“There was rarely an obvious branching point in a person's life. People changed slowly, over time. You didn't take on step, then find yourself in a completely new location. You first took a little step off a path to avoid some rocks. For a while, you walked alongside the path, but then you wandered out a little way to step on softer soil. Then you stopped paying attention as you drifted farther and farther away. Finally, you found yourself in the wrong city, wondering why the signs on the roadway hadn't led you better.”
― Brandon Sanderson, quote from The Emperor's Soul
“Her aunt Sol had once told Shai to smile at the worst insults and snap at the minor ones. That way, no man would know your heart.”
― Brandon Sanderson, quote from The Emperor's Soul
“Control yourself, she told herself forcibly. Become someone who can deal with this. She took a deep breath and let herself become someone else. An imitation of herself who was calm, even in a situation like this. It was a crude forgery, just a trick of the mind, but it worked.”
― Brandon Sanderson, quote from The Emperor's Soul
“A person was like a dense forest thicket, overgrown with a twisting mess of vines, weeds, shrubs, saplings, and flowers. No person was one single emotion; no person had only one desire. They had many, and usually those desires conflicted with one another like two rosebushes fighting for the same patch of ground.”
― Brandon Sanderson, quote from The Emperor's Soul
“If you were the wall, what would you rather be? Dreary and dull, or alive with paint?"
"Walls can't think!"
"That doesn't stop them from caring.”
― Brandon Sanderson, quote from The Emperor's Soul
“It's not imitating anything; it has become a better version of itself.”
― Brandon Sanderson, quote from The Emperor's Soul
“No matter how good you were, someone was better. Live by that knowledge, and you would never grow so confident that you became sloppy.”
― Brandon Sanderson, quote from The Emperor's Soul
“He found himself weeping.
Not for the future or for the emperor. These were the tears of a man who saw before himself a masterpiece. True art was more than beauty; it was more than technique. It was not just imitation.
It was boldness, it was contrast, it was subtlety.”
― Brandon Sanderson, quote from The Emperor's Soul
“People", Shai said, rising to fetch another seal, "by nature attempt to exercise power over what is around them. We build walls to shelter us from the wind, roofs to stop the rain. We tame the elements, bend nature to our wills. It make us feel as if we're in control. Except in doing so, we merely replace one influence with another. Instead of the wind affecting us, it is a wall. A man-made wall. The fingers of man's influence are all about, touching everything. Man-made rugs, man-made food. Every single thing in the city that we touch, see, feel, experience comes as the result of some person's influence.”
― Brandon Sanderson, quote from The Emperor's Soul
“However a man who was honest and clever was always, ALWAYS more difficult to scam than someone who was both dishonest and clever.
Sincerity. It was so difficult , by definition, to fake.”
― Brandon Sanderson, quote from The Emperor's Soul
“You can’t always write what you know—not exactly what you know. You can, however, write what you see.”
― Brandon Sanderson, quote from The Emperor's Soul
“Magic works best for me when it aligns with scientific principles.”
― Brandon Sanderson, quote from The Emperor's Soul
“I wish that I could know you. Not your soul, but you. I've read about you; I've seen into your heart. I've rebuilt your soul, as best I could. But that isn't the same. It isn't knowing someone, is it? That's knowing about someone.”
― Brandon Sanderson, quote from The Emperor's Soul
“We may feel in control, but we never truly are unless we understand people. Controlling our environment is no longer about blocking the wind, it's about knowing why the serving lady was crying last night, or why a particular guard always loses at cards.”
― Brandon Sanderson, quote from The Emperor's Soul
“True art was more than beauty; it was more than technique. It was not just imitation.”
― Brandon Sanderson, quote from The Emperor's Soul
“There was rarely an obvious branching point in a person's life. People changed slowly, over time. You didn't take one step, then find yourself in a completely new location. You first took a little step off the path to avoid some rocks. For a while, you walked alongside the path, but then you wandered out a little way to step on softer soil. Then you stopped paying attention as you drifted farther and farther away. Finally, you found yourself in the wrong city, wondering why the signs on the roadway hadn't led you better.”
