“Do you fall in love often?"
Yes often. With a view, with a book, with a dog, a cat, with numbers, with friends, with complete strangers, with nothing at all.”
“Don’t lie. You know you like to view but not to buy. I have found that I am not a space where people want to live, at least not without decorating first. And that is the stubbornness in me: I do not want to be someone’s little home.”
“Walk with me, hand in hand through the neon and styrofoam. Walk the razor blades and the broken hearts. Walk the fortune and the fortune hunted. Walk the chop suey bars and the tract of stars.
I know I am a fool, hoping dirt and glory are both a kind of luminous paint; the humiliations and exaltations that light us up. I see like a bug, everything too large, the pressure of infinity hammering at my head. But how else to live, vertical that I am, pressed down and pressing up simultaneously? I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other.
The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love.”
“I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other.
The probability of seperate worlds meeting is very small. The lure is immense. We send starships. We fall in love”
“I've lived my life like a serial killer; finish with one part, strangle it and move on to the next. Life in neat little boxes is life in neat little coffins, the dead bodies of the past laid out side by side. I am discovering, now, in the late afternoon of the day, that the dead still speak.”
“Now that physics is proving the intelligence of the universe what are we to do about the stupidity of mankind? I include myself. I know that the earth is not flat but my feet are. I know that space is curved but my brain has been condoned by habit to grow in a straight line. What I call light is my own blend of darkness. What I call a view is my hand-painted trompe-l'oeil. I run after knowledge like a ferret down a ferret hole. My limitations, I call the boundaries of what can be known. I interpret the world by confusing other people's psychology with my own.”
“I feel in colour, strong tones that I hue down for the comfort of the pastelly inclined. Beige and magnolia and a hint of pink are what the well-decorated heart is wearing; who wants my blood red and vein-blue?”
“I am much better at saying how I feel when I no longer feel it.”
“And you? Now that I have discovered you? Beautiful, dangerous, unleashed. Still I try to hold you, knowing that your body is faced with knives.”
“I don't own my emotions unless I can think about them. I am not afraid of feeling but I am afraid of feeling unthinkingly. I don't want to drown. My head is my heart's lifebelt.”
“I love badly. That is too little or too much. I throw myself over an unsuitable cliff, only to reel back in horror from a simple view out the window.”
“It is just as likely that as I invent what I want to say, you will invent what you want to hear.”
“Love bears all things, believes all things, hopes all things, endures all things. Love never ends.”
“The human heart is my territory. I write about love because it’s the most important thing in the world. I write about sex because often it feels like the most important thing in the world.”
“What is it that you contain?
The Dead. Time. Light patterns of millennia. The expanding universe opening in your gut. Are your twenty-three feet of intestines loaded with stars?”
“She was fragile, gentle, wide awake in a sleeping world.”
“Physics, mathematics, music, painting, my politics, my love for you, my work, the star-dust of my body, the spirit that impels it, clocks diurnal, time perpetual, the roll, rough, tender, swamping, liberating, breathing, moving, thinking nature, human nature and the cosmos are patterned together.”
“I am civilised. My feelings are not.”
“I say I appear naked before you, but so often I whistle for my invisible armed guard; the gap-toothed, jeering, club-headed mob, my feelings, that are used to having me to themselves.”
“There is a thin line of me, wavering and not strong, that wants to learn the language of beasts and water and night.”
“I would be tender as the night that covers up your foolishness and mine.”
“He did not say so, but the words behind the words told me that he would rather have launched me into a good marriage than watch me row against the tide at my own work. It remains that a woman with an incomplete emotional life has herself to blame, while a man with no time for his heart just needs a wife.”
“The grey city and its lost hearts force its way between myself and my healing.”
“For the first time in months I felt my body slacken. I had been carrying myself like a gun, cocked, alert, ready for trouble, fearing it.”
“Unlike him she knew this and sat many hours with her head in her hands, I thought then, to make the words fall out. But the words did not fall out and her feelings hung inside her, preserved.”
“As he turned inwards she turned outwards, but while he wore his intensity like a garment, she slept in hers.”
“Like my grandmother he kept secrets the way other people kept fish. They were a hobby, a fascination, his underwater collection of the rare and the strange. Occasionally something would float up to the surface, unexpected, unexplained”
“Words kept salted when they cannot be found fresh. Words kept fresh when they cannot be found clean. The words go deeper, far out of reach of vessels, blood vessels bursting, that thick humming in the head. To find the words, just out of reach, beyond my hand, the coral of it, the pearl of it, fish.”
“Yes. Just pass me my leg will you? It's on top of the wardrobe where he threw it, and I think my right arm is leaning over by the wall. My head is in the gas oven but it will probably be all right, I'm told that green colour wears off. Unfortunately I threw my heart to the dogs. Never mind. No one will notice how much is missing from the inside, will they?”
“It’s not for us to worry about the men,” she says. “Let them please themselves, as they always have. If they want to war with each other and to wander, let them go. We have each other. Where you go, I will go. Your people will be my people, my sisters.”
“This is how we reveal ourselves: these tiny flashes of discomfort, the reactions we can’t hide.”
“Apoi, pe neasteptate, stiu ce are de facut. Se indrepta spre teancul de discuri si alese "Arta fugii". "Daca geniul lui nu-mi da curaj, gandi el, trebuie sa renunt imediat." Ramase pe scaun, nemiscat, ascultand cum Bach construia o lume, o popula, o organiza si, pana la urma, lupta impotriva ei si era distrus. Cand muzica se opri, intocmai cum se opreste omul la sosirea mortii, in mijlocul unei fraze, Doc isi regasise curajul. "Bach s-a luptat cu disperare, isi zise el, n-a fost invins. Daca ar mai fi trait, ar fi continuat sa lupte cu imposibilul. [....] "Ce inteleg prin a castiga?" Stiu. Pentru a castiga e suficient sa nu fii tu insuti invins." [....] Simti ca n-are de ce sa se mai teama. "La revedere, le spuse serpilor, urati-mi noroc".”
“Nights with bright pivots, departure, matter, uniquely voice, uniquely naked each day. Upon your breasts of still current, upon your legs ofharshness and water, upon the permanence and pride of your naked hair, I want to lie, my love, the tears now cast into the raucous basket where they gather, I want to lie, my love, alone with a syllable of destroyed silver, alone with a tip of your snowy breast. It is not now possible, at times, to win except by falling, it is not now possible, between two people, to tremble, to touch the river’s flower: man fibers come like needles, transactions, fragments, families of repulsive coral, tempests and hard passages through carpets of winter. Between lips and lips there are cities of great ash and moist crest, drops of when and how, indefinite traffic: between lips and lips, as if along a coast of sand and glass, the wind passes. That is why you are endless, gather me up as if you were all solemnity, all nocturnal like a zone, until you merge with the lines of time. Advance in sweetness, come to my side until the digital leaves of the violins have become silent, until the moss takes root in the thunder, until from the throbbing of hand and hand the roots come down.”
“They say no land remains to be discovered, no continent is left unexplored. But the whole world is out there, waiting, just waiting for me. I want to do things-- I want to walk the rain-soaked streets of London, and drink mint tea in Casablanca. I want to wander the wastelands of the Gobi desert and see a yak. I think my life's ambition is to see a yak. I want to bargain for trinkets in an Arab market in some distant, dusty land. There's so much. But, most of all, I want to do things that will mean something.”
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