“Just because you're into Kate...well, it doesn't necessarily mean you're gay. Although it's okay if you are. But if that's what's worrying you...' Ariel sighed. 'God. It shouldn't be so hard to talk about this stuff. All I'm saying is maybe you're gay and maybe you're not. Maybe you're bi. Or maybe it's totally a Kate thing. Maybe you'd want to be with her whether she was a girl or a boy.'
I blinked. I didn't know if what she said made things better or worse.”
― Lauren Myracle, quote from Kissing Kate
“You can rèmove a tattoo; it's just difficult. And supposedly it's pretty painful. Some things, on the other hand, can't be undone.”
― Lauren Myracle, quote from Kissing Kate
“All I knew now was that nothing lasted forever, not even a friendship, and that being "different" felt the same as being alone.”
― Lauren Myracle, quote from Kissing Kate
“I didn’t know what I thought, other than that nothing was easy anymore and no matter what I did, things got messed up.”
― Lauren Myracle, quote from Kissing Kate
“But if I didn't know Kate, then maybe I didn't know myself-and if was that not-knowing that made my gut clench. Like losing your balance, that whoosh of almost falling, before pulling yourself back in line.”
― Lauren Myracle, quote from Kissing Kate
“[A Chinese Restaurant.] Roma is seated alone at the booth. Lingk is at the booth next to him. Roma ,i>is talking to him.
* * *
Roma: . . . Eh? What I’m saying, what is our life? (Pause.) It’s looking forward or it’s looking back. And that’s our life. That’s it. Where is the moment? (Pause.) And what is it that we’re afraid of? Loss. What else? (Pause.) The bank,/i> closes. We get sick, my wife died on a plane, the stock market collapsed . . . the house burnt down . . . what of these happen . . . ? None of ’em. We worry anyway. What does this mean? I’m not secure. How can I be secure? (Pause.) Through amassing wealth beyond all measure? No. And what’s beyond all measure? That’s a sickness. That’s a trap. There is no measure. Only greed. How can we act? The right way, we would say, to deal with this: “There is a one-in-a million chance that so and so will happen. . . . Fuck it, it won’t happen to me. . . .” No. We know that’s not the right way I think. (Pause.) We say the correct way to deal with this is “There is a one-in-so-and-so chance that this will happen . . . God protect me. I am powerless, let it not happen to me. . . .” But no to that. I say. There’s something else. What is it? “If it happens, AS IT MAY for that is not within our powers, I will deal with it, just as I do today with what draws my concern today.” I say this is how we must act. I do those things which seem correct to me today. I trust myself. And if security concerns me, I do that which today I think will make me secure. And every day I do that, when that day arrives that I need a reserve, (a) odds are that I have it, and (b) the true reserve that I have is the strength that I have of acting each day without fear. (Pause.) According to the dictates of my mind. (Pause.)”
― David Mamet, quote from Glengarry Glen Ross
“غيري يكتب كما يتكلم ، و أنا أكتب كما ألتزم الصمت”
― Amin Maalouf, quote from Balthasar's Odyssey
“Taking Off Emily Dickinson’s Clothes
First, her tippet made of tulle,
easily lifted off her shoulders and laid
on the back of a wooden chair.
And her bonnet,
the bow undone with a light forward pull.
Then the long white dress, a more
complicated matter with mother-of-pearl
buttons down the back,
so tiny and numerous that it takes forever
before my hands can part the fabric,
like a swimmer’s dividing water,
and slip inside.
You will want to know
that she was standing
by an open window in an upstairs bedroom,
motionless, a little wide-eyed,
looking out at the orchard below,
the white dress puddled at her feet
on the wide-board, hardwood floor.
The complexity of women’s undergarments
in nineteenth-century America
is not to be waved off,
and I proceeded like a polar explorer
through clips, clasps, and moorings,
catches, straps, and whalebone stays,
sailing toward the iceberg of her nakedness.
Later, I wrote in a notebook
it was like riding a swan into the night,
but, of course, I cannot tell you everything—
the way she closed her eyes to the orchard,
how her hair tumbled free of its pins,
how there were sudden dashes
whenever we spoke.
What I can tell you is
it was terribly quiet in Amherst
that Sabbath afternoon,
nothing but a carriage passing the house,
a fly buzzing in a windowpane.
So I could plainly hear her inhale
when I undid the very top
hook-and-eye fastener of her corset
and I could hear her sigh when finally it was unloosed,
the way some readers sigh when they realize
that Hope has feathers,
that Reason is a plank,
that Life is a loaded gun
that looks right at you with a yellow eye.”
― Billy Collins, quote from Picnic, Lightning
“I see the whole episode in my memory as if it were a very crisply photographed black and white movie. Directed by Bergman perhaps.We are playing ourselves in the movie version. If only we could escape from always having to play ourselves !”
― Erica Jong, quote from Fear of Flying
“I want to be loved, honestly and truly loved, for who I am. And I want to love a woman with all my heart for all my life. I want to ache for her mind, for her body, for her companionship.”
― Kerrelyn Sparks, quote from All I Want for Christmas is a Vampire
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