― Brandon Sanderson, quote from The Emperor's Soul
“All things exist in three Realms, Gaotona. Physical, Cognitive, Spiritual. The Physical is what we feel, what is before us. The Cognitive is how an object is viewed and how it views itself. The Spiritual Realm contains an object’s soul—its essence—as well as the ways it is connected to the things and people around it.”
― Brandon Sanderson, quote from The Emperor's Soul
“There was rarely an obvious branching point in a person’s life. People changed slowly, over time. You didn’t take one step, then find yourself in a completely new location. You first took a little step off a path to avoid some rocks. For a while, you walked alongside the path, but then you wandered out a little way to step on softer soil. Then you stopped paying attention as you drifted farther and farther away. Finally, you found yourself in the wrong city, wondering why the signs on the roadway hadn’t led you better.”
― Brandon Sanderson, quote from The Emperor's Soul
“He found himself weeping. Not for the future or for the emperor. These were the tears of a man who saw before himself a masterpiece. True art was more than beauty; it was more than technique. It was not just imitation. It was boldness, it was contrast, it was subtlety. In this book, Gaotona found a rare work to rival that of the greatest painters, sculptors, and poets of any era. It was the greatest work of art he had ever witnessed. Gaotona”
― Brandon Sanderson, quote from The Emperor's Soul
“We may feel in control, but we never truly are unless we understand people. Controlling our environment is no longer about blocking the wind, it’s about knowing why the serving lady was crying last night, or why a particular guard always loses at cards. Or why your employer hired you in the first place.”
― Brandon Sanderson, quote from The Emperor's Soul
“Every single thing in the city that we touch, see, feel, experience comes as the result of some person’s influence.”
― Brandon Sanderson, quote from The Emperor's Soul
“She took a deep breath and let herself become someone else. An imitation of herself who was calm, even in a situation like this.”
― Brandon Sanderson, quote from The Emperor's Soul
“People,” Shai said, rising to fetch another seal, “by nature attempt to exercise power over what is around them. We build walls to shelter us from the wind, roofs to stop the rain. We tame the elements, bend nature to our wills. It makes us feel as if we’re in control.”
― Brandon Sanderson, quote from The Emperor's Soul
“People,” Shai said, rising to fetch another seal, “by nature attempt to exercise power over what is around them. We build walls to shelter us from the wind, roofs to stop the rain. We tame the elements, bend nature to our wills. It makes us feel as if we’re in control. “Except in doing so, we merely replace one influence with another. Instead of the wind affecting us, it is a wall. A man-made wall. The fingers of man’s influence are all about, touching everything. Man-made rugs, man-made food. Every single thing in the city that we touch, see, feel, experience comes as the result of some person’s influence. “We may feel in control, but we never truly are unless we understand people. Controlling our environment is no longer about blocking the wind, it’s about knowing why the serving lady was crying last night, or why a particular guard always loses at cards. Or why your employer hired you in the first place.” Gaotona”
― Brandon Sanderson, quote from The Emperor's Soul
“There are . . . times when one must accept the aid of darkness in order to contain a greater darkness.”
― Brandon Sanderson, quote from The Emperor's Soul
“That was always their mistake—assuming they knew why Shai did what she did.”
― Brandon Sanderson, quote from The Emperor's Soul
“In her business, there were many who laughed at honest men, calling them easy pickings. That was a fallacy. Being honest did not make one naive. A dishonest fool and an honest fool were equally easy to scam; you just went about it in different ways. However, a man who was honest and clever was always, always more difficult to scam than someone who was both dishonest and clever.”
― Brandon Sanderson, quote from The Emperor's Soul
“One can cut the body, and it will heal—but do it over and over again in the same spot, and you will scar.”
― Brandon Sanderson, quote from The Emperor's Soul
“No person was one single emotion; no person had only one desire. They had many, and usually those desires conflicted with one another like two rosebushes fighting for the same patch of ground.”
