Adrienne Rich · 358 pages
Rating: (2.8K votes)
“Sleeping. Turning in turn like planets rotating in their midnight meadow: a touch is enough to let us know we're not alone in the universe, even in sleep.”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“I am an instrument in the shape/ of a woman trying to translate pulsations/ into images for the relief of the body/ and the reconstruction of the mind.”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“A language is a map of our failures”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“We lie under the sheet
after making love, speaking
of loneliness
relieved in a book
relived in a book
so on that page
the clot and fissure
of it appears
words of a man
in pain
a naked word
entering the clot
a hand grasping
through bars:
deliverance
What happens between us
has happened for centuries
we know it from literature
still it happens
sexual jealousy
outflung hand
beating bed
dryness of mouth
after panting
there are books that describe all this
and they are useless”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“A dream of tenderness
wrestles with all I know of history”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“Some midnight-of-all or other [apocalypse] was predicted every few days or nights. Most came to nothing, leaving relevant prophets cringing with a unique embarrassment as the sum rose. It was a very particular shame, that of now ex-worshippers avoiding each other's eyes in the unexpected aftermath of 'final' acts -- crimes, admissions, debaucheries and abandon.”
― China Miéville, quote from Kraken
“We all have different capacities for failure.”
― Brigid Kemmerer, quote from Letters to the Lost
“If you start by promising what you don't even have yet, you'll lose your desire to work towards getting it.”
― Paulo Coelho, quote from Alkimist
“Essentially, perspective is a form of abstraction. It simplifies the relationship between eye, brain and object. It is an ideal view, imagined as being seen by a one-eyed, motionless person who is clearly detached from what he sees. It makes a God of the spectator, who becomes the person on whom the whole world converges, the Unmoved Onlooker.”
― Robert Hughes, quote from The Shock of the New
“Nathaniel Hawthorne, who was at the time American consul in Liverpool, provided a preface, then almost instantly wished he hadn’t, for the book was universally regarded by reviewers as preposterous hokum. Hawthorne under questioning admitted that he hadn’t actually read it. “This shall be the last of my benevolent follies, and I will never be kind to anybody again as long as [I] live,” he vowed in a letter to a friend.”
― Bill Bryson, quote from Shakespeare: The World as Stage
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