Quotes from The Autograph Man

“She hopes for nothing except fine weather and a resolution. She wants to end properly, like a good sentence. ”
― Zadie Smith, quote from The Autograph Man

“She loved you in the morning because the day was new.”
― Zadie Smith, quote from The Autograph Man

“He had her in his heart, but not always in his mind.”
― Zadie Smith, quote from The Autograph Man

“Under every friendship there is a difficult sentence that must be said, in order that the friendship can be survived.”
― Zadie Smith, quote from The Autograph Man

“People don't settle for people. They resolve to be with them. It takes faith. You draw a circle in the sand and agree to stand in it and believe in it.”
― Zadie Smith, quote from The Autograph Man

“He wanted to meet her for the first time, over and over...He told himself the story that this was the great tragedy of his heart. The great tragedy of his heart was that it always needed to be told a story.”
― Zadie Smith, quote from The Autograph Man

“One of the many things TV does not show you is the potential range and horror of the human form. For this alone, thought Alex, it is rightly celebrated.”
― Zadie Smith, quote from The Autograph Man

“It's just the problem with those things, and what i've learnt is this: they're meant to be a shortcut to the ultimate... thing, the plane, or whatever you want to say it like, yeah? It's meant to be: here's your thirty quid or whatever, take me to higher consciousness, please. And it don't work that way, bro. You don't get the full benefit. You've got to work your way up that tree, meaning that that is an allegory which is saying: you can't just fly up to the branches. You get me?”
― Zadie Smith, quote from The Autograph Man

“And drunk men take dares like they take breaths.”
― Zadie Smith, quote from The Autograph Man

“What do you want to do Marvin?" croaked Alex, and then coughed the frog out.
"Excuse me?"
"Apart from being a milk operative. I mean, what do you want to do with you life?"
Marvin eloquently groaned, like a disappointed academic, and slapped his own forehead.
"I tell you something, yeah? Das an idiot's question, yeah? Life is going to do things to me. And that's all there is. And it's all good. Yogurts?”
― Zadie Smith, quote from The Autograph Man

“Mnóstwo zjawisk, które dziś określamy mianem syndromów, miało wtedy prostsze nazwy. Czasy były prostsze. To właśnie dlatego ludzie mówią o nich "stare, dobre czasy".”
― Zadie Smith, quote from The Autograph Man

“Ludzie nie zaklepują sobie innych ludzi. Podejmują świadomą decyzję, że będą z nimi. To wymaga wiary. Rysujesz koło na piasku i zgadzasz się w nim stać, i wierzyć w nie.”
― Zadie Smith, quote from The Autograph Man

“He wanted to be in the world and take what came with it, endings local and universal, full stops, periods, looks of injured disappointment and the everyday war. He liked the everyday war. He was taking that with fries. To go.”
― Zadie Smith, quote from The Autograph Man

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Popular quotes

“You wrote something easily in youth, and later you came to see how difficult it all was.”
― A.S. Byatt, quote from Angels and Insects

“Trust = telling someone about the things that make you sleepless.”
― Hillary Frank, quote from I Can't Tell You

“Pay attention to everything the dying person says. You might want to keep pens and a spiral notebook beside the bed so that anyone can jot down notes about gestures, conversations, or anything out of the ordinary said by the dying person. Talk with one another about these comments and gestures. • Remember that there may be important messages in any communication, however vague or garbled. Not every statement made by a dying person has significance, but heed them all so as not to miss the ones that do. • Watch for key signs: a glassy-eyed look; the appearance of staring through you; distractedness or secretiveness; seemingly inappropriate smiles or gestures, such as pointing, reaching toward someone or something unseen, or waving when no one is there; efforts to pick at the covers or get out of bed for no apparent reason; agitation or distress at your inability to comprehend something the dying person has tried to say. • Respond to anything you don’t understand with gentle inquiries. “Can you tell me what’s happening?” is sometimes a helpful way to initiate this kind of conversation. You might also try saying, “You seem different today. Can you tell me why?” • Pose questions in open-ended, encouraging terms. For example, if a dying person whose mother is long dead says, “My mother’s waiting for me,” turn that comment into a question: “Mother’s waiting for you?” or “I’m so glad she’s close to you. Can you tell me about it?” • Accept and validate what the dying person tells you. If he says, “I see a beautiful place!” say, “That’s wonderful! Can you tell me more about it?” or “I’m so pleased. I can see that it makes you happy,” or “I’m so glad you’re telling me this. I really want to understand what’s happening to you. Can you tell me more?” • Don’t argue or challenge. By saying something like “You couldn’t possibly have seen Mother, she’s been dead for ten years,” you could increase the dying person’s frustration and isolation, and run the risk of putting an end to further attempts at communicating. • Remember that a dying person may employ images from life experiences like work or hobbies. A pilot may talk about getting ready to go for a flight; carry the metaphor forward: “Do you know when it leaves?” or “Is there anyone on the plane you know?” or “Is there anything I can do to help you get ready for takeoff?” • Be honest about having trouble understanding. One way is to say, “I think you’re trying to tell me something important and I’m trying very hard, but I’m just not getting it. I’ll keep on trying. Please don’t give up on me.” • Don’t push. Let the dying control the breadth and depth of the conversation—they may not be able to put their experiences into words; insisting on more talk may frustrate or overwhelm them. • Avoid instilling a sense of failure in the dying person. If the information is garbled or the delivery impossibly vague, show that you appreciate the effort by saying, “I can see that this is hard for you; I appreciate your trying to share it with me,” or “I can see you’re getting tired/angry/frustrated. Would it be easier if we talked about this later?” or “Don’t worry. We’ll keep trying and maybe it will come.” • If you don’t know what to say, don’t say anything. Sometimes the best response is simply to touch the dying person’s hand, or smile and stroke his or her forehead. Touching gives the very important message “I’m with you.” Or you could say, “That’s interesting, let me think about it.” • Remember that sometimes the one dying picks an unlikely confidant. Dying people often try to communicate important information to someone who makes them feel safe—who won’t get upset or be taken aback by such confidences. If you’re an outsider chosen for this role, share the information as gently and completely as possible with the appropriate family members or friends. They may be more familiar with innuendos in a message because they know the person well.”
― quote from Final Gifts: Understanding the Special Awareness, Needs, and Communications of the Dying

“My earliest memories are of CP4 — that's a Kähler manifold that looks locally like a vector space with four complex directions, though the global topology's quite different. But I didn't really grow up there; I was moved around a lot when I was young, to keep my perceptions flexible. I only used to spend time in anything remotely like this" — he motioned at the surrounding more-or-less-Euclidean space — for certain special kinds of physics problems. And even most Newtonian mechanics is easier to grasp in a symplectic manifold; having a separate visible coordinate for the position and momentum of every degree of freedom makes things much clearer than when you cram everything together in a single three-dimensional space.”
― Greg Egan, quote from Schild's Ladder

“Oh,' she said, too bone-weary to pretend: 'I would far rather that I love you as I saw yesterday I do than that I had gone on worshiping you as I did not long since.' And she turned away hastily, and did not see that Little John would reach out to her; and half-running, went to Tuck's cottage, where she could pull on her half-dry clothes, and become a proper outlaw again. At least, she thought, fighting back tears, like this I am Cecil, with a place among friends, and a task to do. I am someone. I wonder if perhaps if I am no longer Cecil, I am no one at all.”
― Robin McKinley, quote from The Outlaws of Sherwood

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BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.

We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.

Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.