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Anansi Boys

by Neil Gaiman · 2005

Anansi Boys is a contemporary fantasy novel by Neil Gaiman, published in 2005. It follows Charles "Fat Charlie" Nancy, a mild-mannered Londoner who discovers, after his estranged father drops dead on a Florida karaoke stage… more

First published 2005 · 400 pages · English

29 quotes ★ 4.04 (230,798) Fantasy

Quotes from the Book

Each person who ever was or is or will be has a song. It isn't a song that anybody else wrote. It has its own melody, it has its own words. Very few people get to sing their song. Most of us fear that we cannot do it justice with our voices, or that our words are too foolish or too honest, or too odd. So people live their song instead.
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Everybody going to be dead one day, just give them time.
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Black as night, sweet as sin.
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It is a small world. You do not have to live in it particularly long to learn that for yourself. There is a theory that, in the whole world, there are only five hundred real people (the cast, as it were; all the rest of the people in the world, the theory suggests, are extras) and what is more, they all know each other. And it's true, or true as far as it goes. In reality the world is made of thousands upon thousands of groups of about five hundred people, all of whom will spend their lives bumping into each other, trying to avoid each other, and discovering each other in the same unlikely teashop in Vancouver. There is an unavoidability to this process. It's not even coincidence. It's just the way the world works, with no regard for individuals or for propriety.
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You're no help," he told the lime. This was unfair. It was only a lime; there was nothing special about it at all. It was doing the best it could.
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They were kissing. Put like that, and you could be forgiven for presuming that this was a normal kiss, all lips and skin and possibly even a little tongue. You'd miss how he smiled, how his eyes glowed. And then, after the kiss was done, how he stood, like a man who had just discovered the art of standing and had figured out how to do it better than anyone else who would ever come along.
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Some hats can only be worn if you're willing to be jaunty, to set them at an angle and to walk beneath them with a spring in your stride as if you're only a step away from dancing. They demand a lot of you.
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His name is Marcus: he is four and a half and possesses that deep gravity and seriousness that only small children and mountain gorillas have ever been able to master.
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I am frightened of nothing." "Nothing?" "Nothing." "Are you extremely frightened of nothing?" "Absolutely terrified of it." "I have nothing in my pockets. Would you like to see it?" "No, I most definitely would not.
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Stories are like spiders, with all they long legs, and stories are like spiderwebs, which man gets himself all tangled up in but which look pretty when you see them under a leaf in the morning dew, and in the elegant way that they connect to one another, each to each.
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Of course, everyone's parents are embarrassing. It goes with the territory. The nature of parents is to embarrass merely by existing, just as it is the nature of children of a certain age to cringe with embarrassment, shame, and mortification should their parents so much as speak to them on the street.
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The important thing about songs is that they're just like stories. They don't mean a damn unless there's people listenin' to them.
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Pain shared, my brother, is pain not doubled but halved. No man is an island
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It begins, as most things begin, with a song.
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Songs remain. They last...A song can last long after the events and the people in it are dust and dreams and gone. That's the power of songs.
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Birds are the last of the dinosaurs. Tiny velociraptors with wings. Devouring defenseless wiggly things and, and nuts, and fish, and, and other birds. They get the early worms. And have you ever watched a chicken eat? They may look innocent, but birds are, well, they're vicious.
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Human beings do not like being pushed about by gods. They may seem to, on the surface, but somewhere on the inside, underneath it all, they sense it, and they resent it.
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You'll think this is a bit silly, but I'm a bit--well, I have a thing about birds." "What, a phobia?" "Sort of." "Well, that's the common term for an irrational fear of birds." "What do they call a rational fear of birds, then?
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People take on the shapes of the songs and the stories that surround them, especially if they don't have their own song.
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There are three things, and three things only, that can lift the pain of mortality and ease the ravages of life. These are wine, women and song.
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That's the trouble with you young people. You think because you ain't been here long, you know everything. In my life I already forgot more than you ever know.
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Anyone who calls you "little lady" has already excluded you from the set of people worth listening to.
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Stories are webs, interconnected strand to strand, and you follow each story to the center, because the center is the end. Each person is a strand of the story.
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Daisy looked up at him with the kind of expression that Jesus might have given someone who had just explained that he was probably allergic to bread and fishes, so could He possibly do him a quick chicken salad...
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It begins, as most things begin, with a song. In the beginning, after all, were the words, and they came with a tune. That was how the world was made, how the void was divided, how the lands and the stars and the dreams and the little gods and the animals, how all of them came into the world. They were sung. The great beasts were sung into existence, after the Singer had done with the planets and the hills and the trees and the oceans and the lesser beasts. The cliffs that bound existence were sung, and the hunting grounds, and the dark. Songs remain. They last. The right song can turn an emperor into a laughingstock, can bring down dynasties. A song can last long after the events and the people in it are dust and dreams and gone. That's the power of songs.
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You know what my mum once said?’ said Rosie… ‘She said that if a just-married couple put a coin in a jar every time they make love in their first year, and take a coin out for every time that they make love in the years that follow, the jar will never be emptied.’ And this means…?’ Well’, she said. ‘It’s interesting, isn’t it?
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The right song can turn an emperor into a laughingstock, can bring down dynasties.
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Yes. We both have a bad feeling. Tonight we shall take our bad feelings and share them, and face them. We shall mourn. We shall drain the bitter dregs of mortality. Pain shared, my brother, is pain not doubled, but halved. No man is an island.
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It's not sipping wine. It's a mourning wine. You drain it. Like this.
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Did you know?

