The Shining
Quotes from the Book
Writers remember everything...especially the hurts. Strip a writer to the buff, point to the scars, and he'll tell you the story of each small one. From the big ones you get novels. A little talent is a nice thing to have if you want to be a writer, but the only real requirement is the ability to remember the story of every scar. Art consists of the persistence of memory.
I am your number one fan.
There may be fairies, there may be elves, but God helps those who help themselves.
I am in trouble here. This woman is not right.
Can I? Yeah. You bet I can. There's a million things in this world can't do. Couldn't hit a curve ball, even back in high school. Can't fix a leaky faucet. Can't roller-skate or make an F-chord on the guitar that sounds like anything but shit. I have tried twice to be married and couldn't do it either time. But if you want me to take you away, to scare you or involve you or make you cry or grin, yeah. I can. I can bring it to you and keep bringing it until you holler uncle. I am able. I CAN.
When you own a piano, it's harder to think about moving.
He lay back, put his arm over his eyes, and tried to hold onto the anger, because the anger made him feel brave. A brave man could think. A coward couldn't.
As always, the blessed relief of starting, a feeling that was like falling into a hole filled with bright light. As always, the glum knowledge that he would not write as well as he wanted to write. As always the terror of not being able to finish, of accelerating into a brick wall. As always, the marvelous joyful nervy feeling of journey begun.
In a book, all would have gone according to plan... but life was so fucking untidy — what could you say for an existence where some of the most crucial conversations of your life took place when you needed to take a shit, or something? An existence where there weren't even any chapters?
There are lots of guys out there who write a better prose line than I do and who have a better understanding of what people are really like and what humanity is supposed to mean – hell, I know that.
He felt as he always did when he finished a book — queerly empty, let down, aware that for each little success he had paid a toll of absurdity.
The gotta, as in: “I think I’ll stay up another fifteen-twenty minutes, honey, I gotta see how this chapter comes out.” Even though the guy who says it spent the day at work thinking about getting laid and knows the odds are good his wife is going to be asleep when he finally gets up to the bedroom. The gotta, as in: “I know I should be starting supper now — he’ll be mad if it’s TV dinners again — but I gotta see how this ends.” I gotta know will she live. I gotta know will he catch the shitheel who killed his father. I gotta know if she finds out her best friend’s screwing her husband. The gotta. Nasty as a hand-job in a sleazy bar, fine as a fuck from the world’s most talented call-girl. Oh boy it was bad and oh boy it was good and oh boy in the end it didn’t matter how rude it was or how crude it was because in the end it was just like the Jacksons said on that record — don’t stop til you get enough.
Confucius say if man want to grow one row of corn, first must shovel one ton of shit.
The shuddering would not stop. The pain was like the end of the world. He thought: There comes a point when the very discussion of pain becomes redundant. No one knows there is pain the size of this in the world. No one. It is like being possessed by demons.
He had discovered that there was not just one God but many, and some were more than cruel — they were insane, and that changed all. Cruelty, after all, was understandable. With insanity, however, there was no arguing.
Africa. That bird came from Africa. But you mustn't cry for that bird, Paulie, because after a while it forgot about how the veldt smelled at noonday, and the sounds of the wildebeests at the waterhole, and the high acidic smell of the ieka-ieka trees in the great clearing north of the Big road. After awhile it forgot the cerise color of the sun dying behind Kilimanjaro. After awhile it only knew the muddy, smogged-out sunsets of Boston, that was all it remembered and all it wanted to remember. After awhile it didn't want to go back anymore, and if someone took it back and set it free it would only crouch in one place, afraid and hurting and homesick in two unknown and terribly ineluctable directions until something came along and killed it. 'Oh Africa, oh, shit,' he said in a trembling voice.
and then woe is you, Pauly. Woe to the max.
She was crazy but he needed her. Oh I am in so much trouble he thought, and stared blindly up at the ceiling as the droplets of sweat began to gather on his forehead again.
