“Libraries were full of ideas—perhaps the most dangerous and powerful of all weapons.”
― Sarah J. Maas, quote from Throne of Glass
“You could rattle the stars," she whispered. "You could do anything, if only you dared. And deep down, you know it, too. That’s what scares you most.”
― Sarah J. Maas, quote from Throne of Glass
“No. I can survive well enough on my own— if given the proper reading material.”
― Sarah J. Maas, quote from Throne of Glass
“We all bear scars,... Mine just happen to be more visible than most.”
― Sarah J. Maas, quote from Throne of Glass
“How long was I asleep?" she whispered. He didn't respond.
"How long was I asleep?" she asked again, and noticed a hint of red in his cheeks.
"You were asleep, too?"
"Until you began drooling on my shoulder.”
― Sarah J. Maas, quote from Throne of Glass
“My name is Celaena Sardothien. But it makes no difference if my name's Celaena or Lillian or Bitch, because I'd still beat you, no matter what you call me.”
― Sarah J. Maas, quote from Throne of Glass
“Names are not important. It's what lies inside of you that matters.”
― Sarah J. Maas, quote from Throne of Glass
“Still, the image haunted his dreams throughout the night: a lovely girl gazing at the stars, and the stars who gazed back.”
― Sarah J. Maas, quote from Throne of Glass
“Sometimes, the wicked will tell us things just to confuse us–to haunt our thoughts long after we've faced them.”
― Sarah J. Maas, quote from Throne of Glass
“No matter what happens," she said quietly, "I want to thank you."
Chaol tilted his head to the side. "For what?"
Her eyes stung but she blamed it on the fierce wind and blinked away the dampness. "For making my freedom mean something.”
― Sarah J. Maas, quote from Throne of Glass
“I like music," she said slowly, "because when I hear it, I . . . I lose myself within myself, if that makes any sense. I become empty and full all at once, and I can feel the whole earth roiling around me. When I play. I'm not . . . for once, I'm not destroying, I'm creating.”
― Sarah J. Maas, quote from Throne of Glass
“In the garden, the Captain of the Guard stared up at the young woman's balcony, watching as she waltzed alone, lost in her dreams. But he knew her thoughts weren't of him.
She stopped and stared upward. Even from a distance, he could see the blush upon her cheeks. She seemed young—no, new. It made his chest ache.
Still, he watched, watched until she sighed and went inside. She never bothered to look below.”
― Sarah J. Maas, quote from Throne of Glass
“She moaned into her pillow. "Go away. I feel like dying."
"No fair maiden should die alone," he said, putting a hand on hers. "Shall I read to you in your final moments? What story would you like?"
She snatched her hand back. "How about the story of the idiotic prince who won't leave the assassin alone?"
"Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince's attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it's worth reading through all of their ceaseless banter!”
― Sarah J. Maas, quote from Throne of Glass
“With each day he felt the barriers melting. He let them melt. Because of her genuine laugh, because he caught her one afternoon sleeping with her face in the middle of a book, because he knew that she would win.”
― Sarah J. Maas, quote from Throne of Glass
“Of course." He picked up the brown bag of candy on the table. "What's your . . ." He trailed off as he weighed the bag in his hands. "Didn't I give you three pounds of candy?"
She smiled impishly.
"You ate half the bag!"
"Was I supposed to save it?"
"I would have liked some!"
"You never told me that."
"Because I didn't expect you to consume all of it before breakfast!"
She snatched the bag from him and put it on the table. "Well, that just shows poor judgement on your part, doesn't it?”
― Sarah J. Maas, quote from Throne of Glass
“As my friend, you should either bring me along, or keep me company."
"Friend?" he asked.
She blushed. "Well, 'scowling escort' is a better description. Or 'reluctant acquaintance', if you prefer.”
― Sarah J. Maas, quote from Throne of Glass
“I name you Elentiya." She kissed the assassin's brow. "I give you this name to use with honour, to use when other names grow too heavy. I name you Elentiya, 'Spirit That Could Not Be Broken.”
― Sarah J. Maas, quote from Throne of Glass
“Celaena," Chaol said gently. And then she heard the scraping noise as his hand came into view, sliding across the flagstones. His fingertips stopped just at the edge of the white line. "Celaena," he breathed, his voice laced with pain—and hope. This was all she had left—his outstretched hand, and the promise of hope, of something better waiting on the other side of the line.”
― Sarah J. Maas, quote from Throne of Glass
“Enjoyed that, did you?" Chaol growled.
"Immensely." Celaena patted Chaol's arm as she took it in her own. "Now you must pretend that you like me, or else everything will be ruined.”
― Sarah J. Maas, quote from Throne of Glass
“I wasn't going to kill him, you buffoon.”
― Sarah J. Maas, quote from Throne of Glass
“We each survive in our own way.”
― Sarah J. Maas, quote from Throne of Glass
“I'm not married,” he said softly, “because I can't stomach the idea of marrying a woman inferior to me in mind and spirit. It would mean the death of my soul.”
― Sarah J. Maas, quote from Throne of Glass
“Second place is a nice title for the first loser.”
― Sarah J. Maas, quote from Throne of Glass
“You have the skills,” Chaol said, “but some of your moves are still undisciplined.”
“That’s never stopped me from killing before,” she spat.
Chaol chuckled at her agitation and pointed his sword at the rack, allowing her to get to her feet.
“Pick another—something different. Make it interesting, too. Something that will make me sweat, please.”
“You’ll be sweating when I skin you alive and squish your eyeballs beneath my feet,” she muttered, picking up the rapier.
“That’s the spirit.”
She practically threw the rapier into place, and drew the hunting knives without hesitation.
