Redemptor
Quotes from the Book
No matter how many times she made mistakes, or said no, or demanded why . . . she would always deserve to be housed, and clothed, and fed, and taught to imagine a better world for herself and everyone in it.
A city belongs to its people
I gasped, turning to the Crocodile: “The cultists and the nobles know what they want”, I said. “They are all saying the same thing! Everyone else is messy, disorganized.” “Well observed.” “But a lot of those commoners do know what they want”, I pointed out. “A place to catch up with their neighbors that is not a back alley. A place to hear news and music and for their children to play without getting trampled by carts and palanquins. Structures that catch the wind, where they can hang their laundry - and awnings where they can rest without burning in the sun.” “Yes. But it is hard to say all those things at once. Do you know what is much easier to say?” “Order and beauty” (...)
The Nobles and the Cultists have few weapons, and the commoners outnumber them- so why is the smaller group dominating the space?
So, ‘order’ will mean "guards with spears, whom the nobles will bribe to harass unwanted commoners". ‘Beauty’ will mean "removing benches where people can sleep - and erecting statues in any open space, in which a large group could loiter, especially for the purpose of protests.
I stared high at the clouds, casting shadows across that untouched orchard. Without blinking, I told the Crocodile: “Whenever I try to shape my world, I end up destroying it.” He turned my chin, so I met his gaze - which had grown uncharacteristically soft - and said: “That is a lie told to subdue slaves, who outnumber their masters. It is the lie on which every empire is built.
It was not that such labor scared me—being a maid had always filled me with purpose. Cleaning was so necessary, whether you lived as a prince or a pauper, the work seemed to me almost sacred. It was only—I could no longer accept how I would be treated.
Did you know?
- The novel is a standalone set in the same world as Ifueko's Raybearer duology, about a decade after those events.
- It is set in the magic-soaked capital city of Oluwan within the empire of Aritsar.
- The protagonist, Small Sade, is a Curse Eater who can change people's fates by cleaning their homes.
- Publishers Weekly gave the book a starred review.
- Ifueko has said she was drawn to exploring what a fantasy world looks like the day after a revolution succeeds, rather than the revolution itself.
- It was published by Amulet Books, an imprint of Abrams, on August 13, 2024.
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About Jordan Ifueko
More by Jordan Ifueko
Redemptor
About the book
The Maid and the Crocodile is a standalone romantic fantasy set in the West African-inspired world of Jordan Ifueko's Raybearer duology, unfolding roughly a decade after those events. In the magic-soaked capital of Oluwan, a young woman called Small Sade is desperate for work as a maid, but before she can be hired she accidentally binds herself to a powerful being known only as the Crocodile, a god rumored to devour pretty girls. Sade keeps a secret of her own: she is a Curse Eater, able to alter people's fates by cleaning their houses, and she must navigate her dangerous bond while seeking a place at a prestigious inn.
Beneath its fairy-tale premise, the novel explores labor and economic inequity, disability, domestic abuse, and questions of power and consent, alongside themes of found family and community. Ifueko is interested in what happens after a revolution succeeds rather than in the uprising itself, examining how exploitative systems can continue to divide the people they oppress and what it takes to build a more just world the morning after.
The book returns readers to the post-revolution society of Aritsar and was generally well received, earning a starred review from Publishers Weekly, which praised its nuanced treatment of disability, economic inequity, and abuse of power, and a positive notice from Kirkus, which called it a beautifully realized story about finding love and community. It has been recognized in awards conversations including the Children's Africana Book Award and the Pedro and Daniel Award.
Key characters
- Small SadeA young maid and secret Curse Eater seeking work and belonging
- The CrocodileA powerful god to whom Sade accidentally binds herself
Book details
- First published
- 2024
- Length
- 304 pages
- Reading time
- 5 hours
- Author
- Jordan Ifueko
- Genre
- Fantasy
- Goodreads rating
- 4.33 (4k ratings)
Critical reception
- Publishers Weekly gave the book a starred review, praising its nuanced exploration of disability, economic inequity, and abuse of power.
- Kirkus called it a beautifully realized evergreen story about finding love and community.
- Reviewers highlighted the book's thoughtful handling of power and consent and its well-rounded queer characters.
The buzz
- Publishers WeeklyQ & A with Jordan Ifueko2024Interview on writing the world after a revolution succeeds
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