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Skin Game

by Caroline Kettlewell · 1999

Caroline Kettlewell's autobiography reveals a girl whose feelings of pain and alienation led her to seek relief in physically hurting herself, from age twelve into her twenties. Skin Game employs clear language and candid… more

17 quotes ★ 3.76 (3,322) Biography

Quotes from the Book

You might imagine that a person would resort to self-mutilation only under extremes of duress, but once I'd crossed that line the first time, taken that fateful step off the precipice, then almost any reason was a good enough reason, almost any provocation was provocation enough. Cutting was my all-purpose solution.
263
The fear of an unknown never resolves, because the unknown expands infinitely outward, leaving you to cling pitifully to any small shelter of the known: a cracker has twelve calories; the skin, when cut, bleeds.
134
That's when I wanted to cut. I cut to quiet the cacophony. I cut to end this abstracted agony, to reel my selves back to one present and physical whole, whose blood was the proof of her tangibility.
57
I needed cutting now the way a diabetic needs insulin. It was a bulwark, steady and unyielding, I could throw up against the insidious, corrosive lapping of a whispering sea of uneasiness.
37
Well how many troubles should equal a legitimate reason for self-mutilation? Ten? Twenty? One hundred? And how monumental must these troubles be? There’s probably no critical mass beyond which cutting yourself would ever seem to most people like a reasonable choice. I cut because it did look that way to me. I cut because something had to give. I cut because the alternatives were worse.
37
Once you take to the habit of deception, every new lie comes that much easier. Though to me it wasn't so much lies as a matter of judicious editing. We all inevitably present a version of ourselves that is a collection of half-truths and exclusions. The way I saw it, the truth was too complicated, whereas the well-chosen lie would put everyone's mind at ease.
25
The chaos in my head spun itself into a silk of silence. I had distilled myself to the immediacy of hand, blade, blood, flesh.
21
Somehow however just knowing that I could fully expect unhappiness to return – if not predictably then nevertheless reliably – was strangely liberating. The point was that even chaos had a structure a beginning and eventually an end. It was possible to live through it. I’d been doing as much for twenty years.
19
I have drawn the line, and I am still on this side of it.
16
Why can't I remember our family Christmas, or a warm spring day, or anything that might have been pleasant? It is as though the filter of recall is itself altered, so that it blocks out everything but the darkest colors of the spectrum.
13
My unhappiness precluded all else; unhappiness is a kind of narcissism, in which nothing that does not resonate with your unhappiness can interest you.
12
How gratifying it is to amuse. How easy it gets to toss off a witticism to ease any awkwardness, to sidestep any solemnity. When you amuse, it even seems, for the briefest possible moment that you are who you appear to be, so clever and confident and at ease.
5
I wanted to cut for the cut itself, for the delicate severing of capillaries, the transgression of veins. I needed to cut the way your lungs scream for air when you swim the length of the pool underwater in one breath. It was a craving so organic it seemed to have arisen from my skin itself. Imagining the sticky-slick scarlet trails of my own blood soothed me. This
3
I found it paralyzingly difficult to make even the simplest decisions. So much hung in the balance, so many complicated parameters needed to be taken into consideration, yet always there was too little information, no way to know what outcomes could result. Life was a terrifying, invisible web of consequences. What mayhem might I unknowingly wreak by saying yes when I could have said no, by going east instead of west?
3
If a heart could fail in its pumping, a lung in its breathing, then why not a brain in its thinking, rendering the world forever askew, like a television with bad reception? And couldn't a brain fail as arbitrarily as any one of these other parts, without regard to the blessing and cosseting that, everyone was so eager to remind you, disentitled you from unhappiness?
2
Memory is faithless, like a cheating lover, telling you what you believe is true.
1
could get up and get through the day and eat my dinner and complete my homework, because that’s what you do. It was what was expected of me. It was what I expected of me. I could never have failed that duty, even when I wanted to. I would not have ventured the temerity to believe that my troubles justified a failure to meet my obligations. Those obligations drove me like a bus I couldn’t get

About Caroline Kettlewell

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About the book

Caroline Kettlewell's autobiography reveals a girl whose feelings of pain and alienation led her to seek relief in physically hurting herself, from age twelve into her twenties. Skin Game employs clear language and candid reflection to grant general readers as well as students an uncensored profile of a complex and unsettling disorder. "[This] mesmeric memoir examines the obsession with cutting that is believed to afflict somewhere around two million Americans, nearly all of them female," Francine Prose noted in Elle. "[Kettlewell's] language soars and its intensity deepens whenever she is recalling the lost joys and the thrilling sensation of sharp steel against her tender skin."

Book details

First published
1999
Goodreads rating
3.76 (3k ratings)

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