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1Q84

by Haruki Murakami

1Q84 is Haruki Murakami's sprawling novel set in a fictionalized Tokyo in the year 1984, where a woman named Aomame gradually notices that reality has slipped out of joint. She comes to call this altered world '1Q84,' a… more

First published 2009 · 928 pages · English

29 quotes ★ 3.95 (346,075) Literature

Quotes from the Book

If you can love someone with your whole heart, even one person, then there's salvation in life. Even if you can't get together with that person.
I can bear any pain as long as it has meaning.
That's what the world is , after all: an endless battle of contrasting memories.
I'm a very ordinary human being; I just happen to like reading books.
Even if we could turn back, we'd probably never end up where we started.
It is not that the meaning cannot be explained. But there are certain meanings that are lost forever the moment they are explained in words.
I'm tired of living unable to love anyone. I don't have a single friend - not one. And, worst of all, I can't even love myself. Why is that? Why can't I love myself? It's because I can't love anyone else. A person learns how to love himself through the simple acts of loving and being loved by someone else. Do you understand what I am saying? A person who is incapable of loving another cannot properly love himself.
You can keep as quiet as you like, but one of these days somebody is going to find you.
Life is not like water. Things in life don't necessarily flow over the shortest possible route.
If you can't understand it without an explanation, you can't understand it with an explanation.
In a sense, I'm the one who ruined me: I did it myself.
I am nothing. I’m like someone who’s been thrown into the ocean at night, floating all alone. I reach out, but no one is there. I call out, but no one answers. I have no connection to anything.
As I see it, you are living with something that you keep hidden deep inside. Something heavy. I felt it from the first time I met you. You have a strong gaze, as if you have made up your mind about something. To tell you the truth, I myself carry such things around inside. Heavy things. That is how I can see it in you.
What I want is for the two of us to meet somewhere by chance one day, like, passing on the street, or getting on the same bus.
Loneliness becomes an acid that eats away at you.
I've been lonely for so long. And I've been hurt so deeply. If only I could have met you again a long time ago, then I wouldn't have had to take all these detours to get here.' Tengo shook his head. 'I don't think so. This way is just fine. This is exactly the right time. For both of us. [...] We needed that much time.... to understand how lonely we really were.
But there are certain meanings that are lost forever the moment they are explained in words.
As if to build a fence around the fatal emptiness inside her, she had to create a sunny person that she became. But if you peeled away the ornamental egos that she had built, there was only an abbys of nothingness and the intense thirst that came with it. Though she tried to forget it, the nothingness would visit her periodically - on a lonely rainy afternoon, or at dawn when she woke up from a nightmare. What she needed at such times was to be held by someone, anyone.
I'm a coward when it comes to matters of the heart. That is my fatal flaw.
A person learns how to love himself through the simple acts of loving and being loved by someone else.
Wasn't it better if they kept this desire to see each other hidden within them, and never actually got together? That way, there would always be hope in their hearts. That hope would be a small, yet vital flame that warmed them to their core-- a tiny flame to cup one's hands around and protect from the wind, a flame that the violent winds of reality might easily extinguish.
Knowledge and ability were tools, not things to show off.
It's just that you're about to do something out of the ordinary. And after you do something like that, the everyday look of things might seem to change a little. Things may look different to you than they did before. But don't let appearances fool you. There's always only one reality.
Life is so uncertain: you never know what could happen. One way to deal with that is to keep your pajamas washed.
Please remember: things are not what they seem.
What we call the present is given shape by an accumulation of the past.
Everyone, deep in their hearts, is waiting for the end of the world to come.
They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It's a miracle, a cosmic miracle.
Whenever she felt like crying, she would instead become angry—at someone else or at herself—which meant that it was rare for her to shed tears.

Did you know?

  • The title plays on the fact that in Japanese the letter 'Q' and the number '9' are homophones, evoking George Orwell's Nineteen Eighty-Four.
  • The novel was first published in three separate volumes in Japan between 2009 and 2010.
  • The English translation was published by Knopf in a single hardcover volume of 928 pages on October 25, 2011.
  • Leos Janacek's orchestral piece Sinfonietta recurs throughout the book and opens the very first scene.
  • In 2019 Japanese literary experts voted it the best book published during the Heisei era (1989-2019).

About Haruki Murakami

Haruki Murakami is a Japanese writer born in 1949, internationally acclaimed for surreal, genre-blending novels such as Norwegian Wood, Kafka on the Shore, and The Wind-Up Bird Chronicle. His work has been translated into dozens of languages and has earned numerous international awards.

More about the author →

About the book

1Q84 is Haruki Murakami's sprawling novel set in a fictionalized Tokyo in the year 1984, where a woman named Aomame gradually notices that reality has slipped out of joint. She comes to call this altered world '1Q84,' a place distinguished most strikingly by two moons hanging in the sky. The book braids together two protagonists in alternating chapters: Aomame, a fitness instructor who secretly works as a contract assassin targeting abusive men, and Tengo Kawana, a math tutor and aspiring novelist whose ghostwriting of a strange teenage girl's manuscript draws him into the same uncanny reality.

At its core the novel explores loneliness, longing, and the search for connection across a fractured world, alongside recurring Murakami preoccupations with parallel realities, cults, memory, and the porous boundary between the ordinary and the supernatural. The mysterious figures known as the 'Little People' and the secretive religious group Sakigake bind the two narratives together, while the destinies of Aomame and Tengo, linked since childhood, slowly move toward convergence. Music, especially Janacek's Sinfonietta, threads through the story as a recurring motif.

Originally published in three volumes in Japan between 2009 and 2010, 1Q84 became a major literary event, selling rapidly on release, and its English translation in 2011 was one of the most anticipated books of the year. In 2019 it was voted the best book published during Japan's Heisei era (1989-2019) by Japanese literary experts, cementing its status as one of Murakami's most ambitious and widely discussed works.

Key characters

  • AomameA thirty-year-old fitness instructor who secretly works as a contract assassin targeting abusive men
  • Tengo KawanaAn unpublished novelist and math tutor drawn into the alternate reality
  • Fuka-EriA seventeen-year-old girl whose manuscript, Air Chrysalis, becomes central to the plot
  • UshikawaA grotesque investigator hired by Sakigake to track Tengo and Aomame

Book details

First published
2009
Length
928 pages
Reading time
20 hours
Goodreads rating
3.95 (346k ratings)
First line
“The taxi's radio was tuned to a classical FM broadcast. Janacek's Sinfonietta-probably not the ideal music to hear in a taxi caught in traffic.”

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