Creemos que sabemos mucho, pero en realidad no sabemos más que una rata en una trampa, una rata con la espalda rota que aún cree que quiere vivir.
When you lived in the funhouse, the laff riot just never stopped.
He didn't need a psychiatrist to point out that writing had its autoerotic side — you beat a typewriter instead of your meat, but both acts depended largely on quick wits, fast hands and a heartfelt commitment to the art of the farfetched.
Writing does not cause misery, it is born of misery. – Montaigne
...not being sure of things, he knew, was a charmless corner of purgatory reserved for writers who were driving fast with no idea at all where they were going.
Without his even being aware that it was happening, Paul's face rearranged itself into the expression of sincere concentration he always wore while listening to editors. He thought of this as his Can I Help You, Lady? expression. That was because most editors were like women who drive into service stations and tell the mechanic to fix whatever it is that's making that knocking sound under the hood or going wonk-wonk inside the dashboard, and please have it done an hour ago. A look of sincere concentration was good because it flattered them, and when editors were flattered, they would sometimes give in on some of their mad ideas.
Only a silly person would try to start a good work with a bad tool.
In case you didn't know it, friend, the Weather Bureau can post tornado warnings, but when it comes to telling exactly when and where they'll touch down, they don't know fuck-all.
The work, the pride in your work, the worth of the work itself...all those things faded away to the magic-lantern shades they really were when the pain got bad enough.
Did you know?
- "Misery" won the first-ever Bram Stoker Award for Best Novel, awarded in 1987.
- The novel was nominated for the World Fantasy Award for Best Novel in 1988.
- The 1990 film adaptation earned Kathy Bates the Academy Award for Best Actress.
- Nearly the entire story takes place inside Annie Wilkes's isolated Colorado farmhouse.
- The novel opens with fragmented, phonetic sounds representing Paul Sheldon regaining consciousness after his crash.
About Stephen King
About the book
"Misery" is a psychological horror novel by Stephen King in which Paul Sheldon, the successful author of a series of romance novels centered on a heroine named Misery Chastain, crashes his car on a snowy Colorado road and is pulled from the wreck by Annie Wilkes, a former nurse who calls herself his "number one fan." Instead of taking him to a hospital, Annie nurses his shattered legs in her isolated farmhouse and holds him captive. When she learns that Paul has killed off Misery in his latest book, she forces him, under threat of violence, to write a new novel that brings the character back to life.
The novel confines almost all of its action to a single house and the fraught relationship between captor and prisoner, turning the act of writing itself into a matter of survival. Its central themes include obsessive fandom, addiction, the loss of autonomy, and the strange, coercive power of storytelling, as Paul's craft becomes both the thing that traps him and his only means of staying alive. King has said the book grew partly out of his own reflections on fame and on his relationship with readers and with addiction.
Published in 1987, "Misery" won the first Bram Stoker Award for Best Novel and remains one of King's most acclaimed works of confined, character-driven suspense. It was adapted into a celebrated 1990 film that earned Kathy Bates the Academy Award for Best Actress, and later into a Broadway stage production, cementing Annie Wilkes as one of the author's most memorable antagonists.
Key characters
- Paul SheldonBestselling novelist held captive after a car crash
- Annie WilkesFormer nurse and self-proclaimed "number one fan" who imprisons Paul
- Misery ChastainThe fictional romance heroine of Paul's novels whom Annie demands he revive
Book details
- First published
- 1987
- Length
- 310 pages
- Reading time
- 6 hours
- Author
- Stephen King
- Genre
- Fiction
- Goodreads rating
- 4.22 (845k ratings) →
- First line
- “umber whunnnn yerrrnnn umber whunnnn fayunnnn These sounds: even in the haze.”
Movie & TV adaptations
- IMDb
- IMDb
If you liked this, read…
- 1Gerald's GameAnother King novel built around confinement and psychological terror.
- 2RoomA tense story of captivity and survival in a single confined space.
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