“How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life. And what's it all for? All I tried to be, all I ever wanted and went away for, what's it all for?
Just one way, you do get back home. You have a boy or a girl of your own and now and then you remember, and you know how they feel, and it's almost the same as if you were your own self again, as young as you could remember.
And God knows he was lucky, so many ways, and God knows he was thankful. Everything was good and better than he could have hoped for, better than he ever deserved; only, whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.”
― James Agee, quote from A Death in the Family
“And no matter what, there's not one thing in this world *or* the next that we can do or hope or guess at or wish or pray that can change it or help it one iota. Because whatever is, is. That's all. And all there is now is to be ready for it, strong enough for it, whatever it may be. That's all. That's all that matters. It's all that matters because it's all that's possible. ”
― James Agee, quote from A Death in the Family
“And somewhat as in blind night, on a mild sea, a sailor may be made aware of an iceberg, fanged and mortal, bearing invisibly near, by the unwarned charm of its breath, nothingness now revealed itself: that permanent night upon which the stars in their expiring generations are less than the glinting of gnats, and nebulae, more trivial than winter breath; that darkness in which eternity lies bent and pale, a dead snake in a jar, and infinity is the sparkling of a wren blown out to sea; that inconceivable chasm of invulnerable silence in which cataclysms of galaxies rave mute as amber.”
― James Agee, quote from A Death in the Family
“Just spunk won't be enough; you've got to have gumption. You've got to bear it in mind that nobody that ever lived is specially privileged; the axe can fall at any moment, on any neck, without any warning or any regard for justice. You've got to keep your mind off of pitying your own rotten luck and setting up any kind of howl about it. You've got to remember that things as bad as this and a hell of a lot worse have happened to millions of people before and that they've come through it and you can too. You'll bear it because there isn't any choice--except to go to pieces. . . It's kind of a test, Mary, and it's the only kind that amounts to anything. When something rotten like this happens. Then you have your choice. You start to really be alive, or you start to die. That's all.”
― James Agee, quote from A Death in the Family
“We are talking now of summer evenings in Knoxville Tennessee in the time that I lived there so successfully disguised to myself as a child.”
― James Agee, quote from A Death in the Family
“God doesn't believe in the easy way.”
― James Agee, quote from A Death in the Family
“Well, now, some people learn a little quicker than others. It's nice to learn fast but it's nice to take your time too.”
― James Agee, quote from A Death in the Family
“By some chance, here they are, all on this earth; and who shall ever tell the sorrow of being on this earth, lying, on quilts, on the grass, in a summer evening, among the sounds of the night. May God bless my people, my uncle, my aunt, my mother, my good father, oh, remember them kindly in their time of trouble; and in the hour of their taking away.
After a little I am taken in and put to bed. Sleep, soft smiling, draws me unto her: and those receive me, who quietly treat me, as one familiar and well-beloved in that home: but will not, oh, will not, not now, not ever; but will not ever tell me who I am.”
― James Agee, quote from A Death in the Family
“You've got to bear it in mind that nobody that ever lived is specially privileged; the axe can fall at any moment, on any neck, without any warning or any regard for justice. You've got to keep your mind off pitying your own rotten luck and setting up any kind of a howl about it. You've got to remember that things as bad as this and a hell of a lot worse have happened to millions of people before and that they've come through it and that you will too.”
― James Agee, quote from A Death in the Family
“How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life. And what's it all for? All I tried to be, all I ever wanted and went away for, what's it all for?”
― James Agee, quote from A Death in the Family
“Under your shelter all things come and go.
Children are violent and valiant, they run and they shout like the winners of impossible victories, but before long now, even like me, they will be brought into their sleep.
Those who are grown great talk with confidence and are at all times skillful to serve and to protect, but before long now they too, before long, even like me, will be taken in and put to bed.
Soon come those hours when no one wakes. Even the locusts, even the crickets, silent shall be, as frozen brooks
In your break sheltering. [sic]”
― James Agee, quote from A Death in the Family
“You've got to bear it in mind that nobody ever lived is specially privileged; the axe can fall at any moment, on any neck, without any warning or any regard for justice.”
― James Agee, quote from A Death in the Family
“How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life.
...
whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.”
― James Agee, quote from A Death in the Family
“He always felt different once he was across the river. This was the real, old, deep country, now. Home country. The cabins looked different to him, a little older and poorer and simpler, a little more homelike; the trees and rocks seemed to come differently out of the ground; the air smelled different.”
― James Agee, quote from A Death in the Family
“And it was respect he needed, infinitely more than love. Just not to have to worry about whether people respect you. Not ever to have to feel that people are being nice to you because they are sorry for you, or afraid of you.”
― James Agee, quote from A Death in the Family
“A man came up the far side of the street, walking neither slow nor fast ,not turning his head, as he paused, and quite surely not noticing them; they watched him until he was out of sight, and Rufus felt, and was sure that his father felt, that though there was no harm in the man and he had as good a right as they did to be there, minding his own business, their journey was interrupted from the moment they first saw him until they saw him out of sight.”
― James Agee, quote from A Death in the Family
“Talking to that fool is like trying to put socks on an octopus!”
― James Agee, quote from A Death in the Family
“...and gentle happy and peaceful, tasting the mean goodness of their living like the last of their suppers in their mouths.”
― James Agee, quote from A Death in the Family
“for the other sort of intimate acquaintance,”
― James Agee, quote from A Death in the Family
“God is not here, Hannah said to herself; and made a small cross upon her breastbone, against her blasphemy.”
