East of Eden
Quotes from the Book
...we, and I mean humans, are meaning makers. We do not discover the meanings of mysterious things, we invent them. We make meanings because meaninglessness terrifies us above all things. More than snakes, even. More than falling, or the dark. We trick ourselves into seeing meanings in things, when in fact all we are doing is grafting our meanings onto the universe to comfort ourselves. We gild the chaos of the universe with our symbols. To admit that something is meaningless is just like falling backward into darkness." (p184)
If you ever have children, tell them they must always be drunk. Drunk on love, drunk on poetry, drunk on wine, it doesn’t matter. This world is too goddamn painful to waste a second of your existence sober.
In paradise there is nothing to say. Eden was sacrificed not for the pleasure of a fruit, but for the pleasure of the word. Now we have shame and pain and knowledge of death and whatnot, but at least we can talk about it.
It is a notably obscene crime of our language that educate is not an intransitive verb.
It seems to me there are two things humans like to pretend simply do not happen--two things, two inescapable actions in life, one of which is a daily concern, and the other, come to think of it, is also a daily concern, even though it will only happen to you once: defecating and dying.
We are animals cursed with cognizance of death; we know we will end, and while we do not remember beginning, we know and must believe that we began, and this belief in our own beginning makes us want to find out what happened before we all began, and further it makes us want to know how everything began.
All the world's a zoo, and all the men and women merely animals.
(And also like Satan, I'm a beautiful loser.)
Some cities are like joyful little children, they live for their summers, and other cities have personalities more like curmudgeonly old men who live for their winters, simply because it means they may wear big coats with lots of pockets to put their things in.
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About Benjamin Hale
About the book
Bruno Littlemore is quite unlike any chimpanzee in the world. Precocious, self-conscious and preternaturally gifted, young Bruno, born and raised in a habitat at the local zoo, falls under the care of a university primatologist named Lydia Littlemore. Learning of Bruno's ability to speak, Lydia takes Bruno into her home to oversee his education and nurture his passion for painting. But for all of his gifts, the chimpanzee has a rough time caging his more primal urges. His untimely outbursts ultimately cost Lydia her job, and send the unlikely pair on the road in what proves to be one of the most unforgettable journeys -- and most affecting love stories -- in recent literature. Like its protagonist, this novel is big, loud, abrasive, witty, perverse, earnest and amazingly accomplished. The Evolution of Bruno Littlemore goes beyond satire by showing us not what it means, but what it feels
Book details
- First published
- 2011
- Author
- Benjamin Hale
- Genre
- Fiction
- Goodreads rating
- 3.59 (3k ratings)
Keep reading
East of Eden
Point Counter Point
Drive Your Plow Over the Bones of the Dead
Cat's Cradle
The Humans
A Language Older Than Words
The Fifth Science
The Gone-Away World
Hocus Pocus
The Seven Moons of Maali Almeida
The Idiot
I, Lucifer
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The Stone Gods
The Gum Thief
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The Magus
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The Magic Mountain
The Burning World
Human, All Too Human
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The Gay Science
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Memoirs of a Polar Bear
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Speaker for the Dead
The Long Way to a Small, Angry Planet
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A Heartbreaking Work of Staggering Genius
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The Midwich Cuckoos
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Steppenwolf
The Sport of Kings
Heartbreak House
The Picture of Dorian Gray
The Fall of Babel
The Book of Joan
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A Man Without a Country
Man and Superman
Too Like the Lightning
Infinite Jest
Just a Couple of Days
Tender Is the Flesh
The Fall
We
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Stella Maris
Henderson the Rain King
The Hod King
The Names

