Tsukuru who shares a strange story and then disappears
Book details
- First published
- 2013
- Length
- 386 pages
- Reading time
- 6 hours
- Author
- Haruki Murakami
- Genre
- Fiction
- Goodreads rating
- 3.87 (208k ratings) →
- First line
- “From July of his sophomore year in college until the following January, all Tsukuru Tazaki could think about was dying.”
If you liked this, read…
- 1Norwegian WoodMurakami's other realist novel of memory, loss, and young adulthood
- 2Kafka on the ShoreAnother Murakami work exploring identity and estrangement
- 3The Wind-Up Bird ChronicleMurakami protagonist on a quest to recover what was lost
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