Quotes from Diving Into the Wreck

“I don't trust them but I'm learning to use them.”
― Adrienne Rich, quote from Diving Into the Wreck

“...you look at me like an emergency”
― Adrienne Rich, quote from Diving Into the Wreck

“First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers
the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
aboard the sun-flooded schooner
but here alone.

There is a ladder.
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it is a piece of maritime floss
some sundry equipment.


I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin.

First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.

And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.

I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or weed


the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and sway into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.

This is the place.
And I am here, the mermaid whose dark hair
streams black, the merman in his armored body.
We circle silently
about the wreck
we dive into the hold.
I am she: I am he

whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments
that once held to a course
the water-eaten log
the fouled compass

We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.”
― Adrienne Rich, quote from Diving Into the Wreck

“These scars bear witness but whether to repair or to destruction I no longer know.”
― Adrienne Rich, quote from Diving Into the Wreck

“I am the androgyne, I am the living mind you fail to describe in your dead language the lost noun, the verb surviving only in the infinitive the letters of my name are written under the lids of the newborn child”
― Adrienne Rich, quote from Diving Into the Wreck

“Nothing can be done but by inches. I write out my life hour by hour, word by word . . . imagining the existence of something uncreated this poem our lives.”
― Adrienne Rich, quote from Diving Into the Wreck

“I came to explore the wreck. The words are purposes...are maps...I came to see the damage that was done and the treasures that prevail”
― Adrienne Rich, quote from Diving Into the Wreck

“[[diving into the wreck]]

First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade
[...]
And now: it is easy to forget
what I came for
among so many who have always
lived here...
[...]
the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and away into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.
[...]
We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.”
― Adrienne Rich, quote from Diving Into the Wreck

“We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.”
― Adrienne Rich, quote from Diving Into the Wreck

“When I try to speak
my throat is cut
and, it seems, by his hand

The sounds I make are prehuman, radical
the telephone is always
ripped-out

and he sleeps on
Yet always the tissue
grows over, white as silk

hardly a blemish
maybe a hieroglyph for scream

Child, no wonder you never wholly
trusted your keepers”
― Adrienne Rich, quote from Diving Into the Wreck

“There is a cop who is both prowler and father:
he comes from your block, grew up with your brothers,
had certain ideals.
You hardly know him in his boots and silver badge,
on horseback, one hand touching his gun.

You hardly know him but you have to get to know him:
he has access to machinery that could kill you.
He and his stallion clop like warlords among the trash,
his ideals stand in the air, a frozen cloud
from between his unsmiling lips.

And so, when the time comes, you have to turn to him,
the maniac’s sperm still greasing your thighs,
your mind whirling like crazy. You have to confess
to him, you are guilty of the crime
of having been forced.

And you see his blue eyes, the blue eyes of all the family
whom you used to know, grow narrow and glisten,
his hand types out the details
and he wants them all
but the hysteria in your voice pleases him best.

You hardly know him but now he thinks he knows you:
he has taken down you worst moment
on a machine and filed it in a file.
He knows, or thinks he knows, how much you imagined;
he knows, or thinks he knows, what you secretly wanted.

He has access to machinery that could get you put away;
and if, in the sickening light of the precinct,
and if, in the sickening light of the precinct,
your details sound like a portrait of your confessor,
will you swallow, will you deny them, will you lie your way home?”
― Adrienne Rich, quote from Diving Into the Wreck

“I suddenly see the world
as no longer viable:
you are out there burning the crops
with some new sublimate
This morning you left the bed
we still share
and went out to spread impotence
upon the world

I hate you.
I hate the mask you wear, your eyes
assuming a depth
they do not possess, drawing me
into the grotto of your skull
the landscape of bone
I hate your words
they make you think of fake
revolutionary bills
crisp imitation parchment
they sell at battlefields.