  • The novel shares the character Mr. Nancy with Gaiman's earlier novel American Gods, though it is not a direct sequel.
  • Anansi is a trickster figure drawn from West African and Caribbean folklore, traditionally taking the form of a spider.
  • The book won the Locus Award for Best Fantasy Novel in 2006.
  • It was adapted as a BBC radio dramatization, with productions airing in 2005 and again in 2017.
  • A Dark Horse Comics adaptation of the novel began in 2024.

About Neil Gaiman

Neil Gaiman is an English author of fiction, comics, and screenplays, best known for the Sandman comics and novels including American Gods, Coraline, and Stardust. He has received numerous awards, including Hugo, Nebula, and Newbery honors.

More about the author →

About the book

Anansi Boys is a contemporary fantasy novel by Neil Gaiman, published in 2005. It follows Charles "Fat Charlie" Nancy, a mild-mannered Londoner who discovers, after his estranged father drops dead on a Florida karaoke stage, that his father was an incarnation of the West African trickster god Anansi. Charlie soon learns he has a charismatic, supernaturally gifted brother named Spider, whose sudden arrival upends his orderly life, his job, and his engagement, sending the brothers on a journey that touches a realm of ancient animal gods.

Drawing on African and Caribbean folklore, the book weaves the trickster tradition of Anansi the spider into a modern comic adventure. Its central concerns are family and inheritance, the reconciliation of two very different brothers, and the tension between timid caution and bold self-assertion, alongside the abiding power of stories and song to shape the world.

Lighter and more humorous in tone than its loosely connected predecessor American Gods, with which it shares the character of Mr. Nancy, Anansi Boys was widely praised by critics and readers. It won the Locus Award for Best Fantasy Novel, the Mythopoeic Award, and a British Fantasy Award, and has been adapted for BBC Radio.

Key characters

  • Charles "Fat Charlie" NancyTimid London protagonist who learns his father was a god
  • SpiderCharlie's charismatic brother who inherited divine powers
  • Mr. Nancy (Anansi)Their deceased father, an incarnation of the trickster god
  • Rosie NoahCharlie's fiancee
  • Grahame CoatsCharlie's corrupt employer and the antagonist

Book details

First published
2005
Length
400 pages
Reading time
6 hours
Genre
Fantasy
Goodreads rating
4.04 (231k ratings)
First line
“It begins, as most things begin, with a song.”

Critical reception

  • Won the Locus Award for Best Fantasy Novel in 2006.
  • Received the Mythopoeic Award and a British Fantasy Award.
  • Generally praised by critics as a lighter, more comedic companion to American Gods.

Movie & TV adaptations

  • IMDb
    Anansi Boys (BBC Radio) 2005

    Radio dramatization of the novel for the BBC.

If you liked this, read…

  1. 1
    American GodsGaiman's loosely connected novel sharing the character Mr. Nancy and mythic themes
  2. 2
    StardustAnother Gaiman fantasy blending folklore with a modern fairy-tale sensibility

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