Adrienne Rich · 358 pages
Rating: (2.8K votes)
“Sleeping. Turning in turn like planets rotating in their midnight meadow: a touch is enough to let us know we're not alone in the universe, even in sleep.”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“I am an instrument in the shape/ of a woman trying to translate pulsations/ into images for the relief of the body/ and the reconstruction of the mind.”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“A language is a map of our failures”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“We lie under the sheet
after making love, speaking
of loneliness
relieved in a book
relived in a book
so on that page
the clot and fissure
of it appears
words of a man
in pain
a naked word
entering the clot
a hand grasping
through bars:
deliverance
What happens between us
has happened for centuries
we know it from literature
still it happens
sexual jealousy
outflung hand
beating bed
dryness of mouth
after panting
there are books that describe all this
and they are useless”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
“A dream of tenderness
wrestles with all I know of history”
― Adrienne Rich, quote from The Fact of a Doorframe: Poems Selected and New, 1950-1984
Adrienne Rich
Born place: in Baltimore, Maryland, The United States
Born date May 16, 1929
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“If Link and Ridley openly admitted that they were still fighting, it would mean openly admitting that they still cared. If they openly admitted that they still cared, it would mean openly admitting to things like feelings. Feelings implied all sorts of gushy, messy, fuzzy complications.
Feelings were how they'd gotten into this fight in the first place.
Disgusting.
Ridley would rather have Link stab her through the heart with a pair of gardening shears than admit to any of those things.”
― Kami Garcia, quote from Dangerous Creatures
“In the Land under the Hill, in the Time Before …
Once upon a time, there was a beautiful lady of the Seelie Court who lost her heart to the son of an angel.
Once upon a time, there were two boys come to the land of Faerie, brothers noble and bold. One brother caught a glimpse of the fair lady and, thunderstruck by her beauty, pledged himself to her. Pledged himself to stay. This was the boy Andrew. His brother, the boy Arthur, would not leave his side.
And so the boys stayed beneath the hill, and Andrew loved the lady, and Arthur despised her.
And so the lady kept her boy close to her side, kept this beautiful creature who swore his fealty to her, and when her sister lay claim to the other, the lady let him be taken away, for he was nothing.
She gave Andrew a silver chain to wear around his neck, a token of her love, and she taught him the ways of the Fair Folk. She danced with him in revels beneath starry skies. She fed him moonshine and showed him how to give way to the wild.
Some nights they heard Arthur’s screams, and she told him it was an animal in pain, and pain was in an animal’s nature.
She did not lie, for she could not lie.
Humans are animals.
Pain is their nature.
For seven years they lived in joy. She owned his heart, and he hers, and somewhere, beyond, Arthur screamed and screamed. Andrew didn’t know; the lady didn’t care; and so they were happy.
Until the day one brother discovered the truth of the other.
The lady thought her lover would go mad with the grief of it and the guilt. And so, because she loved the boy, she wove him a story of deceitful truths, the story he would want to believe. That he had been ensorcelled to love her; that he had never betrayed his brother; that he was only a slave; that these seven years of love had been a lie.
The lady set the useless brother free and allowed him to believe he had freed himself.
The lady subjected herself to the useless brother’s attack and allowed him to believe he had killed her.
The lady let her lover renounce her and run away.
And the lady beheld the secret fruits of their union and kissed them and tried to love them. But they were only a piece of her boy. She wanted all of him or none of him.
As she had given him his story, she gave him his children.
She had nothing left to live for, then, and so lived no longer.
This is the story she left behind, the story her lover will never know; this is the story her daughter will never know.
This is how a faerie loves: with her whole body and soul.
This is how a faerie loves: with destruction.
I love you, she told him, night after night, for seven years. Faeries cannot lie, and he knew that.
I love you, he told her, night after night, for seven years. Humans can lie, and so she let him believe he lied to her, and she let his brother and his children believe it, and she died hoping they would believe it forever.
This is how a faerie loves: with a gift.”
― Cassandra Clare, quote from Pale Kings and Princes
“Was it a weakness of man that made him want to ignore the darker side of his fellow human beings?”
― Morton Rhue, quote from The Wave
“We’re scientists,’ I reminded him. ‘We shouldn’t be defeated by problems. If we think hard enough, a solution will present itself.”
― Graeme Simsion, quote from The Rosie Effect
“Good friendships are worth a little extra effort,”
― R.J. Palacio, quote from Auggie & Me: Three Wonder Stories
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