“When I was young, I asked my priest how to get to heaven and still protect yourself from all the evil in the world. He told me what God told His children;'You are sheep among wolves, be wise as the serpent, yet innocent as doves.”
― Dennis Lehane, quote from Gone, Baby, Gone
“You are sheep among wolves. Be wise as serpents, yet innocent as doves.”
― Dennis Lehane, quote from Gone, Baby, Gone
“Those who did remember probably shrugged off the chill of her memory, turned their heads down to the sports page or up toward the approaching bus. The world is a terrible place, they thought. Bad things happen every day. My bus is late.”
― Dennis Lehane, quote from Gone, Baby, Gone
“Choice, I've always believed, is all that separates us from animals.”
― Dennis Lehane, quote from Gone, Baby, Gone
“Love like that? Hell, it seems so pure, it's damn near criminal.”
― Dennis Lehane, quote from Gone, Baby, Gone
“When a child disappears, the space she’d occupied is immediately filled with dozens of people. And these people—relatives, friends, police officers, reporters from both TV and print—create a lot of energy and noise, a sense of communal intensity, of fierce and shared dedication to a task.
“But amid all that noise, nothing is louder than the silence of the missing child. It’s a silence that’s two and a half to three feet tall, and you feel it at your hip and hear it rising up from the floorboards, shouting to you from corners and crevices and the emotionless face of a doll left on the floor by the bed.
“It’s a silence that’s different from the one left at funerals and wakes. The silence of the dead carries with it a sense of finality; it’s a silence you know you must get used to. But the silence of a missing child is not something you want to get used to; you refuse to accept it, and so it screams at you.
“The silence of the dead says, Goodbye.
“The silence of the missing says, Find me.”
― Dennis Lehane, quote from Gone, Baby, Gone
“As far as I could see, she didn't take any better care of her apparel than I did mine, but I owned shirts that looked like they'd been run through a car engine half an hour after I removed the price tags, and she had socks from high school that were still as white as palace linen. Women and their clothes often astounded me this way, but I figured it was one of those mysteries I'd never solve - like what really happened to Amelia Earhart or the bell that used to occupy our office.”
― Dennis Lehane, quote from Gone, Baby, Gone
“and two men standing up top, weeping like children because they’d somehow never known the world could get this bad.”
― Dennis Lehane, quote from Gone, Baby, Gone
“This is America . . . where every adult shall have the full and inalienable right to eat her young”
― Dennis Lehane, quote from Gone, Baby, Gone
“Each day in this country, twenty-three hundred children are reported missing.”
― Dennis Lehane, quote from Gone, Baby, Gone
“Without me, that girl will be gone. Gone-gone. You understand? Gone, baby, gone,' he sang.”
― Dennis Lehane, quote from Gone, Baby, Gone
Dennis Lehane
Born place: in Dorchester, Boston, Massachusetts, The United States
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“Just about every kid in America wished they could be Kyle Keeley. Especially when he zoomed across their TV screens as a flaming squirrel in a holiday commercial for Squirrel Squad Six, the hysterically crazy new Lemoncello video game. Kyle’s friends Akimi Hughes and Sierra Russell were also in that commercial. They thumbed controllers and tried to blast Kyle out of the sky. He dodged every rubber band, coconut custard pie, mud clod, and wadded-up sock ball they flung his way. It was awesome. In the commercial for Mr. Lemoncello’s See Ya, Wouldn’t Want to Be Ya board game, Kyle starred as the yellow pawn. His head became the bubble tip at the top of the playing piece. Kyle’s buddy Miguel Fernandez was the green pawn. Kyle and Miguel slid around the life-size game like hockey pucks. When Miguel landed on the same square as Kyle, that meant Kyle’s pawn had to be bumped back to the starting line. “See ya!” shouted Miguel. “Wouldn’t want to be ya!” Kyle was yanked up off the ground by a hidden cable and hurled backward, soaring above the board. It was also awesome. But Kyle’s absolute favorite starring role was in the commercial for Mr. Lemoncello’s You Seriously Can’t Say That game, where the object was to get your teammates to guess the word on your card without using any of the forbidden words listed on the same card. Akimi, Sierra, Miguel, and the perpetually perky Haley Daley sat on a circular couch and played the guessers. Kyle stood in front of them as the clue giver. “Salsa,” said Kyle. “Nachos!” said Akimi. A buzzer sounded. Akimi’s guess was wrong. Kyle tried again. “Horseradish sauce!” “Something nobody ever eats,” said Haley. Another buzzer. Kyle goofed up and said one of the forbidden words: “Ketchup!” SPLAT! Fifty gallons of syrupy, goopy tomato sauce slimed him from above. It oozed down his face and dribbled off his ears. Everybody laughed. So Kyle, who loved being the class clown almost as much as he loved playing (and winning) Mr. Lemoncello’s wacky games, went ahead and read the whole list of banned words as quickly as he could. “Mustard-mayonnaise-pickle-relish.” SQUOOSH! He was drenched by buckets of yellow glop, white sludge, and chunky green gunk. The slop slid along his sleeves, trickled into his pants, and puddled on the floor. His four friends busted a gut laughing at Kyle, who was soaked in more “condiments” (the word on his card) than a mile-”
― Chris Grabenstein, quote from Mr. Lemoncello's Library Olympics
“Translation error is compounded by bias error. We distort others by forcing into them our preferred ideas and gestalts, a process Proust beautifully describes: We pack the physical outline of the creature we see with all the ideas we already formed about him, and in the complete picture of him which we compose in our minds, these ideas have certainly the principal place. In the end they come to fill out so completely the curve of his cheeks, to follow so exactly the line of his nose, they blend so harmoniously in the sound of his voice that these seem to be no more than a transparent envelope, so that each time we see the face or hear the voice it is our own ideas of him which we recognize and to which we listen.”
― Irvin D. Yalom, quote from Love's Executioner: & Other Tales of Psychotherapy
“Don’t tell him to stop but don’t let him play my song too long. There are others he should be playing.”
― Anyta Sunday, quote from rock
“The conversations rests uneasily; one doesn't expect good-byes to be burdened by such trivialities. This is not how it is in the books, he thinks, or in the theater, and he feels the need to speak of mission, of duty, of love. They reach home and close the door and he doesn't drop her hand. Where speech fails, touch compensates.”
― Daniel Mason, quote from The Piano Tuner
“Look not for too long into the doughnut, lest the doughnut look into you.”
― Tom Holt, quote from The Good, the Bad and the Smug
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The Reapers are the...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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