― James Agee, quote from A Death in the Family
“Priggish, mealy-mouthed son of a bitch”
― James Agee, quote from A Death in the Family
“Isabel never despaired, even though I think she knew everything that was going to happen, right from the beginning. There was a Walt Whitman poem she liked, especially the part that went - 'All goes onward and outward,/Nothing collapses/And to die is different from/What anyone supposes/And Luckier.' She tried to believe that, and it gave her some comfort, I know. She was very brave. Always. She hid her anguish and sadness, although I know she felt them. Because she wasn't losing only one person she loved - as we have. She was losing all of them.”
― Patricia Gaffney, quote from The Saving Graces
“Увидев немыслимые прибыли, которые получают Gap и Tommy Hilfiger благодаря своим связям с миром музыки, звукозаписывающие компании и сами начинают активно заниматься брэндингом. Они не только поддерживают работающих музыкантов с помощью изощренных технологий ко-брэндинга, но и сами группы все больше воспринимаются как брэнды и в качестве таковых проходят проверку на рынке — Spice Girls, Backstreet Boys, N' Sync, All Saints и другие — все это уже не группы, а брэнды.”
― Naomi Klein, quote from No Logo
“Shall I stop in to check on Bella before I go?”
“Not dressed like that. You would give her palpitations if she knew you were going into danger for her benefit.”
“Luckily, I am mostly immune to Bella’s powers and could cure such palpitations with a thought,” Gideon mused.
Jacob raised a brow, taking the medic’s measure. He could not recall the last time he had heard the Ancient crack wise about anything. It was not a wholly unpleasant experience, and it amused the Enforcer.
“I . . . am aware of what is occurring between you and Legna, as you know,” Jacob mentioned with casual quiet. “I am only recently Imprinted myself, but should you require—” He broke off, suddenly uncomfortable. “Of course, you probably know far more about Imprinting than I ever will.”
He is reaching out to you.
Legna’s soft encouragement made Gideon suddenly aware of that fact. It was one of those nuances he would have missed completely, rusty as he was with matters of friendship and how to relate better to others.
“I am glad for the offer of any help you can provide,” Gideon said quickly. “In fact, I had wanted to ask you . . . something . . .”
What did I want to ask him? he asked Legna urgently.
I do not know! I did not tell you to engage him, just to graciously accept his offer.
Oh. My apologies. Still, you are clever enough to think of something, are you not?
Legna knew he was baiting her, so she laughed.
Ask him why it is you seem to constantly irritate me.
I will ask him no such thing, Magdelegna.
Well then, you had better come up with an alternative, because that is the only suggestion I have.
“Yes?” Jacob was encouraging neutrally, trying to be patient as the medic seemed to gather his thoughts.
“Do you find that your mate tends to lecture you incessantly?” he asked finally.
Jacob laughed out loud.
“You know something, I can actually advise you about that, Gideon.”
“Can you?” The medic actually sounded hopeful.
“Give up. Now. While you still have your sanity. Arguing with her will get you nowhere. And, also, never ever ask questions that refer to the whys and wherefores of women, females, or any other feminine-based criticism. Otherwise you will only earn an argument at a higher decibel level. Oh, and one other thing.”
Gideon cocked a brow in question.
“All the rules I just gave you, as well as all the ones she lays down during the course of your relationship, can and will change at whim. So, as I see it, you can consider yourself just as lost as every other man on the planet. Good luck with it.”
“That is not a very heartening thought,” Gideon said wryly, ignoring Legna’s giggle in his background thoughts.”
― Jacquelyn Frank, quote from Gideon
“Anyway, you're to have four sets- to match jewels, I suppose- white gold, pale gold, yellow gold and rose gold. Can't have your oculars clashing with your bracelets, I suppose. I'll send the 'prentice up with them later. I'm waiting for the frames to cool now."
"If the Princess is not here, you can leave them with her handmaiden, Iris," Lady Thalia put in, and came around to take a look at the Sophont's handiwork. She blinked. "Good heavens. That is 'much' more flattering!"
"Yes, it is," Balan agreed with a lopsided smile. "Now you can see what pretty eyes she has. Well, I'm off! Lady Thalia, it was a pleasure meeting you. Princess, a delight to serve you!"
As soon as he was out of the room, Andie was out of the chair. Picking up the skirt of her gown this time to keep it from tripping her, she ran to her bedroom to peer into the little mirror over her dressing table.
The difference was astounding. The old oculars had been small, vaguely rectangular, and had cut across her face like a slash mark. These were large, circular and, for the first time, did not obscure her eyes. If anything, they made her eyes look bigger, like those of a young animal, soft and giving an impression of innocence and vulnerability. The frame, of white gold, was very simple and polished, somehow less fussy than Balan's frame of twisted wire had been.
"Gracious!" Iris exclaimed. "What a difference!"
"You don't think they look-well- 'owlish'?" Lady Thalia asked, a little doubtfully.
"Not a bit!" Iris declared. "Just look how big they make her eyes look! And 'you've' heard all those daft poets, my Lady, going on about a girl's eyes supposed to be like a doe's, or big pools of water!”
― Mercedes Lackey, quote from One Good Knight
“I have a story to tell you. It has many beginnings, and perhaps one ending. Perhaps not. Beginnings and endings are contingent things anyway; inventions, devices. Where does any story really begin? There is always context, always an encompassingly greater epic, always something before the described events, unless we are to start every story with “BANG! Expand! Sssss…,” then itemize the whole subsequent history of the universe before settling down, at last, to the particular tale in question. Similarly, no ending is final, unless it is the end of all things…”
― Iain M. Banks, quote from The Algebraist
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