1Q84
Quotes from the Book
If you only read the books that everyone else is reading, you can only think what everyone else is thinking.
What happens when people open their hearts?" "They get better.
Nobody likes being alone that much. I don't go out of my way to make friends, that's all. It just leads to disappointment.
Don't feel sorry for yourself. Only assholes do that.
But who can say what's best? That's why you need to grab whatever chance you have of happiness where you find it, and not worry about other people too much. My experience tells me that we get no more than two or three such chances in a life time, and if we let them go, we regret it for the rest of our lives.
I want you always to remember me. Will you remember that I existed, and that I stood next to you here like this?
I was always hungry for love. Just once, I wanted to know what it was like to get my fill of it -- to be fed so much love I couldn't take any more. Just once.
Despite your best efforts, people are going to be hurt when it's time for them to be hurt.
Letters are just pieces of paper," I said. "Burn them, and what stays in your heart will stay; keep them, and what vanishes will vanish.
I have a million things to talk to you about. All I want in this world is you. I want to see you and talk. I want the two of us to begin everything from the beginning.
What a terrible thing it is to wound someone you really care for and to do it so unconsciously.
I really like you, Midori. A lot.” “How much is a lot?” “Like a spring bear,” I said. “A spring bear?” Midori looked up again. “What’s that all about? A spring bear.” “You’re walking through a field all by yourself one day in spring, and this sweet little bear cub with velvet fur and shiny little eyes comes walking along. And he says to you, “Hi, there, little lady. Want to tumble with me?’ So you and the bear cub spend the whole day in each other’s arms, tumbling down this clover-covered hill. Nice, huh?” “Yeah. Really nice.” “That’s how much I like you.
If you're in pitch blackness, all you can do is sit tight until your eyes get used to the dark
What makes us the most normal," said Reiko, "is knowing that we're not normal.
I don't care what you do to me, but I don't want you to hurt me. I've had enough hurt already in my life. More than enough. Now I want to be happy.
I didn't have much to say to anybody but kept to myself and my books. With my eyes closed, I would touch a familiar book and draw it's fragrance deep inside me. This was enough to make me happy.
Not that we were incompatible: we just had nothing to talk about.
So what’s wrong if there happens to be one guy in the world who enjoys trying to understand you?
Memory is a funny thing. When I was in the scene, I hardly paid it any mind. I never stopped to think of it as something that would make a lasting impression, certainly never imagined that eighteen years later I would recall it in such detail. I didn't give a damn about the scenery that day. I was thinking about myself. I was thinking about the beautiful girl walking next to me. I was thinking about the two of us together, and then about myself again. It was the age, that time of life when every sight, every feeling, every thought came back, like a boomerang, to me. And worse, I was in love. Love with complications. The scenery was the last thing on my mind.
So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty-five days a year. Watanabe: Wow, and did your search pay off? M: That's the hard part. I guess I've been waiting so long I'm looking for perfection. That makes it tough.
She's letting out her feelings. The scary thing is not being able to do that. When your feelings build up and harden and die inside, then you're in big trouble.
Something inside me had dropped away, and nothing came in to fill the cavern.
I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.” “Wow,” I said. “Did the search pay off?” “That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.” “Waiting for the perfect love?” “No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.” “I’m not sure that has anything to do with love,” I said with some amazement. “It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.” “Things like throwing strawberry shortcake out the window?” “Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?” “So then what?” “So then I’d give him all the love he deserves for what he’s done.” “Sounds crazy to me.” “Well, to me, that’s what love is…
It's because of you when I'm in bed in the morning that I can wind my spring and tell myself I have to live another good day.
Which is why I am writing this book. To think. To understand. It just happens to be the way I'm made. I have to write things down to feel I fully comprehend them.
Things like that happen all the time in this great big world of ours. It's like taking a boat out on a beautiful lake on a beautiful day and thinking both the sky and the lake are beautiful. So stop eating yourself up alive. Things will go where they're supposed to go if you just let them take their natural course.
Did you know?
- The novel's Japanese title, Noruwei no Mori, is the standard Japanese translation of the title of the Beatles song 'Norwegian Wood (This Bird Has Flown).'
