“I want the following word: splendor, splendor is fruit in all its succulence, fruit without sadness. I want vast distances. My savage intuition of myself.”
― Clarice Lispector, quote from The Stream of Life
“You don't understand music: you hear it. So hear me with your whole body.”
― Clarice Lispector, quote from The Stream of Life
“But I welcome the darkness where the two eyes of that soft panther glow. The darkness is my cultural broth. The enchanted darkness. I go on speaking to you, risking disconnection: I’m subterraneously unattainable because of what I know.”
― Clarice Lispector, quote from The Stream of Life
“Oh, living is so uncomfortable. Everything presses in: the body demands, the spirit never ceases, living is like being weary but being unable to sleep–living is upsetting. You can’t walk around naked, either in body or in spirit.”
― Clarice Lispector, quote from The Stream of Life
“I just know that I don't want cheating. I refuse. I deepened myself but I don't believe in myself because my thought is invented.”
― Clarice Lispector, quote from The Stream of Life
“I want to seize my is. And like a bird I sing hallelujah into the air. And my song belongs to no one. But no passion suffered in pain and love is not followed by an hallelujah.”
― Clarice Lispector, quote from The Stream of Life
“I’m restless and harsh and despairing. Although I do have love inside me. I just don’t know how to use love. Sometimes it tears at my flesh, like barbs. If I can hold so much love within me, and nevertheless continue to be uneasy, it’s because I need God to come. Come, before it’s too late. I’m in danger, as is everyone who’s alive.”
― Clarice Lispector, quote from The Stream of Life
“What am I in this instant? I’m a typewriter making the dry echo in the dark, humid dawn. I haven’t been human for a long time. They wanted me to be an object. I am an object. An object dirty with blood. An object that creates other objects and the machine creates us all. It makes demands. Mechanisms make endless demands on my life. But I don’t totally obey: if I have to be an object, let me be an object that screams. There’s something inside of me that hurts. Oh, how it hurts and how it screams for help. But tears aren’t there in the machine that is me. I’m an object without a destiny. I’m an object in whose hands? such is my human destiny. What saves me is the scream. I protest in the name of what’s inside the object behind the behind of the thought-feeling. I’m an urgent object.”
― Clarice Lispector, quote from The Stream of Life
“… everything is so fragile. I feel so lost. I live off secret, radiating, luminous rays that would smother me if I didn’t cover them with a heavy cloak of false certainties. God help me: I have no one to guide me and it’s dark again.”
― Clarice Lispector, quote from The Stream of Life
“But I don’t know how to capture what takes place except by living each thing that now and at the instant happens to me and it’s not important what. I let the horse gallop free, fiery from pure, noble joy. I, who run nervously and only reality delimits me. And when the day comes to an end I hear the crickets and I become full of thousands of tiny, clamouring birds. And each thing that happens to me I live here, taking note of it. Because I want to feel in my inquiring hands the living and trembling of what is today.”
― Clarice Lispector, quote from The Stream of Life
“Whoever wishes may accompany me: the road is long, it's painful but it's lived.”
― Clarice Lispector, quote from The Stream of Life
“I see that the wardrobe looks penetrable because it has a door. But when I open it, I see that penetration has been put off: since inside is also a wooden surface, like a closed door. Function of the wardrobe: to keep drag and disguises hidden. Nature: that of the inviolability of things. Relation to people: we look at ourselves in the mirror on the inside of the door, we always look at ourselves in an inconvenient light because the wardrobe is never in the right place: awkward, it stands wherever it fits, always huge, hunchbacked, shy and clumsy, unaware how to be more discreet, for it has too much presence. A wardrobe is enormous, intrusive, sad, kind.”
― Clarice Lispector, quote from The Stream of Life
“But what can I do if you are not touched by my defects, whereas I loved yours. My candour was crushed underfoot by you.”
― Clarice Lispector, quote from The Stream of Life
“The terrible duty is that of going all the way to the end. And without relying on anyone. To live oneself.”
