“Zindagi ko badalne me waqt nahi lagta, Par kabhi kabhi waqt ko badalne me zindagi lag jati hai!!”
― quote from You’re the Password to My Life
“You can pick your friends, but you don’t pick who you fall in love with.”
― quote from You’re the Password to My Life
“Love surprises us in unexpected ways, in ways that are beyond our comprehension. It’s never the sweet words or the mushy gifts that matter. What matters more are little things like caring about someone and not being able to sleep till you’re sure that the one you love is safe and sound.”
― quote from You’re the Password to My Life
“Sometimes, we play with love, but when you finally realize that you want to get serious, love plays with you.”
― quote from You’re the Password to My Life
“when you completely trust a person with all your heart, you either get a friend for life or a lesson for life!”
― quote from You’re the Password to My Life
“The worst thing in life is not losing the one you love, it’s losing yourself in the process of loving someone too much.”
― quote from You’re the Password to My Life
“Why is it that the people you care about the most end up making you feel so meaningless?”
― quote from You’re the Password to My Life
“People say actions speak louder than words, but sometimes it’s the words that hurt the most. Actions are easy to ignore, but words hit you right where it hurts.”
― quote from You’re the Password to My Life
“But it appears to me that for our patient truth is what he can persuade others to believe: yet at the same time he is a man of some parts, and I suspect that were you to attack him through his reason, were you to persuade him to abandon this self-defeating practice, with its anxiety, its probability of detection, and to seek only a more legitimate approval, then we should have no need for belladonna or any other anhidrotic.”
― Patrick O'Brian, quote from The Mauritius Command
“Goddamnit I've never been the "pretty friend..." She's the one who wears the perfect eyeliner, it never gathers like a crowd in her tear ducts to create a grapefruit-size ebony eye booger. The one who can wear a bodysuit, sit down in it, and not have rolls of fat cascading over her belt. The one who can eat a sandwich or hamburger and not wind up with lipstick on the bun or on her chin. The one who can actually eat in front of other people and not have food, like coleslaw, hanging from her lip or shooting out of her mouth, landing on the plates of other diners. She never spits when she talks. She sleeps with her mouth shut and never drools. She doesn't pick at her face. And she never, ever has to take a shit.”
― Laurie Notaro, quote from The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life
“I would not say no to a tortoise, I said.”
― Jessica Grant, quote from Come, Thou Tortoise
“I had the feeling that all over America such stupid arguments were taking place on street corners and in bars and restaurants. All over America, people were pulling credentials out of their pockets and sticking them under someone else's nose to prove they had been somewhere or done something. And I thought someday everyone in America will suddenly jump up and say "I don't take any shit!" and start pushing and cursing and clawing at the man next to him.”
― William S. Burroughs, quote from And the Hippos Were Boiled in Their Tanks
“A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. What with the bear as a mascot and the droll spaghetti, our studio anthropologists will have no trouble in postulating an Orient which is exotic in form, while being in reality profoundly similar to the Occident, at least the Occident of spiritualist thought. Orientals have religions of their own? Never mind, these variations matter very little compared to the basic unity of idealism. Every rite is thus made at once specific and eternal, promoted at one stroke into a piquant spectacle and a quasi-Christian symbol.
...If we are concerned with fisherman, it is not the type of fishing which is whown; but rather, drowned in a garish sunset and eternalized, a romantic essense of the fisherman, presented not as a workman dependent by his technique and his gains on a definite society, but rather as the theme of an eternal condition, in which man is far away and exposed to the perils of the sea, and woman weeping and praying at home. The same applies to refugees, a long procession of which is shown at the beginning, coming down a mountain: to identify them is of course unnecessary: they are eternal essences of refugees, which it is in the nature of the East to produce.”
― Roland Barthes, quote from Mythologies
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HunterBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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