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The Christie Affair

by Nina de Gramont · 2022

The Christie Affair is a 2022 historical novel by Nina de Gramont that reimagines the real, still-unexplained eleven-day disappearance of mystery writer Agatha Christie in December 1926. Rather than telling the story from… more

First published 2022 · 368 pages · English

29 quotes ★ 3.71 (101,082) Historical

Quotes from the Book

Sunny. Proves rich or poor doesn’t matter, if you ask me. Some people are just born happy. I think that’s the luckiest thing. If you’re sunny inside, you never have to worry about the weather.
12
Love and reason have never been well acquainted.
5
If you’re sunny inside, you never have to worry about the weather.
4
Sometimes a life is so entirely disrupted, on such a large and ungraspable scale, all one can do is face the ruined day.
3
An emotional sort. As if there is any other kind of human.
3
Thirty-six is an age one looks back on as young. But at the time, living in thirty-six-year-old skin, it doesn't feel young. Women start believing themselves old so soon, don't they? Agatha didn't realize it was her youth that allowed her to sit for hours in that comfortless rock of a chair, staring at her pages without need of spectacles, nary a twinge from the small of her back. One day far into the future she would look back on this time in her life and understand she had not been old, or even middle-aged, but young, with the bulk of her life ahead of her, not to mention the best of it.
2
There’s a Chinese legend called Yuè Lǎo, have you heard it? When we’re born, the gods tie an invisible thread around our little finger, which connects us to our one true love. No matter what forces try to keep us apart.
2
The English love of tea as solution to life’s ills does make us easy to poison.
2
I see the kind of determination you only recognize if you’ve felt it yourself. Determination born of desperation transformed into purpose.
2
Archie had broken rules with passion as his excuse, and she was asked to rationally pick up the pieces.
2
We both know you can’t tell your own story without exposing someone else’s.
2
Evil never goes unpunished, Monsieur. But the punishment is sometimes secret.” —HERCULE POIROT
2
Do you think she's beautiful?" Agatha asked. "That...girl." She'd been on the brink of using a different word, Chilton could tell. He answered with a lack of propriety and a wealth of honesty, because both seemed to be what she needed: "Not as beautiful as you." For a moment, based on the fervency that held every one of Agatha's features absolutely quiet, he thought she might lean over and kiss him.
1
Obedience seemed the safest plan. I hadn’t learned yet. In this world it’s the obedient girls who are most in danger.
1
People can certainly be beastly about the things that affect them least, can’t they?
1
Perhaps a woman has a different kind of measuring stick. For when it might be acceptable, or even necessary, to commit a murder.
1
Among Agatha’s enviable qualities, perhaps the most significant was her ability to thrive in this man’s world. Following the rules but managing also to rise above them.
1
Harm could be wrought by inaction as much as action. And
1
Nothing in life unfolds the way you think it will, does it?
1
The age of disappearing women. It had been going on forever. Thousands of us vanished, with not a single police officer searching. Not a word from the newspapers. Only our long absences and quiet returns. If we ever returned at all.
1
It's only that the world's changed too much, in ways it shouldn't. And so it's changed how time passes. The trenches were yesterday, or an hour ago.
There are too many women in the world helping men with their dirty work. But so many more taking one another’s side in unexpected moments.
I suppose I'll have to get a confession out of Nan." "You'll do no such thing." But, Agatha. This is murder we're talking about, not a game." "What some call murder, others might call justice." Chilton stopped walking but Agatha continued, with firm and determined footsteps. He put his hands in his pockets - first hoisting the useless one - and thought of the killing he'd done in the War. The bodies beneath his feet as he ran though no-man's-land. All of it sanctioned, in fact demanded, by the world. Perhaps a woman has a different kind of measuring stick. For when it might be acceptable, or even necessary, to commit a murder.
Who would have known it was possible to make love so rapturously and still entertain so many thoughts?
Nan's not cruel. Tell her you can't live without him." "But I think perhaps I can live without him. You can live without her, too." "I know I can. I've done it all this while, haven't I. But I don't want to. Agatha, don't you want your husband anymore?" "I can't say that I do. Not entirely.
Do you know, I thought earlier, for a moment, when you were looking at me so intently, I almost believed you were about to kiss me." "I haven't kissed a man other than my husband in years. Not since the day we met." "You've been a good wife." Agatha nodded vigorously. It made her furious to think what a good wife she'd been. To Chilton she looked breathlessly young and full of thoughts he couldn't read. It reminded him of his girl, Katherine, before the War. He felt is mind start to reach, by habit, for the next dark idea to follow, the bitter side of the world. And stopped himself. "Mrs. Christie." "Call me Agatha." She closed the distance between them and kissed him, a tentative but time-consuming kiss. Chilton didn't dare lift an arm to her waist. He was afraid if he moved at all, she'd realize what she was doing and it would end - her soft lips on his, her hands resting ever so lightly on his chest. Both their mouths open just enough to inhale each other's breath. She tasted like roses and spring grass.
I'm afraid your husband is downstairs in one of the bedrooms with another lady. I do hate to be the bearer of such unfortunate news." Finally she released her pen, placing it on the bedside table with the exhalation of someone whose concentration has been truly and unwelcomely wrecked. "Let's not play games. You know very well he's not my husband.
Irresistible?" Noel was not above prurient interest, though as far as I know he was always true to Ursula, to the extent any man can be. Oh! The cynicism of that remark. To the extent any man can be. It doesn't bear out the way I feel, and what I believe, deep down in my heart.
A young person can't know her life, what it will be or how it will unfold. When you grow older, you gain a sense that hardships occupy particular moments in time, which by and by will pass. But when you're young, a single moment seems like the whole world.

