Quotes from Whatever Life Throws at You

Julie Cross ·  373 pages

Rating: (6K votes)


“He said if I was good enough to throw a perfect game, I’d be good enough to date his daughter.”
― Julie Cross, quote from Whatever Life Throws at You


“Pressure is just that—pressure. It’s all in your head. It has nothing to do with what you can or can’t do.”
― Julie Cross, quote from Whatever Life Throws at You


“You should really relax your shoulders more. You look better with a neck.”
― Julie Cross, quote from Whatever Life Throws at You


“Kansas City, that’s like in Kansas, right?” I ask. “Missouri,” Frank and Dad both correct.”
― Julie Cross, quote from Whatever Life Throws at You


“If you love someone, even the best one-night stand isn’t going to erase that.”
― Julie Cross, quote from Whatever Life Throws at You



“I think you're a good person," I say quietly, before slipping the bed to retrieve my clothes. He exhales, and his eyes meet mine.

"All I know is that I want to be the person you and your dad think I am. Maybe even more than I want to be a great pitcher.”
― Julie Cross, quote from Whatever Life Throws at You


“Lenny London: In case you're wondering, running is like driving only there's more sweating and less sitting. I don't recommend trying it if you haven't already.”
― Julie Cross, quote from Whatever Life Throws at You


About the author

Julie Cross
Born place: in Germany
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Popular quotes

“And he worked himself, worked himself. He had made up his mind to be President, and he was demonic in his drive.”
― Robert A. Caro, quote from Master of the Senate


“Gallic walls are always built more or less on the following plan. Balks of timber are laid on the ground at regular intervals of two feet along the whole line on which the wall is to be built, at right angles to it. These are made fast to one another by long beams running across them at their centre points, and are covered with a quantity of rubble; and the two-foot intervals between them are faced with large stones fitted tightly in. When this first course has been placed in position and fastened together, another course is laid on top. The same interval of two feet is kept between the balks of the second course, but they are not in contact with those of the first course, being separated from them by a course of stones two feet high; thus every balk is separated from each of its neighbours by one large stone, and so held firmly in position. By the addition of further courses the fabric is raised to the required height. This style of building presents a diversified appearance that is not unsightly, with its alternation of balks and stones each preserving their own straight lines. It is also very serviceable and well adapted for defending a town: the masonry protects it from fire, the timber from destruction by the battering-ram, which cannot either pierce or knock to pieces a structure braced internally by beams running generally to a length of forty feet in one piece.”
― Gaius Julius Caesar, quote from The Conquest of Gaul


“Often a work of God comes with two edges, great joy and great pain, and in that matter-of-fact response Mary embraced both. She was the first person to accept Jesus on His own terms, regardless of the personal cost.”
― Philip Yancey, quote from The Jesus I Never Knew


“Once they leave to see to their other duties, I go to stand before the fire, feeling once again as if I have been completely upended and remade anew, when in truth, I have barely caught my breath from the first time my life shattered before my eyes.

But this- this is different. This is no shattering, but rather some great knitting together of the broken pieces into a stronger whole.

I feel cleansed, not only of sin- but of artifice. I am stripped down to nothing but my raw self. As uncomfortable as it makes me feel, there is freedom in it as well, for there is no place left for others' expectations and desires of me to hide.”
― Robin LaFevers, quote from Mortal Heart


“Have you ever seen an anthill?" he said at last. "A machine of tiny marchers. Too much motion, you cannot make out the aims in it. But take something away from that anthill – a stone, a leaf, a dead caterpillar – and the ants scurry. You see which ones you have sabotaged, which ones are disturbed and scuttling to prop something in its place. That is what I do. That is kleptomancy. Divination by theft. Find something that is important, something on which you suspect many plans rely, and remove it. Then sit and watch. That’s why stealing you will help, even if you know nothing. Right now, the people who want to use you and the people who want you dead will be in a race to find you before the other does. People in a hurry often show their hand by mistake.”
― Frances Hardinge, quote from A Face Like Glass


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