- It was originally published in Japan in 1987 as a two-volume set by Kodansha.
- There are two English translations: an earlier one by Alfred Birnbaum published in Japan in 1989, and the authorized Jay Rubin translation first published outside Japan in 2000.
- The novel was hugely popular with Japanese youth and made Murakami a celebrity in Japan, reportedly much to his dismay at the time.
- Unlike much of Murakami's work, Norwegian Wood is largely a realist novel rather than a surreal or fantastical one.
About Haruki Murakami
More by Haruki Murakami
All books by Haruki Murakami →About the book
Norwegian Wood is a 1987 novel by Haruki Murakami, told from the perspective of Toru Watanabe, who at thirty-seven hears a Beatles song and is pulled back into memories of his student years in 1960s Tokyo. In the wake of the suicide of his closest friend, Kizuki, Toru grows close to Naoko, Kizuki's emotionally fragile former girlfriend, even as he is drawn to Midori, an outgoing and vivacious classmate. The novel traces his entanglement between these two very different women against a backdrop of grief, isolation, and the uncertain passage into adulthood.
Where much of Murakami's fiction leans on surreal and fantastical elements, Norwegian Wood is a largely realist work, and its restraint is part of its power. Its central themes are loss, nostalgia, mental illness, and the difficulty of connection, as characters struggle with depression and the shadow of suicide. The forest imagery evoked by the Japanese title, Noruwei no Mori, and the melancholy of the Beatles song run through the book as symbols of memory and of the places from which people do not return.
The novel was hugely popular with Japanese youth and made Murakami something of a superstar in his native country, selling millions of copies and reportedly prompting the author to spend time abroad to escape the attention. It remains one of his most widely read works and a common entry point to his fiction for readers around the world, and it was adapted into a feature film in 2010.
Key characters
- Toru WatanabeProtagonist and narrator; a quiet, serious college student in Tokyo
- NaokoBeautiful, emotionally fragile young woman and Kizuki's former girlfriend
- Midori KobayashiOutgoing, independent classmate who draws Toru toward vitality and life
- KizukiToru's best friend, whose suicide at seventeen sets the story in motion
- Reiko IshidaOlder resident at Naoko's sanatorium who becomes her confidante and Toru's friend
Book details
- First published
- 1987
- Length
- 296 pages
- Reading time
- 7 hours
- Author
- Haruki Murakami
- Genre
- Literature
- Goodreads rating
- 3.98 (757k ratings) →
- First line
- “I was 37 then, strapped in my seat as the huge 747 plunged through dense cloud cover on approach to Hamburg airport.”
Movie & TV adaptations
- IMDb
If you liked this, read…
- 1Kafka on the ShoreAnother acclaimed Murakami novel of memory, loss, and coming of age
- 2Sputnik SweetheartMurakami's shorter novel exploring longing and unrequited love
- 3The Catcher in the RyeA first-person coming-of-age story of youthful alienation and grief
Keep reading
No One Belongs Here More Than You
I Wrote This For You
You Know Me Well
Hold Still
The Fault in Our Stars
An Abundance of Katherines
Finding It
Unteachable
The Edge of Never
Unlit Star
I Was Here
Eleanor Oliphant Is Completely Fine
Forbidden
When We Collided
Second Helpings
Thanks for the Memories
If You Could See Me Now
Memorizing You
Attachments
What I Loved
1Q84
Funny Story
Will Grayson, Will Grayson
The Sea of Tranquility
Six Years
White Oleander
The Year I Met You
Saving June
Yours Truly
Love from A to Z
Tell the Wolves I'm Home
Sad Girls
Tell Me Three Things
A Million Little Pieces
The Song of David
Say What You Will
Cam Girl
A Walk to Remember
Just for the Summer
Faking It
Thirteen Reasons Why
Crank
One Day
Gray
Take Me With You
You
Watermelon
Only for You
The Return
Charmed Thirds
Every Day
Belong to Me
The Siren
Before I Fall
The Perks of Being a Wallflower
This Side of Paradise
Goodbye Days
How To Talk To A Widower
Extraordinary Means
The Universe of Us

