Diving Into the Wreck
Quotes from the Book
Power Living in the earth-deposits of our history Today a backhoe divulged out of a crumbling flank of earth one bottle amber perfect a hundred-year-old cure for fever or melancholy a tonic for living on this earth in the winters of this climate. Today I was reading about Marie Curie: she must have known she suffered from radiation sickness her body bombarded for years by the element she had purified It seems she denied to the end the source of the cataracts on her eyes the cracked and suppurating skin of her finger-ends till she could no longer hold a test-tube or a pencil She died a famous woman denying her wounds denying her wounds came from the same source as her power.
210
No one has imagined us. We want to live like trees, sycamores blazing through the sulfuric air, dappled with scars, still exuberantly budding, our animal passion rooted in the city.
195
I choose to love this time for once with all my intelligence -from "Splittings
102
Origins and History of Consciousness III. It’s simple to wake from sleep with a stranger, dress, go out, drink coffee, enter a life again. It isn’t simple to wake from sleep into the neighborhood of one neither strange nor familiar whom we have chosen to trust. Trusting, untrusting, we lowered ourselves into this, let ourselves downward hand over hand as on a rope that quivered over the unsearched…. We did this. Conceived of each other, conceived each other in a darkness which I remember as drenched in light. I want to call this, life. But I can’t call it life until we start to move beyond this secret circle of fire where our bodies are giant shadows flung on a wall where the night becomes our inner darkness, and sleeps like a dumb beast, head on her paws, in the corner.
55
the phantom of the man-who-would-understand, the lost brother, the twin --- for him did we leave our mothers, deny our sisters, over and over? did we invent him, conjure him over the charring log, nights, late, in the snowbound cabin did we dream or scry his face in the liquid embers, the man-who-would-dare-to-know-us? It was never the rapist: it was the brother, lost, the comrade/twin whose palm would bear a lifeline like our own: decisive, arrowy, forked-lightning of insatiate desire It was never the crude pestle, the blind ramrod we were after: merely a fellow-creature with natural resources equal to our own.
42
No one’s fated or doomed to love anyone. The accidents happen, we’re not heroines, they happen in our lives like car crashes, books that change us, neighborhoods we move into and come to love. Tristan and Isolde is scarcely the story, women at least should know the difference between love and death. No poison cup, no penance. Merely a notion that the tape-recorder should have caught some ghost of us: that tape-recorder not merely played but should have listened to us, and could instruct those after us: this we were, this is how we tried to love, and these are the forces they had ranged against us, and these are the forces we had ranged within us, within us and against us, against us and within us.
37
Silence can be a plan rigorously executed the blueprint to a life It is a presence it has a history a form Do not confuse it with any kind of absence
32
The longer I live the more I mistrust theatricality, the false glamour cast by performance, the more I know its poverty beside the truths we are salvaging from the splitting-open of our lives. -from "Transcendental Etude
31
Pictures form and dissolve in my head: we are walking in a city you fled, came back to and come back to still which I saw once through winter frost years back, before I knew you, before I knew myself. We are walking streets you have by heart from childhood streets you have graven and erased in dreams: scrolled portals, trees, nineteenth century statues. We are holding hands so I can see everything as you see it I follow you into your dreams your past, the places none of us can explain to anyone.
27
This is what I am: watching the spider rebuild - "patiently", they say, but I recognise in her impatience - my own- the passion to make and make again where such unmaking reigns the refusal to be a victim we have lived with violence so long Am I to go on saying for myself, for her This is my body, take it and destroy it?
21
No one who survives to speak new language, has avoided this: the cutting-away of an old force that held her rooted to an old ground the pitch of utter loneliness where she herself and all creation seem equally dispersed, weightless, her being a cry to which no echo comes or can ever come. But in fact we were always like this, rootless, dismembered: knowing it makes the difference. Birth stripped our birthright from us, tore us from a woman, from women, from ourselves so early on and the whole chorus throbbing at our ears like midges, told us nothing, nothing of origins, nothing we needed to know, nothing that could re-member us.
20
but from here on I want more crazy mourning, more howl, more keening -from "A Woman Dead in Her Forties
15
My heart is moved by all I cannot save: so much has been destroyed I have to cast my lot with those who age after age, perversely, with no extraordinary power, reconstitute the world.
10
You’ve kissed my hair to wake me. I dreamed you were a poem, I say, a poem I wanted to show someone… and I laugh and fall dreaming again of the desire to show you to everyone I love, to move openly together in the pull of gravity
10
We stayed mute and disloyal because we were afraid I would have touched my fingers to where your breasts had been but we never did such things
7
how can I reconcile this passion with our modesty your calvinist heritage my girlhood frozen into forms how can I go on this mission without you you, who might have told me everything you feel is true?
5
and they still control the world, and you are not in my arms.
5
You are every woman I ever loved and disavowed.
4
She died a famous woman denying her wounds denying her wounds came from the same source as her power.
3
If I could let you know - two women together is a work nothing in civilization ha made simple, two people together is a work heroic in its ordinariness, the slow-picked, halting traverse of a pitch where the fiercest attention becomes routine - look at the faces of those who have chosen it.
3
... We did this. Conceived of each other, conceived each other in darkness which I remember as drenched in light. I want to call this, life.
2
The mail lets fall a Xerox of something written by a man aged 27, a hostage, tortured in prison: My genitals have been the object of such a sadistic display they keep me constantly awake with the pain... Do whatever you can to survive. You know, I think that men love wars... And my incurable anger, my unbendable wounds break open further with ears, I am crying helplessly, and they still control the world, and you are not in my arms.
1
Clara, I feel so full of work, the life I see ahead, and love for you, who of all people however badly I say this will hear all I say and cannot say.
1
I want to crawl into her for refuge lay my head in the space between her breast and shoulder abnegating power for love as women have done
1
The world tells me I am its creature I am raked by eyes brushed by hands I want to crawl into her for refuge lay my head in the space between her breast and shoulder abnegating power for love as women have done or hiding from power in her love like a man I refuse these givens the splitting between love and action I am choosing not to suffer uselessly and not to use her I choose to love this time for once with all my intelligence
1
We cut the wires, find ourselves in free-fall, as if our true home were the undimensional solitudes, the rift in the Great Nebula.
1
Clara, why don't I dream of you?
I discern a woman I loved, drowning in secrets, fear wound round her throat and choking her like hair. And this is she with whom I tried to speak, whose hurt, expressive head turning aside from pain, is dragging down deeper where it cannot hear me, and soon I shall know I was talking to my own soul.
I touch you knowing we weren’t born tomorrow, and somehow, each of us will help the other live, and somewhere, each of us must help the other die.
(...) how can I go on this mission without you you, who might have told me everything you feel is true?
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About Adrienne Rich
More by Adrienne Rich
About the book
"The Dream of a Common Language explores the contours of a woman's heart and mind in language for everybody--language whose plainness, laughter, questions and nobility everyone can respond to. . . . No one is writing better or more needed verse than this."--Boston Evening Globe
Book details
- First published
- 1978
- Author
- Adrienne Rich
- Genre
- Literature
- Goodreads rating
- 4.32 (7k ratings)
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