My dear old friends.
A wicked smile spread across her face.”
― Sarah J. Maas, quote from Throne of Glass
“Do you know how far the wall is from the mines?”
He gave her blank look. She closed her eyes and sighed dramatically.
“From my shaft, it was three hundred sixty-three feet. I had someone measure.”
“So?” Dorian repeated.
“Captain Westfall, how far do slaves make it from the mines when they try to escape?”
“Three feet,” he muttered. “Endovier sentries usually shoot a man down before he's moved three feet.”
The Crown Prince's silence was not her desired effect. “You knew it was suicide,” he said at last, the amusement gone.
Perhaps it had been a bad idea to bring up the wall.
“Yes.”
...
“I never intended to escape.”
― Sarah J. Maas, quote from Throne of Glass
“His breath was warm on her neck as he bent his head, resting his cheek against her hair. Her heart beat so quickly, and yet she felt utterly calm—as if she could have stayed there forever and not minded, stayed there forever and let the world fall apart around them. She pictured his fingers, pushing against that line of chalk, reaching for her despite the barrier between them.”
― Sarah J. Maas, quote from Throne of Glass
“Apparently, a woman can only go so long without a sword between her hands.”
― Sarah J. Maas, quote from Throne of Glass
“I'm not ill like that,” she groaned. He sat on her bed, peeling back the blanket. A servant entered, frowning at the mess on the floor, and shouted for help.
“Then it what way?”
“I,uh...” Her face was so hot she thought it would melt onto the floor. Oh you idiot. “My monthly cycles finally came back!”
His face suddenly matched hers and he stepped away, dragging his hand through his short hair. “I-if...Then I'll take my leave,” he stammered, and bowed. Celaena raised an eyebrow, and then, despite herself, smiled as he left the room as quick as his feet could go without running, tripping slightly in the doorway as he staggered into the rooms beyond.”
― Sarah J. Maas, quote from Throne of Glass
“He won every game, yet she hardly noticed. As long as she hit the ball, it resulted in shameless bragging. When she missed - well, even the fires of Hell couldn't compare to the rage that burst from her mouth. He couldn't remember a time when he'd laugh so hard.”
― Sarah J. Maas, quote from Throne of Glass
“After a too-long moment, the crown prince spoke. “I don't quite comprehend why you'd force someone to bow when the purpose of the gesture is to display allegiance and respect.” His words were coated with glorious boredom.”
― Sarah J. Maas, quote from Throne of Glass
“There are three things that are difficult to keep hidden: a fire, a cold, and love. —Polish Proverb”
― James Conroyd Martin, quote from Push Not the River
“At some point in life the world's beauty becomes enough. You don't need to photograph, paint or even remember it. It is enough. No record of it needs to be kept and you don't need someone to share it with or tell it to. When that happens — that letting go — you let go because you can.”
― Toni Morrison, quote from Tar Baby
“Very goodlooking people are as a rule more forgetful than the median. Their mothers start it and the world at large continues it, handing them things, picking things up for them, smoothing their vicinity out for them in every way. I on the other hand remember everything.”
― Norman Rush, quote from Mating
“Socrates tried to soothe us, true enough. He said there were only two possibilities. Either the soul is immortal or, after death, things would be again as blank as they were before we were born. This is not absolutely comforting either. Anyway it was natural that theology and philosophy should take the deepest interest in this. They owe it to us not to be boring themselves. On this obligation they don’t always make good. However, Kierkegaard was not a bore. I planned to examine his contribution in my master essay. In his view the primacy of the ethical over the esthetic mode was necessary to restore the balance. But enough of that. In myself I could observe the following sources of tedium: 1) The lack of a personal connection with the external world. Earlier I noted that when I was riding through France in a train last spring I looked out of the window and thought that the veil of Maya was wearing thin. And why was this? I wasn’t seeing what was there but only what everyone sees under a common directive. By this is implied that our worldview has used up nature. The rule of this view is that I, a subject, see the phenomena, the world of objects. They, however, are not necessarily in themselves objects as modern rationality defines objects. For in spirit, says Steiner, a man can step out of himself and let things speak to him about themselves, to speak about what has meaning not for him alone but also for them. Thus the sun the moon the stars will speak to nonastronomers in spite of their ignorance of science. In fact it’s high time that this happened. Ignorance of science should not keep one imprisoned in the lowest and weariest sector of being, prohibited from entering into independent relations with the creation as a whole. The educated speak of the disenchanted (a boring) world. But it is not the world, it is my own head that is disenchanted. The world cannot be disenchanted. 2) For me the self-conscious ego is the seat of boredom. This increasing, swelling, domineering, painful self-consciousness is the only rival of the political and social powers that run my life (business, technological-bureaucratic powers, the state). You have a great organized movement of life, and you have the single self, independently conscious, proud of its detachment and its absolute immunity, its stability and its power to remain unaffected by anything whatsoever — by the sufferings of others or by society or by politics or by external chaos. In a way it doesn’t give a damn. It is asked to give a damn, and we often urge it to give a damn but the curse of noncaring lies upon this painfully free consciousness. It is free from attachment to beliefs and to other souls. Cosmologies, ethical systems? It can run through them by the dozens. For to be fully conscious of oneself as an individual is also to be separated from all else. This is Hamlet’s kingdom of infinite space in a nutshell, of “words, words, words,” of “Denmark’s a prison.”
― Saul Bellow, quote from Humboldt's Gift
“На самом деле я подумывал написать самоучитель для фантастов, собирающихся писать о путешествиях во времени. Он состоял бы из двух слов: «Не надо».”
― Jasper Fforde, quote from First Among Sequels
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