Quotes from The Iceman Cometh

Eugene O'Neill ·  240 pages

Rating: (6.9K votes)


“To hell with the truth! As the history of the world proves, the truth has no bearing on anything. It's irrelevant and immaterial, as the lawyers say. The lie of a pipe dream is what gives life to the whole misbegotten mad lot of us, drunk or sober.”
― Eugene O'Neill, quote from The Iceman Cometh


“God damn you, stop shoving your rotten soul in my lap!”
― Eugene O'Neill, quote from The Iceman Cometh


“You can't be too careful about work. It's the most dangerous habit known to medical science.”
― Eugene O'Neill, quote from The Iceman Cometh


“LARRY--(with increasing bitter intensity, more as if he were fighting with himself than with Hickey) I'm afraid to live, am I?--and even more afraid to die! So I sit here, with my pride drowned on the bottom of a bottle, keeping drunk so I won't see myself shaking in my britches with fright, or hear myself whining and praying: Beloved Christ, let me live a little longer at any price! If it's only for a few days more, or a few hours even, have mercy, Almighty God, and let me still clutch greedily to my yellow heart this sweet treasure, this jewel beyond price, the dirty, stinking bit of withered old flesh which is my beautiful little life! (He laughs with a sneering, vindictive self-loathing, staring inward at himself with contempt and hatred. Then abruptly he makes Hickey again the antagonist.) You think you'll make me admit that to myself?”
― Eugene O'Neill, quote from The Iceman Cometh


“You’ll say to yourself, I’m just an old man who is scared of life, but even more scared of dying. So I’m keeping drunk and hanging on to life at any price, and what of it?”
― Eugene O'Neill, quote from The Iceman Cometh



“And I took a seat in the grandstand of philosophical detachment to fall asleep observing the cannibals do their death dance.”
― Eugene O'Neill, quote from The Iceman Cometh


“(General Wetjoen talking about the Boer War)Let him come! I have seen them come before -- at Margesfontein, Spion Kiopje, Modder River. Stepping into battle, left right left right, waving their silly swords, so afraid they couldn't show off how brave they was, and with mine rifle I kills them so easy!”
― Eugene O'Neill, quote from The Iceman Cometh


“Stay passed out, that's the right dope. There ain't any cool willow trees- except you grow your own in a bottle.”
― Eugene O'Neill, quote from The Iceman Cometh


About the author

Eugene O'Neill
Born place: in New York, New York, The United States
Born date October 16, 1888
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“The desire to make art begins early. Among the very young this is encouraged (or at least indulged as harmless) but the push toward a 'serious' education soon exacts a heavy toll on dreams and fantasies....Yet for some the desire persists, and sooner or later must be addressed. And with good reason: your desire to make art -- beautiful or meaningful or emotive art -- is integral to your sense of who you are. Life and Art, once entwined, can quickly become inseparable; at age ninety Frank Lloyd Wright was still designing, Imogen Cunningham still photographing, Stravinsky still composing, Picasso still painting.

But if making art gives substance to your sense of self, the corresponding fear is that you're not up to the task -- that you can't do it, or can't do it well, or can't do it again; or that you're not a real artist, or not a good artist, or have no talent, or have nothing to say. The line between the artist and his/her work is a fine one at best, and for the artist it feels (quite naturally) like there is no such line. Making art can feel dangerous and revealing. Making art is dangerous and revealing. Making art precipitates self-doubt, stirring deep waters that lay between what you know you should be, and what you fear you might be. For many people, that alone is enough to prevent their ever getting started at all -- and for those who do, trouble isn't long in coming. Doubts, in fact, soon rise in swarms:

"I am not an artist -- I am a phony. I have nothing worth saying. I'm not sure what I'm doing. Other people are better than I am. I'm only a [student/physicist/mother/whatever]. I've never had a real exhibit. No one understands my work. No one likes my work. I'm no good.

Yet viewed objectively, these fears obviously have less to do with art than they do with the artist. And even less to do with the individual artworks. After all, in making art you bring your highest skills to bear upon the materials and ideas you most care about. Art is a high calling -- fears are coincidental. Coincidental, sneaky and disruptive, we might add, disguising themselves variously as laziness, resistance to deadlines, irritation with materials or surroundings, distraction over the achievements of others -- indeed anything that keeps you from giving your work your best shot. What separates artists from ex-artists is that those who challenge their fears, continue; those who don't, quit. Each step in the artmaking process puts that issue to the test.”
― quote from Art and Fear: Observations on the Perils (and Rewards) of Artmaking


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