The Wise Man's Fear
Quotes from the Book
It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story.
Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts.
Perhaps the greatest faculty our minds possess is the ability to cope with pain. Classic thinking teaches us of the four doors of the mind, which everyone moves through according to their need. First is the door of sleep. Sleep offers us a retreat from the world and all its pain. Sleep marks passing time, giving us distance from the things that have hurt us. When a person is wounded they will often fall unconscious. Similarly, someone who hears traumatic news will often swoon or faint. This is the mind's way of protecting itself from pain by stepping through the first door. Second is the door of forgetting. Some wounds are too deep to heal, or too deep to heal quickly. In addition, many memories are simply painful, and there is no healing to be done. The saying 'time heals all wounds' is false. Time heals most wounds. The rest are hidden behind this door. Third is the door of madness. There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind. Last is the door of death. The final resort. Nothing can hurt us after we are dead, or so we have been told.
When we are children we seldom think of the future. This innocence leaves us free to enjoy ourselves as few adults can. The day we fret about the future is the day we leave our childhood behind.
We understand how dangerous a mask can be. We all become what we pretend to be.
Call a jack a jack. Call a spade a spade. But always call a whore a lady. Their lives are hard enough, and it never hurts to be polite.
You have to be a bit of a liar to tell a story the right way.
Bones mend. Regret stays with you forever.
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. You may have heard of me.
You see, women are like fires, like flames. Some women are like candles, bright and friendly. Some are like single sparks, or embers, like fireflies for chasing on summer nights. Some are like campfires, all light and heat for a night and willing to be left after. Some women are like hearthfires, not much to look at but underneath they are all warm red coal that burns a long, long while.
My parents danced together, her head on his chest. Both had their eyes closed. They seemed so perfectly content. If you can find someone like that, someone who you can hold and close your eyes to the world with, then you're lucky. Even if it only lasts for a minute or a day. The image of them gently swaying to the music is how I picture love in my mind even after all these years.
The best lies about me are the ones I told.
Congratulations. That was the stupidest thing I've ever seen. Ever.
Using words to talk of words is like using a pencil to draw a picture of itself, on itself. Impossible. Confusing. Frustrating ... but there are other ways to understanding.
The boy grows upward, but the girl grows up.
I have known her longer, my smile said. True, you have been inside the circle of her arms, tasted her mouth, felt the warmth of her, and that is something I have never had. But there is a part of her that is only for me. You cannot touch it, no matter how hard you might try. And after she has left you I will still be here, making her laugh. My light shining in her. I will still be here long after she has forgotten your name.
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?" Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?" Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be." Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations." "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story." Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen." "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now." "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
It gets tiresome being spoken to as if you are a child, even if you happen to be one.
It wasn't even a good note. 'If you are reading this I am probably dead.' What sort of a note is that?
Words are pale shadows of forgotten names. As names have power, words have power. Words can light fires in the minds of men. Words can wring tears from the hardest hearts. There are seven words that will make a person love you. There are ten words that will break a strong man's will. But a word is nothing but a painting of a fire. A name is the fire itself.
You do not know the first note of the music that moves me.
I also felt guilty about the three pens I'd stolen, but only for a second. And since there was no convenient way to give them back, I stole a bottle of ink before I left.
Just pity him, my boy. Tomorrow we'll be on our way, but he'll have to keep his own disagreeable company until the day he dies.
You lack the requisite spine and testicular fortitude to study under me.
Music is a proud, temperamental mistress. Give her the time and attention she deserves, and she is yours. Slight her and there will come a day when you call and she will not answer. So I began sleeping less to give her the time she needed.
There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind.
When the hearthfire turns to blue, what to do? what to do? run outside, run and hide when his eyes are black as crow? where to go? where to go? near and far. Here they are. see a man without a face? move like ghosts from place to place. whats their plan? whats their plan? Chandrian. Chandrian
I wanted to tell her that she was the first beautiful thing I had seen in three years. That the sight of her yawning to the back of her hand was enought to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again.
Its like he knows he's better than you, but doesn't look down on you for it because he knows it's not your fault.
Did you know?
- It is the first book of The Kingkiller Chronicle, subtitled 'Day One'.
- The novel is framed as Kvothe telling his life story to a scribe called Chronicler over a single day.
- It was published by DAW Books on March 27, 2007.
- Ursula K. Le Guin praised Rothfuss for writing 'with real music in the words'.
- The story opens at the Waystone Inn with a prologue titled 'A Silence of Three Parts'.
- The sequel, The Wise Man's Fear, was published in 2011 and topped The New York Times Best Seller list.
About Patrick Rothfuss
More by Patrick Rothfuss
About the book
The Name of the Wind is the 2007 debut novel of American fantasy writer Patrick Rothfuss and the first book of The Kingkiller Chronicle. It is framed as the autobiography of Kvothe, a legendary swordsman, magician, and musician now living in quiet obscurity as an innkeeper under the name Kote. Over the course of a single day, he begins recounting his true story to a traveling scribe called Chronicler, tracing his childhood among a troupe of traveling performers, his years as a near-feral orphan in a crime-ridden city, and his determined bid to enter a legendary University of magic.
At its heart the book is a coming-of-age story about knowledge, memory, and the gap between a person and their own legend. Kvothe's pursuit of learning is bound up with grief and revenge, driven by his search for the truth about the mysterious Chandrian, and with his tangled relationship to the elusive musician Denna. Rothfuss weaves music, naming, and storytelling into the fabric of the world, so that language and song carry real power.
The novel was a critical and commercial success, winning the Quill Award and the Alex Award and earning praise for its lyrical prose from writers including Ursula K. Le Guin and Michael Chabon. Alongside its 2011 sequel, The Wise Man's Fear, it helped define a wave of character-driven epic fantasy in the 2000s and built a devoted readership awaiting the long-anticipated conclusion, The Doors of Stone.
Key characters
- KvotheProtagonist and narrator; a gifted magician, musician, and swordsman living in hiding as an innkeeper
- KoteThe assumed identity Kvothe uses as the innkeeper of the Waystone Inn
- BastKvothe's student and assistant, secretly a Fae
- ChroniclerA traveling scribe who records Kvothe's life story
- DennaA talented, elusive musician and Kvothe's love interest
Book details
- First published
- 2007
- Length
- 662 pages
- Reading time
- 40 hours
- Author
- Patrick Rothfuss
- Genre
- Fiction
- Goodreads rating
- 4.52 (1.1M ratings) →
- First line
- “It was night again. The Waystone Inn lay in silence, and it was a silence of three parts.”
Series & reading order
- 1 The Name of the Wind
- 2 The Wise Man's Fear
If you liked this, read…
- 1The Wise Man's FearThe direct sequel that continues Kvothe's story in the same series
- 2A Wizard of EarthseaA lyrical coming-of-age tale of a gifted young mage learning the power of names
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