The Mysterious Affair at Styles
Quotes from the Book
Words, madmoiselle, are only the outer clothing of ideas.
It's like all those quiet people, when they do lose their tempers they lose them with a vengeance.
Our weapon is our knowledge. But remember, it may be a knowledge we may not know that we possess.
Who are you? You don't belong to the police?' 'I am better than the police,' said Poirot. He said it without conscious arrogance. It was, to him, a simple statement of fact.
I admit," I said, "that a second murder in a book often cheers things up." - Hastings
Vous eprouves trop d'emotion, Hastings, It affects your hands and your wits. Is that a way to fold a coat? And regard what you have done to my pyjamas. If the hairwash breaks what will befall them?' 'Good heavens, Poirot,' I cried, 'this is a matter of life and death. What does it matter what happens to our clothes?' 'You have no sense of proportion Hastings. We cannot catch a train earlier than the time that it leaves, and to ruin one's clothes will not be the least helpful in preventing a murder.
If one could order a crime as one does a dinner, what would you choose? . . . Let’s review the menu. Robbery? Frogery? No, I think not. Rather too vegetarian. It must be murder—red-blooded murder—with trimmings, of course.
There is nothing so terrible as to live in an atmosphere of suspicion - to see eyes watching you and the love in them changing to fear - nothing so terrible as to suspect those near and dear to you - It is poisonous - a miasma.
I suppose next time I come home I shall find you wearing false moustaches—or are you doing so now?' Poirot winced. His moustaches had always been his sensitive point. He was inordinately proud of them. My words touched him on the raw. 'No, no, indeed, mon ami. That day, I pray the good God, is still far off. The false moustaches! Quelle Horreur!’ He tugged at them vigorously to assure me of their genuine character. 'Well, they are very luxuriant still,' I said. 'N’est-ce pas? Never, in the whole of London, have I seen a pair of moustaches to equal mine.' A good job too, I thought privately.
Speech, so a wise old Frenchman said to me once, is an invention of man's to prevent him from thinking.
The spoken word and the written - there is an astonishing gulf between them. There is a way of turning sentences that completely reverses the meaning.
Try and vary your methods as you will, your tastes, your habits, your attitude of mind, and your soul is revealed by your actions.
But I believe in luck - in destiny, if you will. It is your destiny to stand beside me and prevent me from committing the unforgivable error." "What do you call the unforgivable error?" "Overlooking the obvious.!
And then?" "And then," said Poirot. "We will talk! Je vous assure, Hastings - there is nothing so dangerous for anyone who has something to hide as conversation! Speech, so a wise old Frenchman said to me once, is an invention of man's to prevent him from thinking. It is also an infallible means of discovering that which he wishes to hide. A human being, Hastings, cannot resist the opportunity to reveal himself and express his personality which conversation gives him. Every time he will give himself away." "What do you expect Cust to tell you?" Hercule Poirot smiled. "A lie," he said. "And by it, I shall know the truth!
Death, mademoiselle, unfortunately creates a prejudice. A prejudice in favour of the deceased... There is a great charity always to the dead.
...Murder, I have often noticed, is a great matchmaker.
In the midst of tragedy we start the comedy.
You yourself are English and yet you do not seem to appreciate the quality of the English reaction to a direct question. It is invariably one of suspicion and the natural result is reticence.
If the little grey cells are not exercised, they grow the rust.
His mind, shrinking from reality, ran for safety along these unimportant details.
Even the most sober of us is liable to have his head turned by success.
In fact there is only your own instinct? Not instinct, Hastings. Instinct is a bad word. It is my knowledge-my experience-that tells me that something about that letter is wrong-
A madman is a very dangerous thing.
When I know what the murderer is like, I shall be able to find out who he is.
appears Strange was a whale on dominoes and to his surprise Cust was pretty hot stuff too. Queer game, dominoes. People go mad about it. They’ll play for hours. That’s what Strange and Cust did apparently. Cust wanted to go to bed but Strange wouldn’t hear of it—swore they’d keep it up until midnight at least. And that’s what they did do.
You’re a man milliner, Poirot. I never notice what people have on.” “You should join a nudist colony.” As
Speech, so a wise old Frenchman said to me once, is an invention of man’s to prevent him from thinking.
It's often when you're talking over things that you seem to see your way clear. Your mind gets made up for you sometimes without your knowing how it's happened. Talking leads to a lot of things one way or another.