― Brandon Sanderson, quote from The Emperor's Soul
“Perhaps he had been looking for that branching point in his life where he had stepped down the wrong path. He”
― Brandon Sanderson, quote from The Emperor's Soul
Brandon Sanderson
Born place: in Lincoln, Nebraska, The United States
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“When I don't feel hurt, I hope they bury me.”
― Bernard Malamud, quote from The Assistant
“- ¿Tú crees que soy una bruja, Kai?
- Yo creo que tú eres Dana. Y no me importa lo demás”
― Laura Gallego García, quote from The Valley of the Wolves
“Poem in October"
It was my thirtieth year to heaven
Woke to my hearing from harbour and neighbour wood
And the mussel pooled and the heron
Priested shore
The morning beckon
With water praying and call of seagull and rook
And the knock of sailing boats on the net webbed wall
Myself to set foot
That second
In the still sleeping town and set forth.
My birthday began with the water-
Birds and the birds of the winged trees flying my name
Above the farms and the white horses
And I rose
In rainy autumn
And walked abroad in a shower of all my days.
High tide and the heron dived when I took the road
Over the border
And the gates
Of the town closed as the town awoke.
A springful of larks in a rolling
Cloud and the roadside bushes brimming with whistling
Blackbirds and the sun of October
Summery
On the hill's shoulder,
Here were fond climates and sweet singers suddenly
Come in the morning where I wandered and listened
To the rain wringing
Wind blow cold
In the wood faraway under me.
Pale rain over the dwindling harbour
And over the sea wet church the size of a snail
With its horns through mist and the castle
Brown as owls
But all the gardens
Of spring and summer were blooming in the tall tales
Beyond the border and under the lark full cloud.
There could I marvel
My birthday
Away but the weather turned around.
It turned away from the blithe country
And down the other air and the blue altered sky
Streamed again a wonder of summer
With apples
Pears and red currants
And I saw in the turning so clearly a child's
Forgotten mornings when he walked with his mother
Through the parables
Of sun light
And the legends of the green chapels
And the twice told fields of infancy
That his tears burned my cheeks and his heart moved in mine.
These were the woods the river and sea
Where a boy
In the listening
Summertime of the dead whispered the truth of his joy
To the trees and the stones and the fish in the tide.
And the mystery
Sang alive
Still in the water and singingbirds.
And there could I marvel my birthday
Away but the weather turned around. And the true
Joy of the long dead child sang burning
In the sun.
It was my thirtieth
Year to heaven stood there then in the summer noon
Though the town below lay leaved with October blood.
O may my heart's truth
Still be sung
On this high hill in a year's turning.”
― Dylan Thomas, quote from Collected Poems
“... Obviously you're all quite used to the faces. But I'm beginning to wish I were back among my poor old harmless lunatics. Are you all blind, then? So easily fooled? Don't you see they'd kill you all for less than a gesture, for less than a sandwich? You needn't even be dark-haired or blond anymore, or show your grandmother's birth certificate. They'd kill you if they just didn't like your faces. Didn't you see the posters on the wall? Are you blind? You just don't know anymore where you are ... Respectable, respectable. I'm scared, old man-- I've never felt such a stranger among people, not even in 1935 and not in 1942. Maybe I do need time, but even centuries wouldn't be enough to get me used to their faces. Respectable, respectable, without a trace of grief. What's a human being without grief?”
― Heinrich Böll, quote from Billiards at Half-Past Nine
“Whereas during the primitive stage of capitalist accumulation “political economy considers the proletarian only as a worker,” who only needs to be allotted the indispensable minimum for maintaining his labor power, and never considers him “in his leisure and humanity,” this ruling-class perspective is revised as soon as commodity abundance reaches a level that requires an additional collaboration from him. Once his workday is over, the worker is suddenly redeemed from the total contempt toward him that is so clearly implied by every aspect of the organization and surveillance of production, and finds himself seemingly treated like a grownup, with a great show of politeness, in his new role as a consumer.”
― Guy Debord, quote from The Society of the Spectacle
Created to be His He...
The Mind Parasites
The History of the S...
Demon Thief
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