“...life is all about chances. You might be safer not taking any. But playing it totally safe means you're only existing. Not living. I want to live.”
“The problem with falling in love is falling back out of it again, usually because you've fallen in love with a lie. That happens as often as not.”
“A best friend is your voice when you can't find it.”
“I fell into a big pit of black depression. That happens sometimes, when too much shit gets flung at me at once. It's like all the external pressure sucks into me, then tries to escape again. But it can't. So it builds. Throbs. Makes me feel like my skin is anxious to split. I think that feeling is why some people cut - little slices so they don't shred completely. (212)”
“I'm sad. Pressed down by sorrow. I'm angry. Pissed at God, if there is one, and the way things are. I'm scared. Confused by the whys. Why are we here? Is there, really, some intelligent design? Why do we cry for someone who leaves us if there's some Grand Pearly Gate in the sky? Why worry about how we build our lives if the ultimate ending for all is death, a single breath away? (358)”
“I hide hurt behind a fake smile. I wear it all the time. Everyone says how I always look so cheerful. Shows what they know I guess.”
“And if candor
strikes to forcefully,
step back, draw careful
breath, and consider the angle
your words must take
before you open
your mouth, let them leak
out. Because once you tilt the truth,
it becomes a lie.”
“Girls are impossible to satisfy." "Not every girl." Not me. I'd be happy if he'd just like me a little.”
“Coyotes hunt in packs, and so do assholes.”
“...and he's wearing some exotic cologne that makes me want to eat him.”
“I hear. Nobody thinks so. But I do. Sometimes people whisper. Sometimes they yell. Sometimes they say mean things. I see more than the TV. It's my friend. I don't have any others, like the kids on Barney do. Why are people afraid of me? I don't want to hurt them. I taste only the sweet air, whooshed through tubes to help me breathe. If I'm lucky a bit of flavor comes with the wind or skin or clothes I smell. I wish my mouth would let me tell Mama I love her. Let me tell Daddy I ms him. Let me tell Shane how good I feel when I see him happy with Alex. I like when I swim because when I float, I am free. I like when I sleep because I dance when I dream. I hear, I see, I taste, I smell, I feel, I dream.”
“I take four or five heavy steps beyond the front door and Mom comes rushing down the hallway. "Shane! What in the hell-" Now she sees me, in all my dignified glory. I tell her I'm fine. Swear I stuck up for my sister, not an alien but an angel. By the time I get to, "I think I might need stitches," Mom is my mommy. She may have forgotten my birthday. But today she remembers me. (154)”
“I want him to be my Edward -- taking care of me, always. Watching over me, day or night, unsleeping. Keeping me safe, by his side. Caring for me with a passion so pure it can't be corrupted by time or distance or seduction. I know Edward is only fiction. But that doesn't have to mean love like his can only be found in books and movies or rooted in the misty world of dreams.”
“When we finally meet how much do I confess? Our bond is tenuous. Frail as a drift of moonlight on open sea. Would the truth crash us apart? Some secrets can't be kept for too long. No matter how hard you try to hide them, sooner or later, they scurry out from your cupboards, cockroaches on the run. No way to grow closer with deceit wedged between us. Should I tell or should I hide it away? Would you run away?”
“...Life is all about chances. You might be safer not taking any. But playing it totally safe means you're only existing. Not living.”
“Love isn't invincible. Some people take advantage of that.”
“The problems with lies is they start to pile up, one on top of another, until it's hard to find your way out from under the heap.”
“I think it's better to be obsessed than to be depressed.... I think pushing to get what you want can't be so awful. I think it's key to success.”
“...I know there's no such thing as forever. So what can we be, in the now?”
“...When I set my mind on something I am a force to be reckoned with. Today I will be gravity - subtle, but powerful and undeniable.”
“It dawned on them that unlike Aunt Josephine, who had lived up in that house, sad and alone, the three children had one another for comfort and support over the course of their miserable lives. And while this did not make them feel entirely safe, or entirely happy, it made them feel appreciative.
They leaned up against one another appreciatively, and small smiles appeared on their damp and anxious faces. They had each other. I'm not sure that "The Beaudelaires had each other" is the moral of this story, but to the three siblings it was enough. To have each other in the midst of their unfortunate lives felt like having a sailboat in the middle of a hurricane, and to the Beaudelaire orphans this felt very fortunate indeed.”
“The suburb of Saffron Park lay on the sunset side of London, as red and ragged as a cloud of sunset. It was built of a bright brick throughout; its sky-line was fantastic, and even its ground plan was wild. It had been the outburst of a speculative builder, faintly tinged with art, who called its architecture sometimes Elizabethan and sometimes Queen Anne, apparently under the impression that the two sovereigns were identical. It was described with some justice as an artistic colony, though it never in any definable way produced any art. But although its pretensions to be an intellectual centre were a little vague, its pretensions to be a pleasant place were quite indisputable. The stranger who looked for the first time at the quaint red houses could only think how very oddly shaped the people must be who could fit in to them. Nor when he met the people was he disappointed in this respect. The place was not only pleasant, but perfect, if once he could regard it not as a deception but rather as a dream. Even if the people were not "artists," the whole was nevertheless artistic. That young man with the long, auburn hair and the impudent face -- that young man was not really a poet; but surely he was a poem. That old gentleman with the wild, white beard and the wild, white hat -- that venerable humbug was not really a philosopher; but at least he was the cause of philosophy in others. That scientific gentleman with the bald, egg-like head and the bare, bird-like neck had no real right to the airs of science that he assumed. He had not discovered anything new in biology; but what biological creature could he have discovered more singular than himself? Thus, and thus only, the whole place had properly to be regarded; it had to be considered not so much as a workshop for artists, but as a frail but finished work of art. A man who stepped into its social atmosphere felt as if he had stepped into a written comedy.”
“The value of a college education is not the learning of many facts but the training of the mind to think, he [Einstein] said.”
“It's not what you know-or when you see-that matters. It's about the journey.”
“Nan, I’m cursed.”
“Yeah, I know. We all are.” Nan kicked her legs back and forth and grabbed a magazine from Mina’s nightstand. “It’s called being a teenager.”
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