The human and personal element can never be ignored.
Did you know?
- The novel was first published in the UK by the Collins Crime Club on 6 January 1936, and in the US by Dodd, Mead and Company on 14 February 1936.
- The killer leaves an ABC railway guide beside each victim, giving the book its title and central motif.
- The story combines Hastings's first-person narration with third-person chapters that follow the suspect Alexander Bonaparte Cust.
- The victims are murdered in alphabetical order by both name and town: Andover, Bexhill-on-Sea, and onward through the alphabet.
- The book is dedicated 'To James Watts, One of my most sympathetic readers.'
About Agatha Christie
More by Agatha Christie
All books by Agatha Christie →About the book
The A.B.C. Murders is a Hercule Poirot detective novel by Agatha Christie, first published in the United Kingdom by the Collins Crime Club on 6 January 1936. Its premise is deceptively simple: a serial killer appears to be working through the alphabet, murdering a victim in Andover whose name begins with A, another in Bexhill-on-Sea whose name begins with B, and so on, taunting Poirot with warning letters signed only 'A.B.C.' and leaving a copy of the ABC railway guide beside each body. As the killings mount, Poirot, his old friend Captain Hastings, and Scotland Yard must decode the pattern before the murderer reaches the end of the alphabet.
One of the novel's most distinctive features is its narrative structure. Most of the story is told in the first person by Hastings, but Christie interleaves third-person chapters following the movements of Alexander Bonaparte Cust, an anxious travelling salesman who seems fatefully connected to the crimes. This alternation lets Christie play with the reader's assumptions about the apparently motiveless, madman-driven nature of the killings, setting up a resolution that reframes everything that came before.
The book is widely regarded as one of Christie's most ingenious constructions and a landmark in the 'serial killer' strand of golden-age detective fiction, admired for the elegance with which it hides a rational design behind seeming randomness. It has remained continuously in print and has been adapted many times for film, television, radio, and other media, cementing its status as one of the best-known entries in the Poirot canon.
Key characters
- Hercule PoirotBelgian private detective investigating the alphabetical killings
- Captain Arthur HastingsPoirot's friend and the novel's first-person narrator
- Alexander Bonaparte CustAn anxious travelling salesman who appears linked to the crimes
- Inspector JappScotland Yard inspector working with Poirot
- Inspector CromeScotland Yard detective leading the official investigation
- Franklin ClarkeBrother of one of the victims who joins the pursuit of the killer
Book details
- First published
- 1936
- Length
- 256 pages
- Reading time
- 5 hours
- Author
- Agatha Christie
- Genre
- Classics
- Goodreads rating
- 4.03 (211k ratings) →
- First line
- “It was in June of 1935 that I came home from my ranch in South America for a stay of about six months.”
Movie & TV adaptations
- IMDb
- IMDb
- IMDb
If you liked this, read…
- 1Murder on the Orient ExpressAnother ingenious Poirot mystery built on a hidden, elegant design
- 2And Then There Were NoneChristie's masterclass in a patterned, escalating series of killings
- 3The Mysterious Affair at StylesThe debut Poirot novel narrated by Captain Hastings
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A Murder Is Announced
The Mysterious Affair at Styles
Truly, Devious
Whose Body?
The Eyre Affair
The Truth: Stage Adaptation
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Speaking from Among the Bones
Snuff
That Hideous Strength
The Penultimate Peril
The Complete Sherlock Holmes
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A Study in Scarlet
Bring Up the Bodies
The Golden Tresses of the Dead
Crime and Punishment
The Jewel in the Crown
Authority
Suspect
The Long Dark Tea-Time of the Soul
The Moonstone
The Adventures of Sherlock Holmes
A Fatal Grace
A Rule Against Murder
The Confessions of Frannie Langton
The Queen's Poisoner
Guilty Pleasures
Assassin's Apprentice
What Time the Sexton's Spade Doth Rust
The Hangman's Replacement: Sprout of Disruption
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The Wise Man's Fear
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Unseen Academicals
Ancillary Sword
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An Instance of the Fingerpost
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The Meursault Investigation
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Infinite Jest
The Mystery of Three Quarters
The Bullet That Missed
Disgrace
A Perilous Undertaking
The Fall of Babel
Sometimes a Great Notion
Wolf Hall
The Thursday Murder Club
Hannibal
Rogues
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The Angel's Game
The Third Policeman

