Adrienne Rich · 358 pages
Rating: (2.8K votes)
“Sleeping. Turning in turn like planets rotating in their midnight meadow: a touch is enough to let us know we're not alone in the universe, even in sleep.”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“I am an instrument in the shape/ of a woman trying to translate pulsations/ into images for the relief of the body/ and the reconstruction of the mind.”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“A language is a map of our failures”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“We lie under the sheet
after making love, speaking
of loneliness
relieved in a book
relived in a book
so on that page
the clot and fissure
of it appears
words of a man
in pain
a naked word
entering the clot
a hand grasping
through bars:
deliverance
What happens between us
has happened for centuries
we know it from literature
still it happens
sexual jealousy
outflung hand
beating bed
dryness of mouth
after panting
there are books that describe all this
and they are useless”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“A dream of tenderness
wrestles with all I know of history”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
Adrienne Rich
Born place: in Baltimore, Maryland, The United States
Born date May 16, 1929
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“I learned that the world of men as it exists today is a bureaucracy. This is an obvious truth, of course, though it is also one the ignorance of which causes great suffering.
“But moreover, I discovered, in the only way that a man ever really learns anything important, the real skill that is required to succeed in a bureaucracy. I mean really succeed: do good, make a difference, serve. I discovered the key. This key is not efficiency, or probity, or insight, or wisdom. It is not political cunning, interpersonal skills, raw IQ, loyalty, vision, or any of the qualities that the bureaucratic world calls virtues, and tests for. The key is a certain capacity that underlies all these qualities, rather the way that an ability to breathe and pump blood underlies all thought and action.
“The underlying bureaucratic key is the ability to deal with boredom. To function effectively in an environment that precludes everything vital and human. To breathe, so to speak, without air.
“The key is the ability, whether innate or conditioned, to find the other side of the rote, the picayune, the meaningless, the repetitive, the pointlessly complex. To be, in a word, unborable.
“It is the key to modern life. If you are immune to boredom, there is literally nothing you cannot accomplish.”
― David Foster Wallace, quote from The Pale King
“I look up when a man sits down across from me. Logan smiles, his breaths heavy. He props his head on his chin and blinks his pretty blue eyes at me. “Would your boyfriend be mad if I sit here with you?” he asks, his grin almost contagious. “My boyfriend would kick your ass,” I say as seriously as I can. But a laugh escapes me. I look around when the librarian raps her desk with a ruler. I sign to Logan instead. My boyfriend will kick your ass, I say again. You might want to get out of here. He’s a mean SOB when he’s provoked. He laughs with no sound. God, he’s so handsome when he smiles. And when he’s not smiling. And when he’s sleeping. And when he’s awake. And when he’s breathing.”
― quote from Smart, Sexy and Secretive
“People who say not to speak ill of the dead are hypocrites, because you can take it ot the bank they're thinking ill.”
― Nora Roberts, quote from High Noon
“I couldn't buy the lice off a sick cat," the cabbie answered from the very depths of self-deprecation.”
― Nelson Algren, quote from The Man With the Golden Arm
“Those who love, friends and lovers, know that love is not only a blinding flash, but also a long and painful struggle in the darkness for the realization of definitive recognition and reconciliation.”
― Albert Camus, quote from The Rebel: An Essay on Man in Revolt
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