Quotes from Torture the Artist. Joey Goebel

265 pages

Rating: (1.7K votes)


“You know, there is only one letter's difference between lonely and lovely," I told him once when he was down. "There is only one letter's difference between loner and loser," he retorted.”
― quote from Torture the Artist. Joey Goebel


“Ich weiß nicht, ob die verdummte Unterhaltung nach und nach dem kollektiven Intellekt unserer Nation geschadet hat oder ob die geistige Faulheit des Publikums zuerst da war und wir sie nur bedient haben.”
― quote from Torture the Artist. Joey Goebel


“I've taken the liberty of giving us a full moon. I've arranged for all stoplights to stay green. I've made some phone calls to make sure you keep smiling. I've reserved the space underneath our feet. I've gone all out for you, so why don't you go with me?”
― quote from Torture the Artist. Joey Goebel


“Sieh sie dir an", sagte Vincent. "Alle finden einfach zueinander. Sie kommen so mühelos zusammen. Warum passiert mir das nicht?”
― quote from Torture the Artist. Joey Goebel


“I thought about how in movies, usually action movies, a cheap way of getting the audience to invest in the plot is to endanger the life of a dog. There can be fifty men graphically terminated by machine-gun fire or an entire building full of workers destroyed, but no one will stand for a cute little dog being killed. And almost always, the dog's life is spared to the relief of the audience.”
― quote from Torture the Artist. Joey Goebel



“- Galima gauti saulės smūgį, bet mėnulio smūgio negausi.”
― quote from Torture the Artist. Joey Goebel


Popular quotes

“Anja? What is to tell? Everywhere I look I'm seeing Anja... From my good eye, from my glass eye, if they're open or they're close, always I'm thinking on Anja.”
― Art Spiegelman, quote from Maus II: A Survivor's Tale: And Here My Troubles Began


“My god, he’s the one who gets the girls? What? Is he made of chocolate or something?”
― Fisher Amelie, quote from Vain


“Mare,” he whispers. “Choose me.”

Choose a crown. Choose another king’s cage. Choose a betrayal to everything you’ve bled for.

I find my thread of steel too. Thin but unbreakable.

“I am in love with you, and I want you more than anything else in the world.” His words sound hollow coming from me. “Anything else in this world.”

Slowly, my eyelids flutter open. He finds the spine to match my gaze.

“Think what we could do together,” he murmurs, trying to pull me closer. My feet hold firm. “You know what you are to me. Without you, I have no one. I am alone. I have nothing left. Don’t leave me alone.”

My breathing turns ragged.

I kiss him for what could be, what might be, what will be—the last time. His lips feel strangely cold as we both turn to ice.

“You aren’t alone.” The hope in his eyes cuts deeply. “You have your crown.”
― Victoria Aveyard, quote from King's Cage


“Over your body the clouds go
High, high and icily
And a little flat, as if they

Floated on a glass that was invisible.
Unlike swans,
Having no reflections;

Unlike you,
With no strings attached.
All cool, all blue. Unlike you

You, there on your back,
Eyes to the sky.”
― Sylvia Plath, quote from Ariel


“They had Rembrandt on the calendar that year, a rather smeary self-portrait due to imperfectly registered color plate. It showed him holding a smeared palette with a dirty thumb and wearing a tam-o’-shanter which wasn’t any too clean either. His other hand held a brush poised in the air, as if he might be going to do a little work after a while, if somebody made a down payment. His face was aging, saggy, full of the disgust of life and the thickening effects of liquor. But it had a hard cheerfulness that I liked, and the eyes were as bright as drops of dew.
I was looking at him across my office desk at about four-thirty when the phone rang and I heard a cool, supercilious voice that sounded as if it thought it was pretty good. It said drawlingly, after I had answered:
“You are Philip Marlowe, a private detective?”
― Raymond Chandler, quote from Farewell, My Lovely


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