― Clarice Lispector, quote from The Stream of Life
“I don’t know what my secret is. Tell me about yours, teach me about the secret of each one of us.”
― Clarice Lispector, quote from The Stream of Life
“this is a feast of words.”
― Clarice Lispector, quote from The Stream of Life
“Mis desequilibradas palabras son el lujo de mi silencio.”
― Clarice Lispector, quote from The Stream of Life
“Qué fiebre, no consigo parar de vivir. En esta densa selva de palabras que he envuelto frondosamente lo que siento y pienso y vivo y que transforma todo lo que soy en algo mío que sin embargo está completamente fuera de mí.”
― Clarice Lispector, quote from The Stream of Life
“Antes de me organizar, tenho que me desorganizar internamente. Para experimentar o primeiro e passageiro estado primário de liberdade. Da liberdade de errar, cair e levantar-me. Mas se eu esperar compreender para aceitar as coisas - nunca o ato de entrega se fará. Tenho que dar o mergulho de uma só vez, mergulho que abrange a compreensão e sobretudo a incompreensão. E quem sou eu para ousar pensar? Devo é entregar-me. Como se faz? Sei porém que só andando é que se sabe andar e - milagre - se anda.”
― Clarice Lispector, quote from The Stream of Life
“What I’m writing to you is not for reading— it’s for being.”
― Clarice Lispector, quote from The Stream of Life
“I was born a few instants ago and I am dimmed.”
― Clarice Lispector, quote from The Stream of Life
“he thinks that flowers are hauntingly delicate like a sigh of nobody in the dark.”
― Clarice Lispector, quote from The Stream of Life
“To restore you and myself, I return to my state of garden and shade, cool reality, I hardly exist and if I do exist it’s with delicate care. Surrounding the shade is a teeming, sweaty heat. I’m alive. But I feel I’ve not yet reached my limits, bordering on what? Without limits, the adventure of a dangerous freedom. But I take the risk, I live taking it. I’m full of acacias swaying yellow, and I, who have barely begun my journey, begin it with a sense of tragedy, guessed what lost ocean my life steps will take me to. And crazily I latch onto the corners of myself, my hallucinations suffocate me with their beauty. I am before, I am almost, I am never. And all this I gained when I stopped loving you.”
― Clarice Lispector, quote from The Stream of Life
“And so I realise that I want for myself the vibrant substratum of the word repeated in a Gregorian chant. I’m aware that everything I know I cannot say, I know only by paining or pronouncing syllables blind of meaning. And if here I have to use words for you, they must create an almost exclusively bodily meaning. I’m battling with the ultimate vibration. To tell you my substratum I make a sentence of words composed only of the now-instants.”
― Clarice Lispector, quote from The Stream of Life
“What I really do when I write you is follow myself, and I’m doing it right now: I’m following myself without knowing what it will lead me to. Sometimes following myself is so hard. Because of following something that’s still so nebulous. Sometimes I end up stopping.”
― Clarice Lispector, quote from The Stream of Life
“I'm not a synonym—I'm a proper noun.”
― Clarice Lispector, quote from The Stream of Life
“Quiero escribirte como quien aprende. Fotografío cada instante. Profundizo en las palabras como si pintase, más que un objeto, su sombra. No quiero preguntar por qué se puede preguntar siempre por qué y seguir siempre sin respuesta: ¿consigo entregarme al expectante silencio que sigue a una pregunta sin respuesta? Aunque adivino que en algún lugar o en algún tiempo existe la gran respuesta para mí.”
― Clarice Lispector, quote from The Stream of Life
“Pero esos días de fuerte y condenado verano me insuflan la necesidad de la renuncia. Renuncio a tener un significado, y entonces un dulce y doloroso quebranto se apodera de mí.”
― Clarice Lispector, quote from The Stream of Life
“Y cada cosa que me suceda yo la vivo aquí anotándola. Porque quiero sentir en mis manos indagadoras el nervio vivo y trémulo del hoy.”