Did you know?

  • The novel is a fictional reimagining of Agatha Christie's real, unexplained eleven-day disappearance in December 1926.
  • It was the Reese's Book Club pick for February 2022.
  • The story is narrated not by Christie but by Nan O'Dea, the fictionalized mistress of Christie's husband, Archie.
  • The book has been translated into more than twenty languages.
  • Author Nina de Gramont teaches creative writing at the University of North Carolina Wilmington.

About Nina de Gramont

Nina de Gramont is an American author and a creative writing professor at the University of North Carolina Wilmington. She has written short fiction and several novels for adults and young adults, and is married to the writer David Gessner.

More about the author →

About the book

The Christie Affair is a 2022 historical novel by Nina de Gramont that reimagines the real, still-unexplained eleven-day disappearance of mystery writer Agatha Christie in December 1926. Rather than telling the story from Christie's own point of view, the book is narrated by Nan O'Dea, the fictionalized mistress of Christie's husband, Archie. As Nan recounts how she deliberately worked her way into the Christies' marriage, the narrative moves between the tense days surrounding the disappearance and Nan's own earlier life in England and Ireland.

The novel braids the famous vanishing together with Nan's buried personal history, reaching back to a youthful love affair and to events shaped by the First World War, the influenza pandemic, and hidden shame. Its central concerns are female rivalry and the unexpected intimacy that can exist between women cast as enemies, alongside themes of motherhood, class, secrecy, and the choices forced on women with little power. De Gramont uses the mystery framework less for whodunit suspense than to explore why a wronged woman might disappear and what such an absence costs.

The book became a New York Times and international bestseller and was selected as the Reese's Book Club pick for February 2022, helping it reach a wide audience and translation into more than twenty languages. Critics noted its inventive premise and its focus on the inner lives of the two women at its center, though some reviewers debated its liberties with the historical record. It stands among a wave of contemporary novels that fictionalize gaps in the biographies of real literary figures.

Key characters

  • Nan O'DeaThe narrator and mistress of Archie Christie, whose hidden past drives the story
  • Agatha ChristieThe celebrated mystery author whose disappearance is at the heart of the novel
  • Archie ChristieAgatha's husband, whose affair with Nan precipitates the crisis
  • ChiltonA wary police inspector investigating Agatha's disappearance
  • Finbarr MahoneyThe Irish young man Nan loved in her youth

Book details

First published
2022
Length
368 pages
Reading time
7 hours
Goodreads rating
3.71 (101k ratings)
First line
“A long time ago in another country, I nearly killed a woman.”

Critical reception

  • Selected as the Reese's Book Club pick for February 2022.
  • Became a New York Times and international bestseller.
  • Reviewed in major outlets including Kirkus Reviews and Publishers Weekly.

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