Chris Fuhrman · 200 pages
Rating: (1.2K votes)
“Trouble is our only defense against boredom.”
― Chris Fuhrman, quote from The Dangerous Lives of Altar Boys
“Every adult is the creation of a child.”
― Chris Fuhrman, quote from The Dangerous Lives of Altar Boys
“I want people to see and hear the things I see and hear. And I want them to remember how it was when they were children. I don't want them to grow up entirely.
Every adult is the creation of a child. My own signature, that identifying scrawl required by parcel postmen and valued by a handful of comic-book fans, that signature was devised by a thirteen-year-old boy who thought I'd want to seem important one day. I am stuck with it. My life is the result of that boy's dreams and limitations, and of the company that boy kept a long time ago, back when things could still happen for the first time.”
― Chris Fuhrman, quote from The Dangerous Lives of Altar Boys
“The more dangerous life is, the better. Scary equals important, right?”
― Chris Fuhrman, quote from The Dangerous Lives of Altar Boys
“I mean, do you believe in God or what? “ “Not the name-brand God they serve here.” Tim said. “That old guy with the beard, granting wishes out of the clouds to whoever says the most rosaries. That’s bullshit. I believe in everything.”
― Chris Fuhrman, quote from The Dangerous Lives of Altar Boys
“We tried not to look at each other for a minute, smiling each time we did. Except for the tiny scars on her wrists, she seemed perfect to me, and so I loved the scars, because they meant that I could save her from something, and save myself”
― Chris Fuhrman, quote from The Dangerous Lives of Altar Boys
“The lemming types came out of their houses with flashlights. Going to light up the world with those flashlights, I guess." He laughed. "I stopped them all from watching Happy Days. Forced their IQs up a couple notches.”
― Chris Fuhrman, quote from The Dangerous Lives of Altar Boys
“Margie Flynn was in my head like a bad cold, blurring everything. It was a new kind of loneliness, a hurt I couldn’t stop picking at.”
― Chris Fuhrman, quote from The Dangerous Lives of Altar Boys
“And so I learned what solitude really was. It was raw material - awesome, malleable,older than men or worlds or water. And it was merciless - for it let a man become precisely what he alone made of himself.”
― David James Duncan, quote from The River Why
“At the foot of the mountain, the park ended and suddenly all was squalor again. I was once more struck by this strange compartmentalization that goes on in America -- a belief that no commercial activities must be allowed inside the park, but permitting unrestrained development outside, even though the landscape there may be just as outstanding. America has never quite grasped that you can live in a place without making it ugly, that beauty doesn't have to be confined behind fences, as if a national park were a sort of zoo for nature.”
― Bill Bryson, quote from The Lost Continent: Travels in Small Town America
“How cold and foreign this city seemed, that even death could pass unnoticed.”
― Kristen Simmons, quote from Article 5
“Weston did not know the Malacandrian word for laugh: indeed, it was not a word he understood very well in any language.”
― C.S. Lewis, quote from Out of the Silent Planet
“People always want to know what it feels like, so I’ll tell you: there’s a sting when you first slice, and then your heart speeds up when you see the blood, because you know you’ve done something you shouldn’t have, and yet you’ve gotten away with it. Then you sort of go into a trance, because it’s truly dazzling—that bright red line, like a highway route on a map that you want to follow to see where it leads. And—God—the sweet release, that’s the best way I can describe it, kind of like a balloon that’s tied to a little kid’s hand, which somehow breaks free and floats into the sky. You just know that balloon is thinking, Ha, I don’t belong to you after all; and at the same time, Do they have any idea how beautiful the view is from up here? And then the balloon remembers, after the fact, that it has a wicked fear of heights.
When reality kicks in, you grab some toilet paper or a paper towel (better than a washcloth, because the stains don’t ever come out 100 percent) and you press hard against the cut. You can feel your embarrassment; it’s a backbeat underneath your pulse. Whatever relief there was a minute ago congeals, like cold gravy, into a fist in the pit of your stomach. You literally make yourself sick, because you promised yourself last time would be the last time, and once again, you’ve let yourself down. So you hide the evidence of your weakness under layers of clothes long enough to cover the cuts, even if it’s summertime and no one is wearing jeans or long sleeves. You throw the bloody tissues into the toilet and watch the water go pink before you flush them into oblivion, and you wish it were really that easy.”
― Jodi Picoult, quote from Handle with Care
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