Lanny
Quotes from the Book
Moving on, as a concept, is for stupid people, because any sensible person knows grief is a long-term project. I refuse to rush. The pain that is thrust upon us let no man slow or speed or fix.
I remember being scared that something must, surely, go wrong, if we were this happy, her and me, in the early days, when our love was settling into the shape of our lives like cake mixture reaching the corners of the tin as it swells and bakes.
Ghosts do not haunt, they regress. Just as when you need to go to sleep you think of trees or lawns, you are taking instant symbolic refuge in a ready-made iconography of early safety and satisfaction. That exact place is where ghosts go.
I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her. Eugh,
And the boys were behind me, a tide-wall of laughter and yelling, hugging my legs, tripping and grabbing, leaping, spinning, stumbling, roaring, shrieking and the boys shouted I LOVE YOU I LOVE YOU I LOVE YOU and their voice was the life and song of their mother. Unfinished. Beautiful. Everything.
[Grief] is everything. It is the fabric of selfhood, and beautifully chaotic. It shares mathematical characteristics with many natural forms.
We will never fight again, our lovely, quick, template-ready arguments. Our delicate cross-stitch of bickers. The house becomes a physical encyclopedia of no-longer hers, which shocks and shocks and is the principal difference between our house and a house where illness has worked away. Ill people, in their last day on Earth, do not leave notes stuck to bottles of red wine saying ‘OH NO YOU DON’T COCK-CHEEK’. She was not busy dying, and there is no detritus of care, she was simply busy living, and then she was gone. She won’t ever use (make-up, turmeric, hairbrush, thesaurus). She will never finish (Patricia Highsmith novel, peanut butter, lip balm). And I will never shop for green Virago Classics for her birthday. I will stop finding her hairs. I will stop hearing her breathing.
For a souvenir, for a warning, for a lick of night in the morning.
I plucked one feather from my hood and left it on his forehead, for, his, head. For a souvenir, for a warning, for a lick of night in the morning. For a little break in the mourning.
She was not busy dying, and there is no detritus of care, she was simply busy living, and then she was gone. She
...we were different boys, we were brave new boys without a Mum. So when he told us what happened I don't know what my brother was thinking but I was thinking this: Where are the fire engines? Where is the noise and clamour of an event like this? Where are the strangers going out of their way to help, screaming, flinging bits of emergency glow-in-the-dark equipment at us to try and settle us and save us? There should be men in helmets speaking a new and dramatic language of crisis. There should be horrible levels of noise, completely foreign and inappropriate for our cosy London flat.
She was beaten to death, I once told some boys at a party. Oh shit mate, they said. I lie about how you died, I whispered to Mum. I would do the same, she whispered back.
Grief felt fourth-dimensional, abstract, faintly familiar. I was cold.
What good is a crow to a pack of grieving humans? A huddle. A throb. A sore. A plug. A gape. A load. A gap. So, yes. I do eat baby rabbits, plunder nests, swallow filth, cheat death, mock the starving homeless, misdirect, misinform. Oi, stab it! A bloody load of time wasted. But I care, deeply. I find humans dull except in grief.
This is the rotten core, the Grünewald, the nails in the hands, the needle in the arm, the trauma, the bomb, the thing after which we cannot ever write poems, the slammed door, the in-principio-erat-verbum. Very What-the-fuck. Very blood-sport. Very university historical. But don’t stop looking.
MAN I would be done grieving? BIRD No, not at all. You were done being hopeless. Grieving is something you’re still doing, and something you don’t need a crow for.
Once upon a time there were two boys who purposefully misremembered things about their father. It made them feel better if ever they forgot things about their mother.
And then our Mum and Dad were in love and they were truly dry-stone strong and durable and people speak of ease and joy and spontaneity and the fact that their two smells became one smell, our smell. Us.
Perfect devices: doctors, ghosts and crows. We can do things other characters can't, like eat sorrow, un-birth secrets and have theatrical battles with language and God.
They offer me a space on the sofa next to them and the pain of them being so naturally kind is like appendicitis. I need to double over and hold myself because they are so kind and keep regenerating and recharging their kindness without any input from me. CROW
The sound of her voice was stinging, like a moon-dragged starvation surging into every hopeless raw vacant pore, undoing, exquisite undoing.
I remember a story about an Irish warrior who killed his son by mistake but when he realised he didn’t mind that much because it served the son right.
But I care, deeply. I find humans dull except in grief. There are very few in health, disaster, famine, atrocity, splendour or normality that interest me (interest ME!) but the motherless children do. Motherless children are pure crow. For a sentimental bird it is ripe, rich and delicious to raid such a nest. DAD
A howling sorry which is yes which is thank you which is onwards.
Perhaps if Crow taught him anything it was a constant balancing. For want of a less dirty word: faith.
I flung the duvet off and flailed and swung and spat at you but you were elsewhere and I had to fall asleep crushed between what you'd said and what I thought.
The whole city is my missing her.
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About Max Porter
More by Max Porter
Lanny
About the book
In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.
In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This self-described sentimental bird is attracted to the grieving family and threatens to stay until they no longer need him. As weeks turn to months and physical pain of loss gives way to memories, this little unit of three begin to heal.
In this extraordinary debut - part novella, part polyphonic fable, part essay on grief, Max Porter's compassion and bravura style combine to dazzling effect. Full of unexpected humour and profound emotional truth, Grief is the Thing with Feathers marks the arrival of a thrilling new talent.
Book details
- First published
- 2015
- Author
- Max Porter
- Genre
- Literature
- Goodreads rating
- 3.79 (57k ratings)
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