Teatro Grottesco
Quotes from the Book
You see how I live: shadows and silence, leaving things as I find them because I have no reason to disturb them. But there are things that I have known, even though I never wished to know them and cannot give them a name.
14
The worst fear of the race yes, the world suddenly transformed into a senseless nightmare, horrible dissolution of things. Nothing compares, even oblivion is a sweet dream. You understand why, of course. Why this peculiar threat. These brooding psyches, all the busy minds everywhere. I hear them buzzing like flies in the blackness. I see them as glow worms flitting in the blackness. They are struggling, straining every second to keep the sky above them, to keep the sun in the sky, to keep the dead in the earth-to keep all things, so to speak, where they belong. What an undertaking! What a crushing task! Is it any wonder that they are all tempted by a universal vice, that in some dark street of the mind a single voice whispers to one and all, softly hissing, and says: 'Lay down your burden.' Then thoughts begin to drift, a mystical magnetism pulls them this way and that, faces start to change, shadows speak... sooner or later the sky comes down, melting like wax. But as you know, everything has not yet been lost: absolute terror has proved its security against this fate. Is it any wonder that these beings carry on the struggle at whatever cost?
4
The lessons in measurement of cloacal forces. Time as a flow of sewage. The excrement of space, scatology of creation. The voiding of the self. The whole filthy integration of things and the nocturnal product . . . drowning in the pools of night.
3
For much of that day I had been secluded in my room, intently pursuing a typical activity of my early life and in the process badly ravaging what previously had been a well-made bed.
1
I felt the kind of acute anticipation that a child might experience at a carnival, where each lurid attraction incites fantastic speculations, while unexpected desires arise for something which has no specific qualities in the imagination yet seems to be only a few steps away.
1
Sunlit bazaars in exotic cities thronged with faces that were transparent masks for insectoid countenances; moonlit streets in antique towns harbored a strange-eyed slithering within their very stones; dim galleries of empty museums sprouted a ghostly mold that mirrored the sullen hues of old paintings; the land at the edge of oceans gave birth to a new evolution transcending biology and remote islands offered themselves as a haven for forms having no analogy outside of dreams; jungles teemed with beast-like shapes that moved beside the sticky luxuriance as well as through the depths of its pulpy warmth; deserts were alive with an uncanny flux of sounds which might enter and animate the world of substance; and subterranean landscapes heaved with cadaverous generations that had sunken and merged into sculptures of human coral, bodies heaped and unwhole, limbs projecting without order, eyes scattered and searching the darkness.
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About Thomas Ligotti
More by Thomas Ligotti
Teatro Grottesco
Songs of a Dead Dreamer
Songs of a Dead Dreamer and Grimscribe
My Work is Not Yet Done: Three Tales of Corporate Horror
About the book
Grimscribe: His Lives and Works is Thomas Ligotti's second collection of short tales.
Contents:
The Voice of the Damned: - The Last Feast of Harlequin - The Spectacles in the Drawer - Flowers of the Abyss - Nethescurial The Voice of the Demo: - The Dreaming in Nortown - The Mystics of Muelenburg - In the Shadow of Another World - The Cocoons The Voice of the Dreamer: - The Night School - The Glamour The Voice of the Child: - The library of Byzantium - Miss Plarr The voice of our name: - The Shadow at the Bottom of the World.
Book details
- First published
- 1991
- Author
- Thomas Ligotti
- Genre
- Horror
- Goodreads rating
- 4.12 (2k ratings)
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