The Bluest Eye
Quotes from the Book
Young people, Lord. Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty. Before I was reduced to singsong, I saw all kinds of mating. Most are two-night stands trying to last a season. Some, the riptide ones, claim exclusive right to the real name, even though everybody drowns in its wake. People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from greed to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people in the weather channel leaning into the wind while lawmen shout in megaphones: ‘Get moving!
119
Nowadays silence is looked on as odd and most of my race has forgotten the beauty of meaning much by saying little. Now tongues work all day by themselves with no help from the mind.
54
Hate does that. Burns off everything but itself, so whatever your grievance is, your face looks just like your enemy's.
27
Do they still call it infatuation? That magic ax that chops away the world in one blow, leaving only the couple standing there trembling? Whatever they call it, it leaps over anything, takes the biggest chair, the largest slice, rules the ground wherever it walks, from a mansion to a swamp, and its selfishness is its beauty.... People with no imagination feed it with sex -- the clown of love. They don't know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that -- softly, without props.
24
A woman is an important somebody and sometimes you win the triple crown: good food, good sex, and good talk. Most men settle for any one, happy as a clam if they get two. But listen, let me tell you something. A good man is a good thing, but there is nothing in the world better than a good good woman. She can be your mother, your wife, your girlfriend, your sister, or somebody you work next to. Don’t matter. You find one, stay there. You see a scary one, make tracks.
14
I know it's trash: just another story made up to scare wicked females and correct unruly children. But it's all I have. I know I need something else. Something better. Like a story that shows how brazen women can take a good man down. I can hum to that.
13
Grownups don't pay it much attention because they can't imagine anything more majestic to a child than their own selves and so confused dependance for reverence.
11
It takes a certain intelligence to love like that – softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail of course. The world outdoes them every time.
9
Like friendship, hatred needed more than physical intimacy; it wanted creativity and hard work to sustain itself.
8
A good man is a good thing, but there is nothing in the world better than a good woman. She can be your mother, your wife, your girlfriend, your sister, or somebody you work next to. Don't matter. You find one, stay there. You see a scary one, make tracks.
7
Language, when it finally comes, has the vigor of a felon pardoned after twenty-one years on hold. Sudden, raw, stripped to its underwear.
7
My nature is a quiet one, anyway. As a child I was considered respectful; as a young woman I was called discreet. Later on I was thought to have the wisdom maturity brings.
6
While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from green to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind.
5
People with no imagination feed it with sex—the clown of love. They don’t know the real kinds, the better kinds, where losses are cut and everybody benefits. It takes a certain intelligence to love like that—softly, without props. But the world is such a showpiece, maybe that’s why folks try to outdo it, put everything they feel onstage just to prove they can think up things too: handsome scary things like fights to the death, adultery, setting sheets afire. They fail, of course. The world outdoes them every time. While they are busy showing off, digging other people’s graves, hanging themselves on a cross, running wild in the streets, cherries are quietly turning from green to red, oysters are suffering pearls, and children are catching rain in their mouths expecting the drops to be cold but they’re not; they are warm and smell like pineapple before they get heavier and heavier, so heavy and fast they can’t be caught one at a time. Poor swimmers head for shore while strong ones wait for lightning’s silver veins. Bottle-green clouds sweep in, pushing the rain inland where palm trees pretend to be shocked by the wind. Women scatter shielding their hair and men bend low holding the women’s shoulders against their chests. I run too, finally. I say finally because I do like a good storm. I would be one of those people on the weather channel leaning into the wind while lawmen shout in megaphones: “Get moving!
3
Nina Simone helped delay the beginning of the end.
2
back in the seventies, when women began to straddle chairs and dance crotch out on television, when all the magazines started featuring behinds and inner thighs as though that’s all there is to a woman, well, I shut up altogether.
2
The one who had been sold by a man battled the one who had been bought by one.
1
Our weather is soft, mostly, with peculiar light.
1
The words dance in my head to the music in my mouth.
1
Lying on a ring of onion, a tomato slice exposed its seedy smile, one she remembers to this moment.
1
running across the street to get out of the way of mounted police meant obstructing traffic. Finally Dr. Rio. A Cadillac. A hammer. A gentle, almost reluctant arrest. After an hour’s wait, no charges pressed, no write-up or interview, they gave her back the shopping bag and let her go.
Recriminations and accusations peppered her visits to Up Beach, and when she told Papa why her eyes were puffy, she was relieved by his firm response. All she needed was him, which was lucky because he was all she had.
He sighed over the problem: a furnace seldom needed in that climate seemed as confused about its workings as he was.
I’m Heed Cosey. And you are?” “Junior. But you can call me June.” “Oh, dear,” said Heed, and batted her lashes as if someone had spilled red wine on pale velvet: sorry, of course, and no fault, of course, but difficult to clean nonetheless.
She selected a silver tureen with a fitted glass bowl, sighing at the stubborn tarnish in the crevices of the C’s on its cover. Like all the carved letters in the house, the double C’s went beyond ornate to illegible.
Foxglove grows waist high around the gazebo, and roses, which all the time hate our soil, rage here, with more thorns than blackberries and weeks of beet red blossoms. The wood siding of the hotel looks silver-plated, its peeling paint like the streaks on an unpolished tea service.
C’est la haine qui fait cet effet. Elle consume tout, sauf elle-même, si bien que, quelque soit votre chagrin, votre visage devient exactement le même que celui de votre ennemi.
About Toni Morrison
About the book
From the acclaimed Nobel Prize winner—a spellbinding symphony of passion and hatred, power and perversity, color and class that spans three generations of Black women in a fading beach town.
“A marvelous work, which enlarges our conception not only of love but of racial politics.” — Los Angeles Times Book Review
In life, Bill Cosey enjoyed the affections of many women, who would do almost anything to gain his favor. In death his hold on them may be even stronger. Wife, daughter, granddaughter, employee, As Morrison’s protagonists stake their furious claim on Cosey’s memory and estate, using everything from intrigue to outright violence, she creates a work that is shrewd, funny, erotic, and heartwrenching.
Book details
- First published
- 2003
- Author
- Toni Morrison
- Genre
- Fiction
- Goodreads rating
- 3.83 (14k ratings) →
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