Quotes from Torture the Artist. Joey Goebel

265 pages

Rating: (1.7K votes)


“You know, there is only one letter's difference between lonely and lovely," I told him once when he was down. "There is only one letter's difference between loner and loser," he retorted.”
― quote from Torture the Artist. Joey Goebel


“Ich weiß nicht, ob die verdummte Unterhaltung nach und nach dem kollektiven Intellekt unserer Nation geschadet hat oder ob die geistige Faulheit des Publikums zuerst da war und wir sie nur bedient haben.”
― quote from Torture the Artist. Joey Goebel


“I've taken the liberty of giving us a full moon. I've arranged for all stoplights to stay green. I've made some phone calls to make sure you keep smiling. I've reserved the space underneath our feet. I've gone all out for you, so why don't you go with me?”
― quote from Torture the Artist. Joey Goebel


“Sieh sie dir an", sagte Vincent. "Alle finden einfach zueinander. Sie kommen so mühelos zusammen. Warum passiert mir das nicht?”
― quote from Torture the Artist. Joey Goebel


“I thought about how in movies, usually action movies, a cheap way of getting the audience to invest in the plot is to endanger the life of a dog. There can be fifty men graphically terminated by machine-gun fire or an entire building full of workers destroyed, but no one will stand for a cute little dog being killed. And almost always, the dog's life is spared to the relief of the audience.”
― quote from Torture the Artist. Joey Goebel



“- Galima gauti saulės smūgį, bet mėnulio smūgio negausi.”
― quote from Torture the Artist. Joey Goebel


Popular quotes

“listening to Joe and after the game warden had dispatched the suffering animal. “I could see them sending someone out here to shut up The Earl once and for all. They came, shot him, and hung him from the windmill, and they were on a plane back to O’Hare by the time you found him.” “It may be what happened,” Joe said, “but it’s speculation at best. Marcus Hand sent two of his investigators east, and they may come back with something before the trial is over. But they may not. What I have trouble with in that scenario is how this Chicago hit man would know to frame Missy.” Nate said, “They had an insider.” “And who would that be?” “The same guy who told Laurie Talich where she could find me.” “Bud?” “Bingo,” Nate said. “It took a while for me to figure it out and there are still some loose ends I’d like closed, but it makes sense. Missy knew vaguely where I was living because she talks to her daughter, and last year she tried to hire me to put the fear of God into Bud, remember? She might have let it slip to her ex-husband that if he didn’t stop pining over her, she’d drive to Hole in the Wall Canyon and pick me up. Somehow, Bud found out where I was. And by happenstance, he meets a woman in the bar who has come west for the single purpose of avenging her husband. Bud has contacts with the National Guard who just returned from Afghanistan, and he was able to help her get a rocket launcher. Then he drew her a map. He must have been pretty smug about how it all worked out. He thought he was able to take me out of the picture without getting his own hands dirty.” “Bud—what’s happened to him?” Joe asked, not sure he was convinced of Nate’s theory. “Why has he gone so crazy on us?” “A man can only take so”
― C.J. Box, quote from Cold Wind


“The third dimension is that the rebel is not interested in domination over others. He has no lust for power, because that is the ugliest thing in the world. The lust for power has destroyed humanity and has not allowed it to be more creative, to be more beautiful, to be more healthy, to be more wholesome. And it is this lust for power that ultimately leads to conflicts, competitions, jealousies, and finally to wars. Lust for power is the foundation of all wars. If you look at human history, the whole of it is nothing but a history of wars, man killing man. Reasons have changed, but the killing continues.”
― Osho, quote from Living on Your Own Terms: What Is Real Rebellion?


“One evening he appeared with an infant in his arms at the door of his ex-wife, Martha. Because Briony, his lovely young wife after Martha, had died. Of what? We’ll get to that. I can’t do this alone, Andrew said, as Martha stared at him from the open doorway. It happened to have been snowing that night, and Martha was transfixed by the soft creature-like snowflakes alighting on Andrew’s NY Yankees hat brim. Martha was like that, enrapt by the peripheral things as if setting them to music. Even in ordinary times, she was slow to respond, looking at you with her large dark rolling protuberant eyes. Then the smile would come, or the nod, or the shake of the head. Meanwhile the heat from her home drifted through the open door and fogged up Andrew’s eyeglasses. He stood there behind his foggy lenses like a blind man in the snowfall and was without volition when at last she reached out, gently took the swaddled infant from him, stepped back, and closed the door in his face.”
― E.L. Doctorow, quote from Andrew's Brain


“Coming out is something you never stop doing. You start by telling your friends and family. Then you tell new acquaintances or coworkers who invite you out for a drink. Even the telemarketers who call and ask if my wife is home. You don't have to tell everyone you meet, of course, but coming out is something that accompanies your entire life.”
― Jay Bell, quote from Something Like Winter


“He took the last seat, as usual, a subtle reminder of what he was and what he had become.”
― Faraaz Kazi, quote from Truly, Madly, Deeply


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