Last night, in this room, weeping
I asked you: what are you feeling?
do you feel anything?
Now in the torsion of your body
as you defoliate the fields we lived from
I have your answer.”
― Adrienne Rich, quote from Diving Into the Wreck

“in every room, the furniture reflects you larger than life, or dwindling”
― Adrienne Rich, quote from Diving Into the Wreck

“And you see his blue eyes, the blue eyes of all the family
whom you used to know, grow narrow and glisten,
his hand types out the details
and he wants them all
but the hysteria in your voice pleases him best.”
― Adrienne Rich, quote from Diving Into the Wreck

“the thing I came for:
[...]
the thing itself and not the myth”
― Adrienne Rich, quote from Diving Into the Wreck

“I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.”
― Adrienne Rich, quote from Diving Into the Wreck

“I came to explore the wreck. / The words are purposes. / The words are maps. / I came to see the damage that was done / and the treasures that prevail.”
― Adrienne Rich, quote from Diving Into the Wreck

“3. The lovely landscape of southern Ohio betrayed by strip mining, the thick gold band on the adulterer’s finger the blurred programs of the offshore pirate station are causes for hesitation. Here in the matrix of need and anger, the disproof of what we thought possible failures of medication doubts of another’s existence —tell it over and over, the words get thick with unmeaning— yet never have we been closer to the truth of the lies we were living, listen to me: the faithfulness I can imagine would be a weed flowering in tar, a blue energy piercing the massed atoms of a bedrock disbelief. 1971”
― Adrienne Rich, quote from Diving Into the Wreck

“The Stranger

Looking as I’ve looked before, straight down the heart
of the street to the river
walking the rivers of the avenues
feeling the shudder of the caves beneath the asphalt
watching the lights turn on in the towers
walking as I’ve walked before
like a man, like a woman, in the city
my visionary anger cleansing my sight
and the detailed perceptions of mercy
flowering from that anger

if I come into a room out of the sharp misty light
and hear them talking a dead language
if they ask me my identity
what can I say but
I am the androgyne
I am the living mind you fail to describe
in your dead language
the lost noun, the verb surviving
only in the infinitive
the letters of my name are written under the lids
of the newborn child”
― Adrienne Rich, quote from Diving Into the Wreck

“Every act of becoming conscious
(it says here in this book)
is an unnatural act”
― Adrienne Rich, quote from Diving Into the Wreck

“هذه العين ليست للبكاء,فلابد الا يشوش ابصارها شيئا,رغم ان الدمع على وجهي,فغايتها الوضوح وعليها الاتنسى شيئا”
― Adrienne Rich, quote from Diving Into the Wreck

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“We spread the Gospel by the proclamation of the Word of God (see Rom. 10:17). But God has told us that we should restrain evil by the power of the sword and by the power of civil government (as in the teaching of Romans 13:1–6, quoted above, p. 37). If the power of government (such as a policeman) is not present in an emergency, when great harm is being done to another person, then my love for the victim should lead me to use physical force to prevent any further harm from occurring. If I found a criminal attacking my wife or children, I would use all my physical strength and all the physical force at my disposal against him, not to persuade him to trust in Christ as his Savior, but to immediately stop him from harming my wife and children! I would follow the command of Nehemiah, who told the men of Israel, “Remember the Lord, who is great and awesome, and fight for your brothers, your sons, your daughters, your wives, and your homes” (Neh. 4:14; see also Genesis 14:14–16, where Abraham rescued his kinsman Lot who had been taken captive by a raiding army). Boyd has wrongly taken one of the ways that God restrains evil in this world (changing hearts through the Gospel of Christ) and decided that it is the only way that God restrains evil (thus neglecting the valuable role of civil government). Both means are from God, both are good, and both should be used by Christians. This is why Boyd misunderstands Jesus’ statement, “If anyone slaps you on the right cheek, turn to him the other also” (Matt. 5:39). When this verse is rightly understood (see below, p. 82), we see that Jesus is telling individuals not to take revenge for a personal insult or a humiliating slap on the cheek.51 But this command for individual kindness is not the same as the instructions that the Bible gives to governments, who are to “bear the sword” and be a “terror” to bad conduct and are to carry out “God’s wrath on the wrongdoer” (Rom. 13:3–4). The verses must be understood rightly in their own contexts. One is talking about individual conduct and personal revenge. The other is talking about the responsibilities of government. We should not confuse the two passages.”
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“Therefore be at peace with God,
whatever you conceive Him to be.
And whatever your labors and aspirations,
in the noisy confusion of life,
keep peace in your soul.


With all its sham, drudgery, and broken dreams,
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Be cheerful. Strive to be happy.”
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