― Clarice Lispector, quote from The Stream of Life
“¿No usar palabras es perder la identidad? [...] Pierdo la identidad del mundo en mí y existo sin garantías. Realizo lo realizable y lo irrealizable yo lo vivo y mi significado y el del mundo y el del tuyo no es evidente.”
― Clarice Lispector, quote from The Stream of Life
Clarice Lispector
Born place: in Tchetchelnik, Ukraine
Born date December 10, 1920
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“We can't do this without you," I managed at last. "Everyone talks about my powers, but you're the badass here.”
― Richelle Mead, quote from Shadow Heir
“As I lay there, trying to swallow a loud, obnoxious yawn, I remembered something he’d said when we first met, about life being too short. I imagined he had firsthand experience with shortened lives while he was serving. That mentality came from experience. I got that now. Could even understand it, but there was something I didn’t understand.
“Why?” I asked.
There was a beat. “Why what?”
Jax sounded tired, and I should shut up or point out that I was now tired and could sleep, so he could leave. But I didn’t. “Why are you here? You don’t know me and . . .” I trailed off, because there really wasn’t anything left to say.
A minute went by, and he hadn’t answered my question, and then I think another minute ticked on, and I was okay with him not answering because maybe he didn’t even know. Or maybe he was just bored and that was why he was here.
But then he moved.
Jax pressed against my back, and the next breath I took got stuck in my throat. My eyes shot open. The sheet and blanket were between us, but they felt like nothing.
“What are you doing?” I asked.
“Getting comfortable.” He dropped an arm over my waist, and my entire body jerked against his. “It’s time to sleep I think.”
“But—”
“You can’t sleep when you talk,” he remarked.
“You don’t need to be all up on me,” I pointed out.
His answering chuckle stirred the hair along the back of my neck. “Honey, I’m not all up on you.”
I freaking begged to differ on that point. I started to wiggle away, but the arm around my waist tightened, holding me in place.
“You’re not going anywhere,” he announced casually, as if he wasn’t holding me prisoner in the bed.
Okay. The whole prisoner thing might be melodramatic, but he wasn’t letting me up. Not when he was getting all kinds of comfy behind me.
Oh my God, this was spooning. Total spooning. I was spooning with an honorary member of the Hot Guy Brigade. Did I wake up in a parallel universe?
“Sleep,” he demanded, as if the one word carried that much power. “Go to sleep, Calla.” This time his voice was softer, quieter.
“Yeah, it doesn’t work that way, Jax. You have a nice voice, but it doesn’t hold the power to make me sleep on your command.”
He chuckled.
I rolled my eyes, but the most ridiculous thing ever was the fact that after a couple of minutes, my eyes stayed shut. I . . . I actually settled in against him. With his front pressed to my back, his long legs cradling mine, and his arm snug around my waist, I actually did feel safe. More than that, I felt something else—something I hadn’t felt in years.
I felt cared for . . . cherished.
Which was the epitome of dumb, because I barely knew him, but feeling that, recognizing what the warm, buzzing feeling was, I fell right asleep.”
― J. Lynn, quote from Stay with Me
“Francesca actually felt her chin drop. “Mother,” she said, shaking her head, “you really should have stopped at seven.”
“Children, you mean?” Violet asked, sipping at her tea. “Sometimes I do wonder.”
“Mother!” Hyacinth exclaimed.
Violet just smiled at her. “Salt?”
“It took her eight tries to get it right,” Hyacinth announced, thrusting the salt cellar at her mother with a decided lack of grace.
“And does that mean that you, too, hope to have eight children?” Violet inquired sweetly.
“God no,” Hyacinth said. With great feeling. And neither she nor Francesca could quite resist a chuckle after that.”
― Julia Quinn, quote from When He Was Wicked
“When things reach the extreme, they alternate to the opposite.”
― quote from The I Ching or Book of Changes
“In any case the friendships of later life, in contrast wih those negotiated before thirty, are apt to be burdened with reservations, constraints, inhibitions.”
― Anthony Powell, quote from A Dance to the Music of Time: 4th Movement
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