Last Words from Montmartre
Quotes from the Book
Secretly though, I did sort of enjoy being a fucked-up mess. Apart from that, I didn't have a whole lot going on.
I wish I could fall in love with a man, but there are too many beautiful women.
Unhealthy love is two people stoking a shared fantasy of desperate beauty, weaponizing passion and desire.
Tell me, just this once, if you still think of me. And let me recklessly, tenderly, tell you one more time: I love you.
For a long time, my hidden shame had made me push everyone away. I'd rejected them before they could reject me. I ran away from close relationships even with the people who loved me. I was a blind man fallen into the ocean.
I’d taken everyone I loved and killed them off in my heart, one by one. I’d long been tending their graves—secretly visiting and mourning during the day, going out and erecting a cross on starry nights, lying inside and awaiting my own death on starless nights. That was my Atlantis, the kingdom I’d built in the name of separation. I’d never before unearthed so much of myself, and so suddenly at that. Inside the world of my tomb, everyone else was dead, I alone survived, and that was the reason for my sorrow. It didn’t take long to spot the largest sarcophagus. It was the one in which Shui Ling had been entombed, and across the front, it read: This woman is madly in love with me. And then reality finally hit me. I had my old schema (which offered a peephole, really) to blame for my decision to leave this woman, to kill her and preserve her body in this sarcophagus, where she’d stay mine forever. I’d evaded the perils of real relationships and robbed her of the ability to change with time. These two prospects had given rise to “my deep-rooted fear of a real separation, which in turn yielded the avoidant mentality that had only hastened it.
Only healthy people are capable of being in love. Using love to treat an illness just makes the illness worse.' I realize that's exactly what I did: I used love to fight illness, and it ruined me. I have to change my ways. I can't be like that anymore.
The fact is, most people go through life without ever living. They say you have to learn how to construct a self who remains free in spite of the system. And you have to get used to the idea that it's every man for himself in this world. It requires a strange self-awareness, whereby everything down to the finest detail must be performed before the eyes of the world.
No one will ever know about your tragedy, and the world eluded its responsibility ages ago.
Sweeping that other me into their arms, they led me in a dance within societal norms, along a trajectory based on a delusion. (Though I couldn't define what I was, I knew what I wasn't.)
Someday you'll find someone who's the total package. Right now you're sowing your oats, and that's not a bad thing. Life is a process of awakening by degrees, in depth and in scope. At its most profound moments, you experience wholeness.
All that is neither masculine nor feminine becomes sexless and is cast into the freezing-cold waters outside the line of demarcation, into an even wider demarcated zone. Man's greatest suffering is born of mistreatment by his fellow man.
Being in college gave me a sense of vocation. It exempted me from an oppressive system of social and personal responsibility- from going through the motions like a cog, from being whipped and beaten by everyone for not having worked hard enough and then having to put on a repentant face afterward.
People in this city are manufactured and canned, raised for the sole purpose of taking tests and making money, The eighteen-year-old me went through the high-grade production line and was processed in three years, despite the fear that I was pure carrion inside.
My time was gradually consumed by tears. The whole world loves me, but what does it matter since I hate myself?
In the end, the world didn't owe me anything, not even half a chance. That was the hand I'd been dealt in life, and while detachment was enough for me to withstand hatred, extricating myself from the jaws of suffering called for enough detachment to exercise cruelty.
Separation was the thing I'd been dreading the most these past few years, and I'd been in denial that it was a fact of life. Refusing to let go, I'd practically thrown a temper tantrum. What's worse, my attempts to avoid separation had only hastened it. It explained why I'd always been so quick to lash out at those I loved.
I don’t want to become myself. I know the answer to the riddle, but I can’t stand to have it revealed. The first time I saw you, I knew I would fall in love with you.
Like death, college serves as a kind of escape hatch. But while death takes you straight to the morgue, college is a single rope dangling loose from the inescapable net of society.
Though I couldn't define what I was, I knew what I wasn't. I was shown the limits, and being confined within a set of walls tormented me and drained me of life, for the real me spanned multitudes, stretching far beyond the bounds of normality encircling ninety percent of the human race.
I became obsessed with Kierkegaard and Schopenhauer. I devoured all kinds of books for tortured souls. Started collecting issues of the independence movement's weekly. Studied up on political game theory, an antidote to my spiritual reading. It made me feel like an outsider, which became my way of recharging. At the break of dawn, around six or seven like a nocturnal creature afraid of the light, I'd finally lay my head - which by then was spilling over with thoughts - down onto the comforter. That's how it went when things were good.
Here’s a delusional and misguided hypothesis: If I could just fall in love with a man, it would put an end to the anguish of having fallen in love with a woman by somehow overwriting that earlier consciousness.
The power to construct oneself is destiny
She closed her eyes. Tears fell from her eyelashes. Every last fiber in my body felt as if it were being twisted and wrung. I’d wrenched our relationship to the breaking point and watched it split apart. I know I made you suffer. I’ll never cut you off again. I spit out the words that were caught in my throat. She let out a laugh, and then, as if she’d finally been torn open, a cry of pain. To paint a picture of our embrace, I’d almost have to use her blood and guts.
No need to be silent. Are you sinking into some corner of your melancholy? In my heart, I called out to you.
It was clear from that moment on, we’d never be equals. How could we, with me under the table, scrambling to summon a different me, the one she would worship and put on a pedestal? No way was I coming out.
Wielding the ax of cruelty against life, against myself, against others. It’s the rule of animal instinct, ethics, aesthetics, metaphysics—and the axis of all four. And the comma that punctuated being twenty-two.
I didn't want to be alone, I was afraid no one would want me.
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About Qiu Miaojin
More by Qiu Miaojin
Last Words from Montmartre
About the book
Set in the post-martial-law era of late 1980s Taipei, Notes of a Crocodile depicts the coming-of-age of a group of queer misfits discovering love, friendship, and artistic affinity while hardly studying at Taiwan's most prestigious university. Told through the eyes of an anonymous lesbian narrator nicknamed Lazi, Qiu Miaojin's cult classic novel is a postmodern pastiche of diaries, vignettes, mash notes, aphorisms, exegesis, and satire by an incisive prose stylist and countercultural icon.
Afflicted by her fatalistic attraction to Shui Ling, an older woman, Lazi turns for support to a circle of friends that includes a rich kid turned criminal and his troubled, self-destructive gay lover, as well as a bored, mischievous overachiever and her alluring slacker artist girlfriend.
Illustrating a process of liberation from the strictures of gender through radical self-inquiry, Notes of a
Book details
- First published
- 1994
- Author
- Qiu Miaojin
- Genre
- Fiction
- Goodreads rating
- 3.81 (12k ratings)
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Outline

