“Sometimes I hated it when I was right, but I always hated it when someone else was. Especially when their being right made me wrong. I’m irrational that way. It’s something I’m working on.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“Tam considers me a challenge. I consider Tam a work in progress. I also think there's a gentleman lurking under that calculating exterior. Tam thinks 'gentleman' is a dirty word. I talk dirty to Tam every chance I get.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“The Guardian's eyes widened with amazement, and he tightened his grip on me. He had my arms, so the action I was forced to take was entirely his fault. It was as direct as my previous action, but not nearly as polite.
In the next instant, the Guardian was on his knees trying to remember how to breath.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“Mychael Eiliesor. Guardian paladin, sacred protector, master spellsinger, fashion consultant.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“You know it’s going to be a bad day when you can’t get privacy inside your own head.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“I wouldn't be comfortable, but at least I'd have marginal protection against pointy steel objects that went stab in the night.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“I decide that we could always indulge ourselves later. First, I had a soul-eating stone of power to poke with a stick.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“When it came to maintaining a reputation, facts were fleeting but you could ride a rumor for years.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“Sir, come quick. They've found a body in the canal."
I blew out my breath. Saved by the corpse.
...The corpse in question was Nigel Nicabar.
The watchers had collected the bodies found in Nigel's house, garden, and canal, and put them in the greenhouse located at the back of the garden. The necromancer's talents weren't with living things, so the greenhouse's tables were pretty much empty - at least of plants. Dead goblins lay under sheets and tarps. I couldn't help feeling that Nigel would have approved. What he wouldn't have approved of was being included among them. Nigel wouldn't have been caught dead surrounded by goblins, yet that's exactly how and where he was. I don't think he would have appreciated the irony.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“You'll never find a worse critic than the one inside your own skin, or a more difficult one to silence," I told Pieras, by means of explanation. "The best you can hope for is to teach it some manners.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“Bodyguard work came easily to hobgoblins. When you’re huge, furry, fanged, and yellow-eyed, you don’t need much else as a deterrent.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“[...]Let me ask around. In the meantime, you need to keep that trinket out of sight, and you need to be careful.”
“I’m always careful.”
Garadin gave me the look. You know the one.
“Whenever I can,” I added.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“You’ll never find a worse critic than the one inside your own skin, or a more difficult one to silence,” I told Piaras, by means of explanation. “The best you can hope for is to teach it some manners.”
― Lisa Shearin, quote from Magic Lost, Trouble Found
“guess all that sinuous grace and exotic beauty can”
― Lisa Shearin, quote from Magic Lost, Trouble Found
Lisa Shearin
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“Goddamnit I've never been the "pretty friend..." She's the one who wears the perfect eyeliner, it never gathers like a crowd in her tear ducts to create a grapefruit-size ebony eye booger. The one who can wear a bodysuit, sit down in it, and not have rolls of fat cascading over her belt. The one who can eat a sandwich or hamburger and not wind up with lipstick on the bun or on her chin. The one who can actually eat in front of other people and not have food, like coleslaw, hanging from her lip or shooting out of her mouth, landing on the plates of other diners. She never spits when she talks. She sleeps with her mouth shut and never drools. She doesn't pick at her face. And she never, ever has to take a shit.”
― Laurie Notaro, quote from The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life
“I eagerly await more complex concentricity in our Canadian coinage.”
― Jessica Grant, quote from Come, Thou Tortoise
“...both of us had a lot to say, but there was no room to say it in, we were so tense and close.”
― William S. Burroughs, quote from And the Hippos Were Boiled in Their Tanks
“A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. What with the bear as a mascot and the droll spaghetti, our studio anthropologists will have no trouble in postulating an Orient which is exotic in form, while being in reality profoundly similar to the Occident, at least the Occident of spiritualist thought. Orientals have religions of their own? Never mind, these variations matter very little compared to the basic unity of idealism. Every rite is thus made at once specific and eternal, promoted at one stroke into a piquant spectacle and a quasi-Christian symbol.
...If we are concerned with fisherman, it is not the type of fishing which is whown; but rather, drowned in a garish sunset and eternalized, a romantic essense of the fisherman, presented not as a workman dependent by his technique and his gains on a definite society, but rather as the theme of an eternal condition, in which man is far away and exposed to the perils of the sea, and woman weeping and praying at home. The same applies to refugees, a long procession of which is shown at the beginning, coming down a mountain: to identify them is of course unnecessary: they are eternal essences of refugees, which it is in the nature of the East to produce.”
― Roland Barthes, quote from Mythologies
“you can’t control what others think. The only thing you can control is yourself. Some people will look down on you for your choices in life, no matter what they are. You can’t do anything about that. The only thing you can do is decide how to live your own life. And to hell with everybody else.”
― Marie Sexton, quote from Promises
Moon Rising
Eleanor and Park
Destined for Doon
The Case for God
From Darkness WonBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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